Some Human Oddities

This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the "human curiosities" found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens.

A collection of short works focuses on a central theme of the human body as a landscape, in a volume that relates the experiences of such characters as separated conjoined twins, drag queens, and hospital orderlies. A first collection. Original.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From acclaimed science writer, presenter, and illustrator Alice Roberts, a visual and linguistic adventure through the strange, astonishing worlds within our anatomy Did you know you have cobwebs in your head, hair in your lungs, and snails in your ears? In the world of anatomy, every name paints a picture: from the arachnoid mater, a brain membrane resembling a spider’s web, to the ciliated epithelium of the respiratory tract (from the Latin for “eyelash”) and the curlicue cochleas (from the Greek for “snail”) that power our hearing. Quirky, bizarre, and beautiful, Anatomical Oddities traverses the body’s crypts, islets, and mountains to reveal a secret map of organ, tissue, and bone—complete with peculiar place names (duodenum, from the Greek for “twelve-fingers-long part of the gut”) and overlooked but essential regions (like the orbicularis oculi, the muscle that lets us blink). Featuring stunning original artwork by the author—acclaimed science writer and presenter Alice Roberts— these fifty-seven brief lessons in anatomy lay bare the intricate details of the human body, the history of those who unearthed its secrets, and the rich world of language that gives us form.

In Human Oddities, we meet Siamese twins, newly separated, drag queens, and seedy hospital orderlies. A corpse washed up on the beach, cancer diagnoses, and tummy tuck operations all intrude abruptly into characters' lives; sadness is interrupted by hilarity. Jablonski's characters cope with the drama of the body and what it means, what it feels like, to be marked as different. If Ludwig Wittgenstein's belief that "the human body is the best picture of the human soul" is right, what does that say about the diseased body, the less–than–perfect body? Without flinching, Noria Jablonski shows us the passions and longings of her characters, made more vivid by their bodies in doubt, on hold, in transit. Her earthy, pungent characters and deadpan narrative style leave their mark on a reader. With the blunt, gritty impact of a Diane Arbus photograph, these are stories of lives not commonly recorded, and the characters—often physically unique, some might say monstrous—are delivered with compassion, dignity, and a hopeful, therapeutic humor. Brought to light, they deepen our understanding of the human condition, revealing us to ourselves.

Step away from the screen and learn science in the real world. Discover amazing tricks of the human body with these hands-on projects like optical illusions, involuntary movement, and balance challenges. Step-by-step instructions and photos guide readers through each activity and Science Takeaway sidebars explain the science behind the results. All projects use common materials found around the house.