Song Divine

"Everything starts with a song and everything ends with another song," says the narrator of The Divine Song. Paris is an old Sufi cat who keeps watch over his brilliant yet pathetic master, Sammy Kamau-Williams, the Enchanter. In Sammy, we recognize the African American singer-composer, poet, and novelist Gil Scott-Heron who is best known for his song "The Revolution Will Not Be Televised." ​The Divine Song takes us from the shores of Africa to Sammy's ancestors' arrival in the Americas in the hold of the slave ships. From there, Abdourahman A. Waberi takes the characters from Tennessee--under the tutelage of Lili Williams, Sammy's beloved African-born grandmother--to New York and the concert halls of Paris and Berlin, wherever blues and jazz find an enchanted audience. African tales, religious practices, segregation, the civil rights movement, addiction, and jail--Sammy's life comes to encompass the whole of the African American experience. At a time when social and racial divisions have yet again come into sharp relief, this lyrical novel by one of African literature's rising stars is necessary reading for anyone who celebrates the resilience of art.

Divine Soul Songs carry divine frequency and vibration, with divine love, forgiveness, compassion, and light. Millions are searching for soul secrets, wisdom, knowledge, and practices to fulfill their spiritual journeys. They want to know the purpose of life. They want their spiritual journeys to be deeply blessed. They also want to transform their physical lives. They want health. They want happiness. They want to prolong life. They want good relationships. They want financial abundance. The Divine Soul Songs offered in this book can transform every aspect of your life. They are treasures to be used for healing, rejuvenation, and purification of your soul, heart, mind, and body, and the souls, hearts, minds, and bodies of others. Every book in the Soul Power Series offers new teachings to empower readers to do soul selfhealing and more, but this book has more practical exercises than any other. Here Dr. Sha gives you the experience of a live Divine Soul Songs workshop with him. He presents these treasures in such a simple and practical way that you'll soon experience profound results. Enjoy them. Practice them. Benefit from them. Use these divine treasures to serve yourself, your loved ones, and others.

A new translation of the timeless spiritual classic, with an in-depth commentary inspired Advaita Vedanta

In this volume, Carolyn M. Laferrière examines Athenian vase-paintings and reliefs depicting the gods most frequently shown as musicians to reconstruct how images suggest the sounds of the music the gods made. Incorporating insights from recent work in sensory studies, she applies formal analysis together with literary and archaeological evidence to reconstruct the musical culture of Athens. Laferrière shows how images suggest the sounds of the gods' music. This representational strategy, whereby sight and sound are blurred, conveys the 'unhearable' nature of their music: Because it cannot be physically heard, it falls to human imagination to provide its sounds and awaken viewers' multisensory engagement. Moreover, when situated within their likely original contexts, the objects establish a network of interaction between the viewer, the visualized music, and the landscape, all of which determined how divine music was depicted, perceived, and reciprocated. Laferrière demonstrates that participation in the gods' musical performances offered worshippers an multisensory experience of divine presence.

"A variety of Chinese writings-medical texts, religious treatises, fiction, and anecdotes-from the Song period (960-1279) depict women who were considered peculiar because their sexual bodies did not belong to men. These were women who refused to marry, were considered unmarriageable, or were married but denied their husbands sexual access, thereby removing themselves from social constructs of female sexuality defined in relation to men. As elite male authors attempted to make sense of these incomprehensible women whose sexual bodies were unavailable to them, they were forced to contemplate the purpose of women's bodies and lives apart from wifehood and motherhood. This raised troubling new questions about normalcy, desire, sexuality, and identity. In Divine, Demonic, and Disordered Hsiao-wen Cheng considers accounts of "manless women," many of which depict women who suffered from "enchantment disorder" or who engaged in "intercourse with ghosts"-conditions with specific symptoms and behavioral patterns. Through her questioning of conventional binary gender analyses and heteronormative assumptions, she shifts attention away from women's reproductive bodies and familial roles and offers historians of China and readers interested in women, gender, sexuality, medicine, and religion a fresh look at the unstable meanings attached to women's behaviors and lives even in a time of codified patriarchy"--