Socratic Charis

This book explores the possibility that Plato's philosophia is influenced by non-agonal practices and values that historically and philosophically antedate the agonal practices of the Athenian ekklesia. The author surveys literature concerning the predominance of agonal in ancient Greek culture, the values associated with oral poetic performance as a religious practice, and the ubiquitous character of the gift practice known as xenia in the ancient world. The author compares the structure of the agon to the structure of other ancient practices, and reasons that while agonistic practices are oppositional and binary, poetic and social practices are narrative and plural and exemplify, alternative to the agonal, the value of charis--grace. Reading Socratic speech and Socratic inquiry in terms of charis illuminates the narrative structure of Plato's portrayal of Socrates and precludes one-dimensional analyses of Plato's writings as philosophically agonistic and demonstrative. Rather the value of Socratic charis illustrates the value of genuine dialogue, and the author suggests how revaluing Socratic dialogue in light of charis can be relevant to current thinking about philosophy, politics, and the agon.

This book explores the possibility that Plato’s philosophia is influenced by non-agonal practices and values that historically and philosophically antedate the agonal practices of the Athenian ekklesia. The author surveys literature concerning the predominance of agonal in ancient Greek culture, the values associated with oral poetic performance as a religious practice, and the ubiquitous character of the gift practice known as xenia in the ancient world. The author compares the structure of the agon to the structure of other ancient practices, and reasons that while agonistic practices are oppositional and binary, poetic and social practices are narrative and plural and exemplify, alternative to the agonal, the value of charis—grace. Reading Socratic speech and Socratic inquiry in terms of charis illuminates the narrative structure of Plato’s portrayal of Socrates and precludes one-dimensional analyses of Plato’s writings as philosophically agonistic and demonstrative. Rather the value of Socratic charis illustrates the value of genuine dialogue, and the author suggests how revaluing Socratic dialogue in light of charis can be relevant to current thinking about philosophy, politics, and the agon.

One of classical Greece's most worldly and lucid writers, Xenophon across his many works gave a restless criticism of power: democratic, oligarchic and autocratic. From military campaigns (in which he took part), through the great powers of his day (Sparta, Persia, Athens) to modes of control within the household, he observed intimately and often with partisan passion. In this work a leading French Hellenist, Vincent Azoulay, analyses across Xenophon's diverse texts the techniques by which the Greek writer recommends that leaders should manipulate. Through gifts and personal allure, though mystique, dazzling appearance, exemplary behaviour, strategic absences - and occasional terror, Xenophon analyses ways in which a powerful few might triumphantly replace the erratic democracies and self-indulgent oligarchies of his day. First published in French (in 2004) to international acclaim, this book is here translated for the first time, revised and updated.

Plato and Xenophon: Comparative Studies contains a wide variety of comparative studies of the writings of Plato and Xenophon, from philosophical, literary, and historical perspectives.

In Philosophy as Agôn: A Study of Plato's Gorgias and Related Texts, Robert Metcalf offers a fresh interpretation of Plato's dialogues as dramatic texts whose philosophy is not so much a matter of doctrine as it is a dynamic, nondogmatic, and open-ended practice of engaging others in agonistic dialogue. Metcalf challenges prevailing interpretations according to which the agôn (contest or struggle) between the interlocutors in the dialogues is inessential to Plato's philosophical purpose, or simply a reflection of the cultural background of ancient Greek life. Instead, he argues that Plato understands philosophy as essentially agonistic—involving the adversarial engagement of others in dialogue such that one's integrity is put to the test through this engagement, and where the agôn is structured so as to draw adversaries together in agreement about the matters at issue, though that agreement is always open to future contest. Based on a careful reading of the Gorgias and related Socratic dialogues, such as Apology and Theaetetus, Metcalf contends that agôn is indispensable to the critique of prevailing opinions, to the transformation of the interlocutor through shame-inducing refutation, and to philosophy as a lifelong training (askêsis) of oneself in relation to others.

Questions about how ancient Greek texts establish their authority, reflect on each other, and project their own truths have become central for a wide range of recent critical discourses. In this volume, an influential group of international scholars examines these themes in a variety of poetic and rhetorical genres. The result is a series of striking and original readings from different critical perspectives that display the centrality of these questions for understanding the poetic and rhetorical aims of ancient Greek texts. Characterized by a combination of close attention to philological detail and theoretical sophistication, the essays in this volume make a compelling case for this kind of focused, critically informed dialogue about the nature of ancient textual praxis. Students of classical literature will find a wealth of critical insights and challenging new readings of many familiar texts.

How do we live well? The first sentence of Grace and Gravity raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we “cannot say if we are moving or being moved”. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, Grace and Gravity offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.

The timeless tales from the early books of the Bible have captivated generations. In this lush storybook, the fresh voice of lyrical storyteller Donna Jo Napoli and the lavish artwork of Christina Balit bring classic stories to life for a young, modern audience. Noah's Ark, Moses, David and Goliath, the ten plagues, Daniel and the lions' den, Jonah and the giant fish, and many more of the Bible's most powerful stories--27 in all--are compellingly retold in this beautifully illustrated treasury. Readers will be fascinated by the ancient people and events they encounter, surprised by some of the lesser known accounts revealed, and inspired by the lessons these tales impart. Stories cover important ground beyond religion, such as culture, history, and geography, and they touch on issues that remain relevant today--faith, loyalty, kindness, violence, generosity, greed, jealousy, and more. These accessible, readible stories give kids a rich picture of biblical times, which encourages them to think about our role in the world and to learn more. Napoli's magicial storytelling is sure to ignite children's imaginations. Along with Balit's stunning art, this is a book kids will want to explore again and again--a classic that families can read aloud together.