Songs Of The Doomed

I was thinking; my mind was running at top speed, scanning and sorting my options. They ranged all the way from Dumb and Dangerous to Crazy, Evil, and utterly wrong from the start . . . stand back. We are on the brink. Yes. I have an idea.' When Hunter S. Thompson has an idea, you just have to listen – and he shares many of his unique ideas in this collection of journalism, social commentary, short fiction and autobiography. Divided into sections by decade, Songs of the Doomed begins with a furious condemnation of the US justice system and ends with the author’s own version of the events that led to his extraordinary court case. Stopping off at the infamous summit conference in Elko, Illinois; Saigon in 1975 (the war zone Thompson was fired while en route to); and Palm Beach in the eighties for the Pulitzer divorce, here – in true Gonzo fashion – is the long strange trip from Kennedy to Nixon to Quayle. ‘Mr Thompson’s best work of the past three decades’ New York Times Book Review ‘There are many hideously funny stories in this collection. Thompson writing on mescalin, staying on for the fall of Saigon, explaining what it must be like to be a multimillionaire in Palm Beach . . .’ Independent on Sunday ‘Dead funny . . . That our guru has made it this far merits drinks and dynamite all round at the Woody Creek Road and Gun Club (and spiritually affiliated North London branches). That he is still alive, and at large, defies medical and legal beliefs’ Andy Kershaw, Literary Review ‘Proves that you can’t keep the old bastard quiet . . . a superb offering’ City Limits

A collection of essays by Hunter Thompson that chart the high and low moments of his thirty-year career as a journalist

An anthology of top-selected Rolling Stone articles offers insight into both the late Thompson's early career and the magazine's fledgling years, in a volume that includes the stories of his infamous Freak Party sheriff campaign and his observations about the Bush-versus-Kerry presidential rivalry.

Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. Anselmi covers the bands and musicians that have impacted those styles most--Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others--while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.

From Black Sabbath to Big Black, a ride through the evolution, diversity, and influence of genre-defying heavy music. It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way. Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.

The Dream Songs is widely seen as Berryman's masterpiece, an impressively vast and varied collection of poems that is in itself a single, sprawling, ever-shifting poem. The songs in this great work are thus offered in many different tones, moods, and guises, although their form, Berryman's idiosyncratic reworking of the sonnet, remains more or less constant. Combining all of Berryman's earlier 77 Dream Songs (which won the 1965 Pulitzer Prize) and His Toy, His Dream, His Rest (which won the 1969 National Book Award), this one-volume edition contains no fewer than 385 entries in what the critic Denis Donoghue has called Berryman's "dream diary." The book also has an index of first lines, an index of titles, and a note by the author.

Poetry