Sonatas For Piano No 16 To 32
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Complete piano sonatas No 16 32
Author | : Ludwig van Beethoven |
Publsiher | : Courier Corporation |
Total Pages | : 338 |
Release | : 1975-01-01 |
Genre | : Music |
ISBN | : 9780486231358 |
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The music for the piano sonatas of Ludwig van Beethoven are accompanied by extensive critical notes
Sonatas for piano no 16 to 32
Author | : Ludwig van Beethoven |
Publsiher | : Unknown |
Total Pages | : 316 |
Release | : 1983 |
Genre | : Piano music |
ISBN | : UCSD:31822002479319 |
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Sonatas for piano Sonatas 16 32
Author | : Ludwig van Beethoven |
Publsiher | : Unknown |
Total Pages | : 338 |
Release | : 1898 |
Genre | : Sonatas (Piano) |
ISBN | : CUB:U183038268438 |
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Beethoven s Dedications
Author | : Artur Pereira |
Publsiher | : Routledge |
Total Pages | : 305 |
Release | : 2020-12-30 |
Genre | : Music |
ISBN | : 9780429997877 |
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The dedication of a piece of music is a feature generally overlooked, but it can reveal a great deal about the work, the composer, the society and the music world in which the composer lived. This book explores the musical, biographical and sociological aspects of the practice of dedicating new compositions in the late 18th and early 19th centuries, and makes a significant contribution towards a better understanding of the impact these tributes had on Beethoven’s life and work, and their function within the context of the musical, cultural and economic environments in which they appeared. As the first of its kind, this study demonstrates that, as a result of their different functions, published dedications and handwritten inscriptions are distinct from one another, and for that reason they have been classified in different categories. This book, therefore, challenges the idea of what exactly can be termed as a ‘dedication’, a concept which extends far beyond the dedication of musical works.
Beethoven Violin Concerto
Author | : Robin Stowell |
Publsiher | : Cambridge University Press |
Total Pages | : 142 |
Release | : 1998-02-12 |
Genre | : Music |
ISBN | : 9780521451598 |
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Beethoven's Violin Concerto was the only significant work of this genre to appear between Mozart's five concertos of 1775 and Mendelssohn's E minor Concerto of 1844. This handbook explores the background to Beethoven's work, its genesis, its place in the composer's oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work's textual problems are considered, including discussion of the composer's version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.
Piano sonatas
Author | : Muzio Clementi |
Publsiher | : Courier Corporation |
Total Pages | : 164 |
Release | : 1992-01-01 |
Genre | : Music |
ISBN | : 9780486273105 |
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Includes Sonata in G Minor, Op. 7, No. 3; Sonata in F Major, Op. 13, No. 6; Sonata in B Minor, Op. 40, No. 2, plus 7 more. Most from C. F. Peters edition.
Ludwig van Beethoven
Author | : Anonim |
Publsiher | : PediaPress |
Total Pages | : 553 |
Release | : 2024 |
Genre | : Electronic Book |
ISBN | : 9182736450XXX |
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The Finale in Western Instrumental Music
Author | : Michael Talbot |
Publsiher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 0198166958 |
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The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.