Socrates Defence

'I'll stop doing it as soon as I understand what I'm doing.' Somewhere between a historical account and work of philosophy, Socrates' Defence details the final plea of Plato's beloved mentor. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Plato (474 BC-347 BC). Plato's works available in Penguin Classics are Republic, The Last Days of Socrates, The Laws, Phaedrus, Protagoras and Meno, Timaeus and Critias, Theaetetus, Early Socratic Dialogues, The Symposium and Gorgias.

These new translations present Plato's remarkable dramatization of the momentous events surrounding the trial of Socrates in 399 BC, on charges of irreligion and corrupting the young. The Euthyphro, Defence of Socrates, and Crito form a dramatic and thematic sequence, raising fundamental questions about the basis of moral, religious, legal, and political obligation. Plato explores these issues with a freshness and directness that have never been surpassed. In the Defence of Socrates, Plato seeks not only to clear his master's name, but also to defend the whole Socratic way of life, and therefore philosophy itself. The result is an oratorical masterpiece. The Euthyphro, an inquiry into the nature of piety, probes the relationship between religion and morality. The Crito discusses the citizen's obligation to the state, in the context of a life-or-death issue confronting Socrates himself - whether or not to escape from prison. David Gallop's Introduction provides a stimulating philosophical and historical analysis of these texts, complemented by useful explanatory notes and an index of names, to make this edition invaluable to readers new to these timeless classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book offers a controversial interpretation of Plato's Apology of Socrates. By paying unusually close attention to what Socrates indicates about the meaning and extent of his irony, David Leibowitz arrives at unconventional conclusions about Socrates' teaching on virtue, politics, and the gods; the significance of his famous turn from natural philosophy to political philosophy; and the purpose of his insolent 'defense speech'. Leibowitz shows that Socrates is not just a colorful and quirky figure from the distant past but an unrivaled guide to the good life - the thoughtful life - who is as relevant today as in ancient Athens. On the basis of his unconventional understanding of the dialogue as a whole, and of the Delphic oracle story in particular, Leibowitz shows that the Apology is the key to the Platonic corpus, indicating how many of the disparate themes and apparently contradictory conclusions of the other dialogues fit together.

The Apology of Socrates was written by Plato. In fact, it’s a defensive speech of Socrates that he said in a court noted down by Plato.The main subject of the speech is a problem of the evil. Socrates insists that neither death nor death sentence is evil. We shouldn’t be afraid of the death because we don’t know anything about it. Socrates proved that the death shouldn’t be taken as the evil with the following dilemma: the death is either a peace or a transit from this life to the next. Both can’t be called evil. Consequently, the death shouldn’t be treated as evil.

"The Defense of Socrates" by Plato, is the Socratic dialogue that presents the speech of legal self-defense, which Socrates presented at his trial for impiety and corruption, in 399 BC. It begins with Socrates addressing the jury to ask if the men of Athens (the jury) have been persuaded by the Orators Lycon, Anytus, and Meletus, who have accused Socrates of corrupting the young people of the city and of impiety against the pantheon of Athens. The first sentence of his speech establishes the theme of the dialogue -- that philosophy begins with an admission of ignorance. Socrates later clarifies that point of philosophy when he says that whatever wisdom he possesses comes from knowing that he knows nothing (23b, 29b).In the course of the trial, Socrates imitates, parodies, and corrects the Orators, his accusers, and asks the jury to judge him by the truth of his statements, not by his oratorical skill (cf. Lysias XIX 1,2,3; Isaeus X 1; Isocrates XV 79; Aeschines II 24). Socrates says he will not use sophistic language -- carefully arranged ornate words and phrases -- but will speak using the common idiom of the Greek language. He affirms that he will speak in the manner he is heard using in the agora and at the money tables. Despite his claim of ignorance, Socrates speaks masterfully, correcting the Orators and showing them what they should have done -- speak the truth persuasively and with wisdom. Although offered the opportunity to appease the prejudices of the jury, with a minimal concession to the charges of corruption and impiety, Socrates does not yield his integrity to avoid the penalty of death. Accordingly, the jury condemns Socrates to death.

These new translations present Plato's remarkable dramatizations of the momentous events surrounding the trial of Socrates on charges of irreligion and corrupting the young.

Plato's Meno and Phaedo are two of the most important works of ancient western philosophy and continue to be studied around the world. The Meno is a seminal work of epistemology. The Phaedo is a key source for Platonic metaphysics and for Plato's conception of the human soul. Together they illustrate the birth of Platonic philosophy from Plato's reflections on Socrates' life and doctrines. This edition offers new and accessible translations of both works, together with a thorough introduction that explains the arguments of the two dialogues and their place in Plato's thought.