Some Hell

A wrenching and layered debut novel about a gay teen’s coming-of-age in the aftermath of his father’s suicide Colin’s family is dissolving in the aftermath of his father’s suicide. While his mother, Diane, retreats into therapy and cynicism, Colin clings to every shred of normal life. Awash with guilt, he casts about for someone to confide in: first his estranged grandfather, then a predatory science teacher. Shunned by his siblings and rejected by his homophobic best friend, Colin immerses himself in the notebooks his father left behind. Full of strange facts, lists, and historical anecdotes that neither Colin nor Diane can understand, the notebooks infect their worldview until they can no longer tell what’s real and what’s imagined. A novel of aching intensity, Some Hell shows how unspeakable tragedy shapes a life, and how imagination saves us from ourselves.

New York Times Best Seller and Over 1 million copies sold! Over 750 5-Star reviews Wiese’s visit to the devil’s lair lasted just twenty-three minutes, but he returned with vivid details etched in his memory, capturing the attention of national media, including the Christian Broadcasting Network, Daystar Television Network, Trinity Broadcasting Network, the Miracle Channel, Sid Roth’s It’s Supernatural!, Sean Hannity’s America, Charisma News, and many others. Awaken to the realities of hell, the afterlife and the urgency to live for Christ in your short time here on earth.. Bill Wiese experienced something so horrifying it continues to captivate the world. He saw the searing flames of hell, felt total isolation, smelled the putrid and rotting stench, heard deafening screams of agony, and experienced terrorizing demons. Finally the strong hand of God lifted him out of the pit. This expanded anniversary edition includes more than 150 Bible verses referencing hell for further study. Also included is the new section, “Wrestling With the Big Questions” where Bill answers these and many others questions: Why do some people who have a near-death experience see a bright light? Will those who never heard about Jesus go to hell? Is hell eternal, or are those in hell simply annihilated?

The Real Truth Behind Dream-Hearted Poet "I was born an original, never die as a copy." Nicholas Talerico is an author, a brilliant poet, and one of the most successful, outstanding, recognized number one best seller of the year and poet of all time. Only a few of his friends in his small town of Bourbonnais really knew him personally and what he had to offer to this world. Dream-Hearted Poet was recognized because of Nicholas's creativity. He is one of the fewest most intelligent, downright humble, and gentle author you will ever meet. This book will not only take you on a journey, but it would literally take your breath away, with not only general poetry but true poems that will have you thinking about chasing your dreams. Critics have rated this book as a number one bestselling book of all time for being most original and creative. This updated edition that features new and old will leave you wanting to chase your dreams and still finding and believing in yourself though you feel lost.

It was December 3, 1943, and American warplanes were on assignment over Nazi Germany. Sergeant William Rasmussen was the ball turret gunner on the Hell's Belle, a B-17 heavy bomber. During one of its missions, the Belle was shot down and the captured American flyers were sent to the notorious German prison camp Stalag 17B. In Stalag the American prisoners of war had to deal with the harsh rules imposed by the German Commandant as well as deplorable living conditions: filth, bitter cold, starvation and disease. Told through the eyes of one young flyer, the book has non-stop action, emotion and humor, and captures the upbeat and undefeatable spirit of America's finest young men who served the United States during WWII. Randall L. Rasmussen, M.D., used his father's memoirs, "From a B-17 to Stalag 17B," as the basis for this book. Dr. Rasmussen also explored William Rasmussen's notes, the verbal history that he recorded at the local library, research material, and recollections of the narratives he heard his father tell so many times over the years. William Rasmussen was a popular guest speaker at press clubs, library clubs and service organizations in Michigan's lower peninsula near his home. His narratives were enjoyed immensely since he had a special gift of being able to captivate audiences as they shared his experiences flying over Nazi Germany and being a prisoner of war.

Hell’s Kitchen is among Manhattan’s most storied and studied neighborhoods. A working-class district situated next to the West Side’s middle- and upper-class residential districts, it has long attracted the focus of artists and urban planners, writers and reformers. Now, Joseph Varga takes us on a tour of Hell’s Kitchen with an eye toward what we usually take for granted: space, and, particularly, how urban spaces are produced, controlled, and contested by different class and political forces. Varga examines events and locations in a crucial period in the formation of the Hell’s Kitchen neighborhood, the Progressive Era, and describes how reformers sought to shape the behavior and experiences of its inhabitants by manipulating the built environment. But those inhabitants had plans of their own, and thus ensued a struggle over the very spaces—public and private, commercial and personal—in which they lived. Varga insightfully considers the interactions between human actors, the built environment, and the natural landscape, and suggests how the production of and struggle over space influence what we think and how we live. In the process, he raises incisive questions about the meaning of community, citizenship, and democracy itself.

An outlaw motorcycle club is a band of brothers like no other. Hidden away from mainstream society behind multiple layers of secrecy, mythology and a sophisticated campaign of misinformation that portrays them as nothing more than loveable rogues, the brutal truth about the biker world has long escaped public scrutiny. In reality, today's outlaw bikers are at the epicentre of a violent underworld subculture, enforced by a ruthless code of silence, and control a global criminal empire worth millions. Spanning the UK, Europe, America, Canada and Australia, OUTLAWS by Tony Thompson is a compelling, shocking and chilling story of how bikers are born and made, and how and why they die.

The Archaeology in Annapolis project has been one of the most important undertaken by historical archaeologists. Notable for its emphasis on public education and its use of citywide research, it has carried out an innovative analysis of material culture to show how a wide range of social and economic classes residing in Maryland's capital responded over time to a changing world.Annapolis Pasts offers a close look at the trend-setting project. Drawing on more than a decade of study, it provides a cross-section of the substantive and theoretical issues that Archaeology in Annapolis has explored. The volume gathers the work of some of the most innovative authorities in historical archaeology along with that of younger scholars who participated in the project, all of whom demonstrate the cutting-edge approaches that have won it wide respect. And despite differences in theoretical orientations, all the contributors have used Annapolis's archaeological data to interpret the emergence of capitalism as both a dynamic market force and an equally dynamic body of social rules. In studies of sites ranging from eighteenth-century formal gardens to nineteenth- and twentieth-century African American neighborhoods, the book explores the development of modern society as reflected in such examples of material culture as food, printer's type, tableware, and landscape architecture, showing how these features of everyday life were used to reproduce, modify, and resist capitalist society over three centuries. It also investigates subordinated groups in Annapolis -- African Americans, women, the working class -- to provide insight into racism, class structure, and consumer society in the early years of theindustrial revolution.Annapolis Pasts clearly demonstrates that traditional objects of study like Georgian mansions and colonial crafts cannot be understood without considering their complete social and economic milieu. It presents a fascinating mosaic of human activity that shows how archaeologists can interpret the different social, temporal, and theoretical pieces of a city's history, and it provides anthropologists, economists, and historians with an example of the multifaceted effects of capitalism and industrialization in one corner of America.

Susan Sontag meets Hanif Abdurraqib in this fascinating exploration of the unexpected connections between how we consume images and the insidious nature of Fascism. Images come at us quickly, often without context. A photograph of Syrian children suffering in the wake of a chemical attack segues into a stranger’s pristine Instagram selfie. Before we can react to either, a new meme induces a laugh and a share. While such constant give and take might seem innocent, even entertaining, this barrage of content numbs our ability to examine critically how the world, broken down into images, affects us. Images without context isolate us, turning everything we experience into mere transactions. It is exactly this alienation that leaves us vulnerable to fascism—a reactionary politics that is destroying not only our lives and our nations, but also the planet’s very ability to sustain human civilization. Who gets to control the media we consume? Can we intervene, or at least mitigate the influence of constant content? Mixing personal anecdotes with historical and political criticism, Image Control explores art, social media, photography, and other visual mediums to understand how our culture and our actions are manipulated, all the while building toward the idea that if fascism emerges as aesthetics, then so too can anti-fascism. Learning how to ethically engage with the world around us is the first line of defense we have against the forces threatening to tear that world apart.