Song On The Nowhere Road

The ‘Song on the nowhere road’ is a novel about the heart-rending trauma of unrequited love. Set in Bangalore in the early nineties, it traces the life of the bachelor protagonist, Ananto Roy, a young corporate executive with a penchant for English literature and rock-music. Working in a government owned company, he comes into contact with a variety of friends and acquaintances whose foibles and romantic flings bring out various shades of interpersonal relationships in the diverse cultural milieu of modern-day urban India. Falling in love with the bewitchingly charming, but unattainable Sini Menon, Ananto finds his very world shaken to its roots which forces him to ask profoundly disturbing questions.

Professional traveler Jamie Jensen traveled more than 400,000 miles to bring you the best-selling guide Road Trip USA. In this expanded tour of US-83, Jamie begins at the Canadian border and takes you all the way down to Matamoros, Mexico. This must-do long-distance byway transnavigates our broad, odd nation without once grazing a conventional tourist destination. From sights like the Sitting Bull Memorial and the Alamo to events like OzFest, Road Trip USA: The Road to Nowhere, Highway 83 highlights major cities, obscure towns, popular attractions, roadside curiosities, local lore, and oddball trivia. Exit the interstates and create your own driving adventures on America's most famous highway with Road Trip USA: The Road to Nowhere, Highway 83.

Two iconic bands. An unforgettable life. One of the most dynamic groups of the ‘70s and ‘80s, Talking Heads, founded by drummer Chris Frantz, his girlfriend Tina Weymouth, and lead singer David Byrne, burst onto the music scene, playing at CBGBs, touring Europe with the Ramones, and creating hits like “Psycho Killer” and “Burning Down the House” that captured the post-baby boom generation’s intense, affectless style. In Remain in Love, Frantz writes about the beginnings of Talking Heads—their days as art students in Providence, moving to the sparse Chrystie Street loft Frantz, Weymouth, and Byrne shared where the music that defined an era was written. With never-before-seen photos and immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn—and reveals the mechanics of a long and complicated working relationship with a mercurial frontman. At the heart of Remain in Love is Frantz’s love for Weymouth: their once-in-a-lifetime connection as lovers, musicians, and bandmates, and how their creativity surged with the creation of their own band Tom Tom Club, bringing a fresh Afro-Caribbean beat to hits like “Genius of Love.” Studded with memorable places and names from the era—Grace Jones, Andy Warhol, Stephen Sprouse, Lou Reed, Brian Eno, and Debbie Harry among them—Remain in Love is a frank and open memoir of an emblematic life in music and in love.

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

Ian Whitcomb, One Hit Wonder British Invader of the 1960s and teen heart-throb, never went home. Instead he tried to settle down in Los Angeles County where, over the years, he produced a Grammy-winning CD, wrote songs for movies, auditioned for butler roles in TV commercials, had and lost dogs, married successfully, and continued to play his ukulele as the ship went down. Now the entire soap opera (1996--2008), roped together in hard copy with appropriate photos, can be relished as a roller coaster of self-pity, vaunting and failed ambition, jealousy, bathos and pathos, culminating in a Big Dream. In other words, this is a comedy book. Mainline Show Biz may have passed Whitcomb by but here in these precious pages he creates his own world of heroes and villains with himself as King in order to get sweet revenge through the twisted lingo of his India rubber sword.

This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers.