Sophist

Aristophanes depicted him as a barbaric sycophant, Plato as a shallow opportunist, and Aristotle as an inept stylist, but the Greek teacher of rhetoric Gorgias of Leontini (483-375 BCE) has been again attracting attention from scholars. Consigny (English, Iowa State U.) articulates a coherent account of the enigmatic thinker and writer. Annotation copyrighted by Book News, Inc., Portland, OR

Plato's later dialogue, the Sophist, is deemed one of the greatest works in the history of philosophy, but scholars have been shy of confronting the central problem of the dialogue. For Plato, defining the sophist is the basic philosophical problem: any inquirer must face the 'sophist within us' in order to secure the very possibility of dialogue, and of philosophy, against sophistic counterattack. Examining the connection between the large and difficult philosophical issues discussed in the Sophist (appearance, image, falsehood, and 'what is not') in relation to the basic problem of defining the sophist, Dr Notomi shows how Plato struggles with and solves all these problems in a single line of inquiry. His interpretation of the whole dialogue finally reveals how the philosopher should differ from the sophist.

Sophist Kings: Persians as Other sets forth a reading of Herodotus' Histories that highlights the consistency with which the Persians are depicted as sophists and Persian culture is infused with a sophistic ideology. The Persians as the Greek 'other' have a crucial role throughout Herodotus' Histories, but their characterisation is far divorced from historical reality. Instead, from their first appearance at the beginning of the Histories, Herodotus presents the Persians as adept in the argumentation of Greek sophists active in mid-5th century Athens. Moreover, Herodotus' construct of the Sophist King, in whom political reason serves human ambition, is used to explain the Achaemenid model of kingship whose rule is grounded in a theological knowledge of cosmic order and of divine justice as the political good. This original and in-depth study explores how the ideology which Herodotus ascribes to the Persians comes directly from fifth-century sophists whose arguments served to justify Athenian imperialism. The volume connects the ideological conflict between panhellenism and imperialism in Herodotus' contemporary Greece to his representation of the past conflict between Greek freedom and Persian imperialism. Detecting a universal paradigm, Sophist Kings argues that Herodotus was suggesting the Athenians should regard their own empire as a betrayal of the common cause by which they led the Greeks to victory in the Persian wars.

The Sophist sets out to explain what the sophist does by defining his art. But the sophist has no art. Plato lays out a challenging puzzle in metaphysics, the nature of philosophy, and the limitation of philosophy that is unraveled in this new and unconventional interpretation. The Sophist is presented now not as an artefact of the intellectual past or precursor of late 20th century philosophical theories, but as living philosophy. In a new translation and interpretation, this late dialogue is shown to be a defense of not a departure from Plato's metaphysics. The book is intended to provide a complete interpretation of Plato's Sophist as a whole. Central to the methodology adopted is the assumption that all elements of the dialogue to be understood must be understood in the context of the dialogue as a whole and in its relation to other works in the Platonic corpus.