Song Of A Nation

NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.

The greatest story never told, this formidable and gorgeously written biography documents the amazing and controversial short life of Calixa Lavallée--the composer of "O Canada"--and the tumult of 19th-century North America. He was a composer, a performer, an entrepreneur, and an educator; played pop and classical music; and appeared in his quasi-colonial society, tragically, just ahead of his time. Calixa Lavallee, the French Canadian composer of "O Canada," has a compelling, almost unbelievable personal story. He left home at 12 and worked as a blackface minstrel, travelling throughout the United States for more than a decade; he fought and was injured in the American Civil War in perhaps the most important battle of that war, at Antietam Creek; performed for President Lincoln several times; produced the first opera in Quebec and wrote two of his own; became a leading figure in American music education, representing American music in London; journeyed to Paris to study for two years; tried and failed to create a Quebec national conservatory. And he wrote our national anthem. But Lavallée also represents all the contradictions and confusions of Canadian identity as our country came together in the last half of the nineteenth century. To understand "O Canada," and to understand the man who wrote it, is to return to the Canada of the mid-nineteenth century, a Canada just forming as a nation, bringing together ancient racial hatreds and novel political possibilities, as culture faced culture, religion faced religion, economy faced economy. Calixa Lavallée is the most famous Canadian you have never heard of, living a life and ultimately composing a song that stands the test of time.

The greatest story never told, this formidable and gorgeously written biography documents the amazing and controversial short life of Calixa Lavallée--the composer of "O Canada"--and the tumult of 19th-century North America. He was a composer, a performer, an entrepreneur, and an educator; played pop and classical music; and appeared in his quasi-colonial society, tragically, just ahead of his time. Calixa Lavallee, the French Canadian composer of "O Canada," has a compelling, almost unbelievable personal story. He left home at 12 and worked as a blackface minstrel, travelling throughout the United States for more than a decade; he fought and was injured in the American Civil War in perhaps the most important battle of that war, at Antietam Creek; performed for President Lincoln several times; produced the first opera in Quebec and wrote two of his own; became a leading figure in American music education, representing American music in London; journeyed to Paris to study for two years; tried and failed to create a Quebec national conservatory. And he wrote our national anthem. But Lavallée also represents all the contradictions and confusions of Canadian identity as our country came together in the last half of the nineteenth century. To understand "O Canada," and to understand the man who wrote it, is to return to the Canada of the mid-nineteenth century, a Canada just forming as a nation, bringing together ancient racial hatreds and novel political possibilities, as culture faced culture, religion faced religion, economy faced economy. Calixa Lavallée is the most famous Canadian you have never heard of, living a life and ultimately composing a song that stands the test of time.

Based on the song that President Joe Biden quoted in his inaugural address, this picture book celebrates the beauty and diversity of this country and the legacies on which we build our future. As President Joe Biden delivered his inaugural address, he quoted from a song that fully captured his own spirit of service: “The work and prayers of centuries have brought us to this day. What shall be our legacy? What will our children say? Let me know in my heart, when my days are through—America, America, I gave my best to you.” It was a sentiment that spoke not only to our new president’s character, but to the sense of pride in duty and purpose for the sake of a country we hold dear. And it contained a message of quiet patriotism that so many of us hope to share with the next generation. In this new picture book, using the full text of the song President Biden quoted, we do just that. With words that speak to the soul of our nation, and art from twelve different illustrators, all depicting what America means to them, we take readers on a journey through this beautiful country—its history, its struggles, and its dignity—and throughout, we count our own blessings and think about how we can do more to share them with others, and give our best to our country and everyone in it.

Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.

Reprint of the original, first published in 1861.

The Eurovision Song Contest (ESC) is more than a musical event that ostensibly “unites European people” through music. It is a spectacle: a performative event that allegorically represents the idea of “Europe.” Since its beginning in the Cold War era, the contest has functioned as a symbolic realm for the performance of European selves and the negotiation of European identities. Through the ESC, Europe is experienced, felt, and imagined in singing and dancing as the interplay of tropes of being local and/or European is enacted. In Empire of Song: Europe and Nation in the Eurovision Song Contest, contributors interpret the ESC as a musical “mediascape” and mega-event that has variously performed and performs the changing visions of the European project. Through the study of the cultural politics of the ESC, contributors discuss the ways in which music operates as a dynamic nexus for making national identities and European sensibilities, generating processes of “assimilation” or “integration,” and defining the celebrated notion of the “European citizen” in a global context. Scholars in the volume also explore the ways otherness and difference are produced, spectacularized, challenged, or even neglected in the televised musical realities of the ESC. For the contributing authors, song serves as a site for constituting Europe and the nation, on- and offstage. History and politics, as well as the constant production of European subjectivities, are sounded in song. The Eurovision song is a shifting realm where old and new states imagine their pasts, question their presents, and envision ideal futures in the New Europe. Essays in Empire of Song adopt theoretical and epistemological orientations in their exploration of “popular music” within ethnomusicology and critical musicology, questioning the idea of “Europe” and the “nation” through and in music, at a time when the European self appears more fragmented, if not entirely shattered. Bringing together ethnomusicology, music studies, history, social anthropology, feminist theory, linguistics, media ethnography, postcolonial theory, comparative literature, and philosophy, Empire of Song will interest students and scholars in a vast array of disciplines.

Enka, a sentimental ballad genre, epitomizes for many the nihonjin no kokoro (heart/soul of Japanese). To older members of the Japanese public, who constitute enka’s primary audience, this music—of parted lovers, long unseen rural hometowns, and self-sacrificing mothers—evokes a direct connection to the traditional roots of “Japaneseness.” Overlooked in this emotional invocation of the past, however, are the powerful commercial forces that, since the 1970s, have shaped the consumption of enka and its version of national identity. Informed by theories of nostalgia, collective memory, cultural nationalism, and gender, this book draws on the author’s extensive fieldwork in probing the practice of identity-making and the processes at work when Japan becomes “Japan.”