Society Culture And The State In Germany 1870 1930

Bold new essays on Germany's critical Kaiserreich period.

The State, the Nation, and the Jews is a study of Germany's late nineteenth-century antisemitism dispute and of the liberal tradition that engendered it. The Berlin Antisemitism Dispute began in 1879 when a leading German liberal, Heinrich von Treitschke, wrote an article supporting anti-Jewish activities that seemed at the time to gel into an antisemitic "movement." Treitschke's comments immediately provoked a debate within the German intellectual community. Responses from supporters and critics alike argued the relevance, meaning, and origins of this "new" antisemitism. Ultimately the Disput.

The first cultural and political history of German Freemasonry in the 19th and early 20th centuries

Providing valuable insights into an element of European nationalism and modernist culture, this book explores the development of the 'Zionist body' as opposed to the traditional stereotype of the physically weak, intellectual Jew. It charts the cultural and intellectual history showing how the 'Muscle Jew' developed as a political symbol of national regeneration.

It has often ben suggested that artists and writers in Germany's imperial era shunned social engagement, preferring instead apolitical introspection. However, as Matthew Jefferies reveals, whether one looks at the painters, poets and architects who helped to create an official imperial identity after 1871; the cultural critics and reformers of the later 19th century; or the new generation of cultural producers that emerged in the years around 1900, the social, political and cultural were never far apart. In this attractively illustrated book, Jefferies provides a lively introduction to the principal movements in German high culture between 1871 and 1918, in the context of imperial society and politics. He not only demonstrates that Germany's 'Imperial culture' was every bit as fascinating as the much better known 'Weimar culture' of the 1920s, but argues that much of what came later has origins in the imperial period. Filling a significant gap in the current historiography, this study will appeal to all those with an interest in the rich and diverse culture of Imperial Germany.

Paul Lerner traces the intertwined histories of trauma and male hysteria in German society and psychiatry and shows how these concepts were swept up into debates about Germany's national health, economic productivity, and military strength in the years surrounding World War I. From a growing concern with industrial accidents in the 1880s through the shell shock "epidemic" of the war, male hysteria seemed to bespeak the failings of German masculinity. In response, psychiatrists struggled to turn male-hysterical bodies into fit workers and loyal political subjects. Medical approaches to trauma valorized work and productivity as standards of male health, and psychiatric treatment--whether through hypnosis, electric current, or suggestion--concentrated on turning debilitated soldiers into symptom-free workers. These concerns endured through the Weimar period, as "nervous veterans" competed for disability compensation amid the republic's political crises and economic upheavals. Hysterical Men shows how wartime psychiatry furthered the process of medical rationalization. Lerner views this not as a precursor to the brutalities of Nazi-era psychiatry, but rather as characteristic of a more general medicalized modernity. The author asserts, however, that psychiatry's continual skepticism toward trauma resonated powerfully with the radical right's celebration of war and violence and its supposedly salutary effects on men and nations.

The collapse of the supposedly ‘civilized’ German nation into the ‘barbarism’ of Hitler’s Third Reich has cast a long shadow over interpretations of German culture and society. In the remarkable work of Norbert Elias, himself a refugee from Nazi Germany, a deep concern with the distinctiveness of ‘the Germans’ is linked with an ambitious attempt to work out more general relations between broad historical processes – patterns of state formation, changing social structures – and the character of the individual self, as evidenced in changing thresholds of shame and embarrassment. In critical engagement with Elias’s notion of the ‘civilizing process’, the essays collected here explore moments of excess and transgression, moments when the very boundaries of ‘civilization’ are both constructed and challenged. Inter-disciplinary contributions – on topics ranging from medieval laughter, cursing and swearing, through to music, the bourgeois self, and aspects of modern violence – highlight the complexity of inter-relations between the individual imagination and creativity, on the one hand, and the brute facts of political power and social structural inequalities, on the other; and develop new insights into the changing patterns of culture and society in Germany from the Middle Ages to the present.

The history of criminal justice in modern Germany has become a vibrant field of research, as demonstrated in this volume. Following an introductory survey, the twelve chapters examine major topics in the history of crime and criminal justice from Imperial Germany, through the Weimar and Nazi eras, to the early postwar years. These topics include case studies of criminal trials, the development of juvenile justice, and the efforts to reform the penal code, criminal procedure, and the prison system. The collection also reveals that the history of criminal justice has much to contribute to other areas of historical inquiry: it explores the changing relationship of criminal justice to psychiatry and social welfare, analyzes representations of crime and criminal justice in the media and literature, and uses the lens of criminal justice to illuminate German social history, gender history, and the history of sexuality.