Social Realism In The Plays Of Mahesh Dattani

The book undertakes the study of social realism in the plays of Mahesh Dattani. The social issues which Dattani has taken into consideration have been examined critically. The aspects examined have contemporary relevance and the playwright’s aim is to make audience aware about these issues. The selected plays for this book are: Where There’s a Will (1988), Dance Like a Man (1989), Tara (1990), Bravely Fought the Queen (1991), Final Solutions (1993), Do the Needful (1997), On a Muggy Night in Mumbai (1998), Seven Steps Around the Fire (1999) and Thirty Days in September (2001). The entire book is about depiction of contemporary social reality in the plays of Mahesh Dattani and the way we look at those realities and the need to change our outlook for the better of society. The issues that are discussed through these plays are religious harmony, gender equality, sexual abuse of children and glbt issues. There is focus on the concepts like realism, social realism and socialist realism. The book also describes social realism in Indian English drama. The author has tried to show how social realism has become one of the emerging trends in Indian English drama. The detailed historical account of some playwrights writing in the mode of social realism has been focused upon.

Mahesh Dattani, b. 1958, an Indian English playwright.

Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.

Regarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East. The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation. This book combines: a biography of the group, charting their history, methodology and modes of operation an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009) practical exercises and games, taken from Jana Sanskriti's workshops and festivals. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.

Contemporary Indian English Literature focuses on the recent history of Indian literature in English since the publication of Salman Rushdie's novel Midnight's Children (1981), a watershed moment for Indian writing in English in the global literary landscape. The chapters in this volume consider a wide range of poets, novelists, short fiction writers and dramatists who have notably contributed to the proliferation of Indian literature in English from the late 20th century to the present. The volume provides an introduction to current developments in Indian English literature and explains general ideas, as well as the specific features and styles of selected writers from this wide spectrum. It addresses students working in this field at university level, and includes thorough reading lists and study questions to encourage students to read, reflect on and write about Indian English literature critically.

International Journal on Multicultural Literature (IJML) Volume 7 Number 2 (July 2017)ÿISSN 2231-6248. Highlights include Solutions to Religious Communalism as Projected in Mahesh Dattani's Final Solutions: An Analysis by S. ChelliahK.V. Dominic's Winged Reason: A Portrait of Social Realism by D.C. ChambialTracing Political Bricoleurs in Winston Churchill'sÿThoughts and Adventuresÿand Khushwant Singh'sÿThe End of Indiaÿby Sreedevi R. & Raichel M. SylusPlay/Games as Sublimation of Juvenile Delinquency: An Exploration into the World of Children's Literature by Sijo VargheseIntrinsic Journey into the Epic, Savitri: A Symbolic Exploration by Santanu BasakFeminine or Feminist: Ambiguous Women in The Moor's Last Sigh by Sharmila BhattacharjeeElement of Grotesque in Carson McCullers' The Ballad of the Sad Cafe by Sarika TiwariAlec Derwent Hope on Poet and Art of Poetry by Amodini SreedharanWomen as Victims: A Study of Nalini Sharma'sÿStrange Equationsÿby S. BarathiMahesh Dattani's Final Solutions: Deconstruction of Communalism - Nidhish Kumar SinghAuthenticity of Rural Life in the Novels of Chinua Achebe, Kamala Markandaya and Ramesh K. Srivastava by Smita DasLives on Pyre: A Socio-realistic Portrayal in D.C. Chambial'sÿThe Cargoes of the Bleeding Heartsÿby Parthajit Ghosh & Madhu KamraAn Evolution of His Demography: A Socio-cultural Flow in the Fictional World of Manoj Das by Suresh Bera & Somali GuptaMaya Angelou'sÿShaker, Why Don't You Sing?: a Paroxysm of Confession by Ishita Pramanik & Shukla BanerjeeFruits of Delight in the Fields of Despair in Manas Bakshi's Dance of Satan and Other Poems by T.V. Reddy IJML is a peer-reviewed research journal in English literature published from Thodupuzha, Kerala, India. The publisher and editor is Prof. Dr. K. V. Dominic, renowned English language poet, critic, short story writer and editor who has to his credit 27 books. He is also the secretary of Guild of Indian English Writers, Editors and Critics (GIEWEC). Since 2010, IJML is a biannual journal published in January and July. The articles are sent first to the referees by the editor and only if they accept, the papers will be published. Although based in India, each issue includes worldwide contributors. Although IJML concentrates on multiculturalism, it also encompasses other literature. Each issue also includes poems, short stories, review articles, book reviews, interviews, general essays etc. under separate sections. IJML is available in paperback, Kindle, ePub, and PDF editions. Distributed by Modern History Press LCO004020 LITERARY COLLECTIONS / Asian / Indic LIT008020 Literary Criticism : Asian - Indic POL035010 Political Science : Political Freedom & Security - Human Rights Learn more at www.profKVDominc.com

‘A playwright of world stature’—Mario Relich, Wasafiri On a Muggy Night in Mumbai is the first contemporary Indian play to openly tackle gay themes of love, partnership, trust and betrayal. Kamlesh—young, gay and clinically depressed—invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times