Somebody Else S Life

Cooper and his accomplice deceive a string of women.

How can you face your future when your past it a lie? When Rosie Kenning's mother, Trudie, dies from Huntingdon's disease, her whole world falls apart. Not only does Rosie desperately miss her mum, but now she has to face the fact that she could have inherited the fatal illness herself. Until she discovers that Trudie wasn't her biological mother at all ... Rosie is stunned. Can this be true? Is she grieving for a mother who wasn't even hers to lose? And if Trudie wasn't her mother, whois? But as Rosie delves into her past to discover who she really is, she is faced with a heart-breaking dilemma - to continue living a lie, or to reveal a truth that will shatter the lives of everyone around her...

A wise, tender, and funny summer adventure story from one of Canada's most beloved writers for children. On a flight from Vancouver to Toronto, two girls meet, forming an unlikely friendship. Tall, athletic Samantha is going to spend the summer with a family friend while her father is in South America. Alexis, a shy girl who likes books, is being sent to a horse farm to learn how to ride while her mother and stepfather are travelling in Australia. As they talk, Sam and Alex realize they'd each rather be doing what the other is: Sam's elderly hostess runs a bookshop, and the family Alex is staying with is young and boisterous. By the time their flight lands in Toronto, the girls have hatched their plot. They're going to trade places for the summer. After all, the people they're going to visit have never met them, and their own parents are far away and hard to contact. But will they manage to pull it off? For how long? And with what consequences?

Gold winner of the AXIOM Business Book Award in the category of Philanthropy, Non-Profit, Sustainability. Please see: http://www.axiomawards.com/77/award-winners/2017-winners Consumerism promises a shortcut to a 'better' life through the accumulation of certain fashionable goods and experiences. Over recent decades, this has resulted in a rising tide of cheap, short-lived goods produced, used and discarded in increasingly rapid cycles, along the way depleting resources and degrading environmental systems.Somebody Else’s Problem calls for a radical change in how we think about our material world, and how we design, make and use the products and services we need. Rejecting the idea that individuals alone are responsible for the environmental problems we face, it challenges us to look again at the systems, norms and values we take for granted in daily life, and their cumulative role in our environmental crisis.Robert Crocker presents an overview of the main forces giving rise to modern consumerism, looks closely at today’s accelerating consumption patterns and asks why older, more ‘custodial’ patterns of consumption are in decline. Avoiding simplistic quick-fix formulas, the book explores recommendations for new ways of designing, making and using goods and services that can reduce our excess consumption, but still contribute to a good and meaningful life.

The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning narratives featuring black protagonists in crime stories, conspiracy thrillers, prison novels, and Westerns. From Iceberg Slim’s Pimp to Donald Goines’s Never Die Alone, the thread that tied all of these books together—and made them distinct from the majority of American pulp—was an unfailing veneration of black masculinity. Zeroing in on Holloway House, Street Players explores how this world of black pulp fiction was produced, received, and recreated over time and across different communities of readers. Kinohi Nishikawa contends that black pulp fiction was built on white readers’ fears of the feminization of society—and the appeal of black masculinity as a way to counter it. In essence, it was the original form of blaxploitation: a strategy of mass-marketing race to suit the reactionary fantasies of a white audience. But while chauvinism and misogyny remained troubling yet constitutive aspects of this literature, from 1973 onward, Holloway House moved away from publishing sleaze for a white audience to publishing solely for black readers. The standard account of this literary phenomenon is based almost entirely on where this literature ended up: in the hands of black, male, working-class readers. When it closed, Holloway House was synonymous with genre fiction written by black authors for black readers—a field of cultural production that Nishikawa terms the black literary underground. But as Street Players demonstrates, this cultural authenticity had to be created, promoted, and in some cases made up, and there is a story of exploitation at the heart of black pulp fiction’s origins that cannot be ignored.

Beloved stage and screen actor Danny Aiello’s big-hearted memoir reveals a man of passion, integrity, and guts—and lays bare one of the most unlikely success stories ever told. Danny Aiello admits that he backed into his acting career by mistake. That’s easy to see when you begin at the beginning: raised by his loving and fiercely resilient mother in the tenements of Manhattan and the South Bronx, and forever haunted by the death of his infant brother, Danny struggled early on to define who he was and who he could be. It wasn’t until he took to the stage in the wee hours to belt out standards that Danny Aiello found his voice and his purpose: he was born to act. Performing in converted churches and touring companies led to supporting roles in such films as The Godfather: Part II and Moonstruck, and an Oscar nomination for his role as the embattled Salvatore in Spike Lee’s Do the Right Thing. For a guy who had never set foot in an acting class, this was supreme validation for being an outsider who followed his heart. In a raw and real chronicle of his gritty urban past, Danny Aiello looks back with appreciation, amusement, and frank disbelief at his unconventional road to success. He offers candid observations on working with luminary directors Francis Ford Coppola, Woody Allen, and Robert Altman, among others, and a vast roster of actors, including Robert De Niro, Paul Newman, Madonna, Cher, and Lauren Bacall. He opens up about friends he loved, friends he lost, and the professional relationships that weren’t meant to be. Above all, Danny Aiello imparts a life lesson straight out of his own experience to anyone who’s ever felt like an outsider: It’s never too late to become who you want to be, to find happiness and fulfillment, and to embrace the winding road to get there.

A taut, complex psychological thriller from the author of The Doctor's Wife Like The Doctor's Wife - which The Boston Globe called "a compelling read"-Somebody Else's Daughter is a literary page-turner peopled with fascinating and disturbing characters. In the idyllic Berkshires, at the prestigious Pioneer School, there are dark secrets that threaten to come to light. Willa Golding has been brought up by her adoptive parents in elegant prosperity, but they have fled a mysterious and shameful past. Her biological father, a failing writer and former drug addict, needs to see the daughter he abandoned, and in order to do so, he gains a teaching position at Pioneer School. A feminist sculptor initiates a reckless affair, the Pioneer students live in a world to which adults turn a blind eye, and the headmaster's wife is busy keeping her husband's current indiscretions well hidden. Building to a breathtaking collision between two fathers (biological and adoptive), Somebody Else's Daughter is both a suspenseful thriller and a probing study of richly conflicted characters in emotional turmoil.

The new novel from the bestselling author of THINGS MY GIRLFRIEND AND I HAVE ARGUED ABOUT. Chris is 25. He has a job in advertising he despises - despite being naturally brilliant at creating shamelessly successful campaigns - an 'artistic' girlfriend, and his two best mates from university, who spend a lot of time playing pool, drinking Grolsch and quoting lines from Robocop at each other. But Chris's life is about to change. The eighties are coming to an end and he must take decisive action if he is to fulfil what he suspects is his true potential. So, after pre-emptively celebrating the fact he is about to hand in his resignation, Chris goes to bed drunk in 1988 but very unexpectedly wakes up in 2006, with an unbelievable hangover, a long-suffering (and worryingly 'old'-looking) stranger for a wife, a life that hasn't turned out the way he had hoped for at all, and an unnerving amount of new body hair...