Soldier From The Wars Returning

Soldier from the Wars Returning is one of the truest, most profound and readable personal accounts of the Great War. The author waited nearly fifty years before writing it, and the perspective of history enhances its value. He writes only of the battles in which he participated (including the Somme and Passchendaele), though his comments on affairs beyond his knowledge at the time, through later study and reflection, are pungent and stimulating. Among other topics, he describes the politicians, the generals, Kitchener's Army, Hore-Belisha, German gas attacks, Picardy, dug-outs, tanks, the sex-life of the soldier, scrounging. trench kits and the censoring of letters. The author saw the First World War from below, as a fighting soldier in a line regiment. In the Second World War he served as a staff officer liaising between the Army and the RAF; serving two tours at RAF Bomber Command HQ at High Wycombe. This equipped him to draw forthright comparisons between the conduct of the two wars.

One of our most enduring national myths surrounds the men and women who fought in the so-called "Good War." The Greatest Generation, we're told by Tom Brokaw and others, fought heroically, then returned to America happy, healthy and well-adjusted. They quickly and cheerfully went on with the business of rebuilding their lives. In this shocking and hauntingly beautiful book, historian Thomas Childers shatters that myth. He interweaves the intimate story of three families--including his own--with a decades' worth of research to paint an entirely new picture of the war's aftermath. Drawing on government documents, interviews, oral histories and diaries, he reveals that 10,000 veterans a month were being diagnosed with psycho-neurotic disorder (now known as PTSD). Alcoholism, homelessness, and unemployment were rampant, leading to a skyrocketing divorce rate. Many veterans bounced back, but their struggle has been lost in a wave of nostalgia that threatens to undermine a new generation of returning soldiers. Novelistic in its telling and impeccably researched, Childers's book is a stark reminder that the price of war is unimaginably high. The consequences are human, not just political, and the toll can stretch across generations.

"I looked around my cell and saw the sheet of paper taped to the door at chest height. It listed everything in the room, chair, bed, soldier box … For a moment I thought it meant the cell itself; a box to put soldiers in." When the War on Terror began, Briton Joe Glenton felt compelled to serve his nation. He passed through basic training and deployed to Afghanistan in 2006. What he saw overseas left him disillusioned, and he returned home increasingly political and manifesting symptoms of post-traumatic stress disorder. When he refused to return for a second tour, he was denied his right to object and called “a coward and a malingerer.” He went absent without leave and left the country, returning later to the UK voluntarily to campaign against the wars. The military accused him of desertion and threatened years in prison. Soldier Box tells the story of Glenton’s extraordinary journey from a promising soldier to a rebel against what he came to see as unjustified military action.

General John A. Wickham, commander of the famous 101st Airborne Division in the 1970s and subsequently Army Chief of Staff, once visited Antietam battlefield. Gazing at Bloody Lane where, in 1862, several Union assaults were brutally repulsed before they finally broke through, he marveled, "You couldn't get American soldiers today to make an attack like that." Why did those men risk certain death, over and over again, through countless bloody battles and four long, awful years ? Why did the conventional wisdom -- that soldiers become increasingly cynical and disillusioned as war progresses -- not hold true in the Civil War? It is to this question--why did they fight--that James McPherson, America's preeminent Civil War historian, now turns his attention. He shows that, contrary to what many scholars believe, the soldiers of the Civil War remained powerfully convinced of the ideals for which they fought throughout the conflict. Motivated by duty and honor, and often by religious faith, these men wrote frequently of their firm belief in the cause for which they fought: the principles of liberty, freedom, justice, and patriotism. Soldiers on both sides harkened back to the Founding Fathers, and the ideals of the American Revolution. They fought to defend their country, either the Union--"the best Government ever made"--or the Confederate states, where their very homes and families were under siege. And they fought to defend their honor and manhood. "I should not lik to go home with the name of a couhard," one Massachusetts private wrote, and another private from Ohio said, "My wife would sooner hear of my death than my disgrace." Even after three years of bloody battles, more than half of the Union soldiers reenlisted voluntarily. "While duty calls me here and my country demands my services I should be willing to make the sacrifice," one man wrote to his protesting parents. And another soldier said simply, "I still love my country." McPherson draws on more than 25,000 letters and nearly 250 private diaries from men on both sides. Civil War soldiers were among the most literate soldiers in history, and most of them wrote home frequently, as it was the only way for them to keep in touch with homes that many of them had left for the first time in their lives. Significantly, their letters were also uncensored by military authorities, and are uniquely frank in their criticism and detailed in their reports of marches and battles, relations between officers and men, political debates, and morale. For Cause and Comrades lets these soldiers tell their own stories in their own words to create an account that is both deeply moving and far truer than most books on war. Battle Cry of Freedom, McPherson's Pulitzer Prize-winning account of the Civil War, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." For Cause and Comrades deserves similar accolades, as McPherson's masterful prose and the soldiers' own words combine to create both an important book on an often-overlooked aspect of our bloody Civil War, and a powerfully moving account of the men who fought it.

“Unsparing, scathingly direct, and gut-wrenching . . . the war Washington doesn’t want you to see” (Andrew J. Bacevich, New York Times–bestselling author of Washington Rules) This “uncompromisingly visceral” account (Mother Jones) of what combat does to American soldiers comes from a veteran journalist who was embedded with troops in Afghanistan and reveals the harrowing journeys of the wounded, from the battlefield to back home. Along the way, the author of the acclaimed Kabul in Winter shows us the dead, wounded, mutilated, brain-damaged, drug-addicted, suicidal, and homicidal casualties of our distant wars, exploring the devastating toll such conflicts have taken on us as a nation. “An indispensable book about America’s current wars and the multiple ways they continue to wound not only the soldiers but their families and indeed the country itself. Jones writes with passion and clarity about the tragedies other reporters avoid and evade.” —Marilyn Young, editor of Iraq and the Lessons of Vietnam

Scarred by memories of World War II, soldier Sam Richardson returns home in 1946 and strives to manage changes in his family, which includes a young son who barely remembers him and a wife with a new sense of independence from her wartime job.

“Last Poems” is a 1936 collection of poetry by A. E. Housman. The poems include: “The West”, “Llic Jacet”, “Grenadier”, “Lancer”, “The Deserter”, “The Culprit”, “Eight O'Clock”, “Spring Morning”, “Astronomy”, “Epithalamium”, “The Oracles”, “Sinner's Rue”, “Hell's Gate”, “Revolution”, “Epitaph On An Army Of Mercenaries”, and “Fancy's Knell”. Alfred Edward Housman (1859–1936), also known as A. E. Housman, was an English poet and classical scholar considered to be one of the greatest scholars who ever lived. A fantastic collection of classic poetry by a master of the form. This classic work is being republished now in a new edition complete with a chapter from “Twenty-Four Portraits” by William Rothenstein.