Song Of The Sun God

Nala and Rajan, a young couple, begin their married life in 1946, on the eve of Ceylon’s independence from Britain. Arranged in marriage, they learn to love each other and protect their growing family, against the backdrop of increasing ethnic tension. As the country descends into a bloody civil war, Nala and Rajan must decide which path is best for their family; and live with the consequences of their mistakes. Over time, Nala and Rajan teach their family why some parts of their history and heritage are worth holding onto; and why some parts and people have to be left behind. Song of the Sun God spans three continents and three generations of a family that remains dedicated to its homeland, whilst learning to embrace its new home. Funny, warm and tender, we see Nala and Rajan’s family navigate war, migration, old loyalties and new beginnings, relying on the philosophy of their religion, their ancestors and each other. Song of the Sun God is about the wisdom, mistakes and sacrifices of our past that enable us to live more freely in the future. PRAISE FOR SONG OF THE SUN GOD ‘an emotive and insightful read.’ – The Saturday Paper ‘a book that doesn’t look away from the brutality of the Sri Lankan conflict – torture, forced displacements and disappearances, cultural destruction and worse – but it also balances horror with humour, and indeed love.’ – Sydney Morning Herald ‘[Chandran] does not shy from the horror of war yet holds hope for mankind.’ – The Weekend Australian ‘a rich heritage tapestry to embrace’ – The Australian Women's Weekly ‘a sweeping tale of love, duty and migration’ – The West Weekend

Sir Walter Raleigh—soldier, explorer, adventurer, lover of Queen Elizabeth—emerges from the pages of history and myth, full-blooded, passionate, and profoundly human. After unjustly languishing for years in the Tower, Raleigh undertakes one final voyage in search of gold. On his doomed quest he contends with Spanish forces, mutiny, pirates, court intrigue, and disease, all under the shadow of the executioner's blade awaiting him back home. Along the way, he also recounts his storied rise from humble origins into the Virgin Queen's favor and court--and ultimately her bed. This powerful and action-packed novel breathes life into the most dazzling yet most enigmatic of Elizabethans. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

The Blackfeet were people of the buffalo. They originated on the plains of today’s southern Alberta, western Saskatchewan, and central Montana. In the 1830s famed artist and explorer George Catlin called the Blackfeet “the most powerful tribe of Indians on the continent.” Fur trader, hunting guide, and later, acclaimed chronicler of Native American culture, James Willard Schultz lived with the Blackfeet for many years from the 1870s to the 1930s. The tribe named him “Apikuni” (Spotted Robe). Schultz said the purpose of writing this book was “to integrate the activities of the life of the Blackfeet tribes, in the days of the buffalo, and including certain of their ceremonials of the present time.” The Sun God’s Children describes the Blackfeet as they lived before the coming of the fur traders and their customs, traditions, and religious beliefs, as told to Schultz by the Blackfeet themselves.

"Epic story of human interaction with angels and other forms of higher intelligence, starting from Creation all the way through to the operations of the supernatural in the modern world. What emerges is an alternative history of great men and women, guided by angels or demons, and the connection between modern-day mystics and their ancient counterparts. This spellbinding historical narrative brings together great figures--such as Krishna, Moses, Buddha, Elijah, Mary and Jesus and Mohammed--and stories from African, Native American and Celtic traditions. Woven into this is an amazing array of mystical connections, including the surprising roots not only of astrology and alternative medicine but also of important literary and artistic movements, aspects of mainstream science and religion and a wide range of cultural references that takes in modern cinema, music and literature"--Amazon.com.

Praise and lament are two major approaches to praying to God. In this book, Claus Westermann investigates these primary categories of the Psalms and shows their meaning for prayer and worship. He contrasts the Old Testament Psalms with those of Babylon and Egypt indicating their distinctive characteristics. Sensitively written and carefully reasoned, Westermann's book will be valued for the clear-cut way it brings light to the character of the ancient Psalms of Israel.

In the Image of God: A Feminist Commentary on the Torah is a unique blend of traditional Judaism and radical feminism and is a groundbreaking commentary on the Bible, the central document of Jewish life. Using classical Jewish sources as well as supplementary material from history, anthropology, sociology, psychology, ancient religion, and feminist theory, Judith Antonelli has examined in detail every woman and every issue pertaining to women in the Torah, parshah by parshah. The Torah is divided into fifty-four portions; each portion, or parshah, is read in the synagogue on the Sabbath (combining a few to make a yearly cycle of readings). This book is modeled on that structure; hence there are fifty chapters, each of which corresponds to a parshah. One may, therefore, read this book from beginning to end or use it as a study guide for the parshah of the week. The reader will discover in these pages that the Torah is not the root of misogyny, sexism, or male supremacy. Rather, by looking at the Torah in the context in which it was given, the pagan world of the ancient Near East, it becomes clear that far from oppressing women, the Torah actually improved the status of women as it existed in the surrounding societies. Not only does this book refute the common feminist stereotype that Judaism is a "patriarchal religion" but it also refutes the sexism found in Judaism by exposing it as sociological rather than "divine law."

In this richly detailed study, Margot Louis combines close readings of Swinburne's poetry with a wide-ranging analysis of the pressures which influenced the poet. Louis not only examines the ways in which Swinburne was affected by English and French Romantics but comments on the powerful impact on his writing of a childhood steeped in high church theology. Swinburne's ideas of alternative concepts of deity are discussed within the context of nineteenth-century radical "free thought." Louis reflects on the depth and diversity of Swinburne's intellectual interests and their effect on the development of his poetic style.