Sorley Maclean

This 10-hour free course introduced the poetry of Sorley Maclean, the contexts that inform it and the importance of the Gaelic language to his work.

This is both the first complete annotated edition of the letters exchanged by these major twentieth-century Scottish poets and the first major exploration of their long friendship and literary association. Spanning nearly fifty years, from 27 July 1934 to 23 July 1978, this engaging correspondence offers a revealing and sometimes intimate look at their lively dialogical exchanges on a broad range of topics from major historical events such as the Spanish Civil War and WW II, to the mundane challenges of daily life.The introductory chapters chart the development of MacDiarmid and MacLean's enduring friendship in relation to their quite different literary contexts and careers, discuss MacLean's significant contributions to MacDiarmid's Golden Treasury of Scottish Poetry, and situate MacLean's literary innovations in terms of Gaelic modernism. They thus provide comparative critical insights into the influence of cultural nationalism on each writer's developing poetics, their work as translators, and their mutual influence on each other's careers. These private letters in which culture, politics, and modern history intersect offer a fascinating glimpse at the creative processes and collaborative work of Hugh MacDiarmid and Sorley MacLean.Key Features:* The first complete annotated edition of the correspondence between the two poets * The only major exploration of MacDiarmid and MacLean's friendship and literary association* Full biographical and historical Introduction, bibliography and appendices

In a new edition of this classic book, introduced by the world-renowned Gaelic poet Sorley Maclean, the late Calum I. Maclean, a Gaelic-speaking Highlander, interprets the traditional background, culture and ways of life of his native country. Calum's formal training in folk culture and the depth of his local knowledge make this book truly outstanding - it is written by a Highlander from the inside. Many books on the Highlands have been penned by outsiders with an uncritical appreciation of the scenery and only the most superficial knowledge of the Gaelic language and culture. By contrast, Maclean brought informed attitudes and sympathetic opinions. He was concerned not so much with places, beauty spots and scenery as with the Highlanders in their own self-created environment. He writes in terms of individuals and suggests reasons why Highland culture is unique in the world - it is something that, if lost, can never be recovered or recreated.

“An extraordinary intellectual voyage” through Gaelic environmental awareness, centuries ahead of its time, and its value today (The Herald). Caring for the environment, developing rural communities, and ensuring the survival of minority cultures are all laudable objectives, but they can conflict, and nowhere more so than the Scottish Highlands. As environmentalists strive to preserve the scenery and wildlife of the Highlands, the people who belong there, and who have their own claims on the landscape, question this new threat to their culture, which dates back thousands of years. In this sensitive, thought-provoking book, James Hunter probes deep into this culture to examine the dispute between Highlanders, who developed a strong environmental awareness a thousand years before other Europeans, and conservationists, whose thinking owes much to the romantic ideals of the nineteenth century. More than that, he also suggests a new way of dealing with the problem, advocating drastic land-use changes and the repopulation of empty glens—an approach that has worldwide implications. “A very thoughtful piece of advocacy.” —The Scotsman

The author here argues that the traditions of Pope and Goldsmith are continued in the present day by the likes of R.S. Thomas, George Mackay Brown, and others work in an 'anti-pastoralist' tradition of Crabbe and Clare. A chapter examining the attitudes towards the environment of sixteen contemporary poets concludes a lively ecological introduction to modern poetry.

This study is the first exploration of the impact of World War Two on Scottish poets of both the front line and the home front. World War One has always been thought of as a poet’s war, one of horror and futility. The poetry of World War Two, by contrast, has long languished in its shadow, though there was a much greater amount of it written. This book asks whether these poets felt they were grown for war or rather that they grew through war experience, with an emphasis on the possibilities of the future instead of cataloguing the senseless horror of the battlefield. How were the hopes of Scottish poets different from their English counterparts? How was their poetry different, and how did it impact on their later lives?

Although the number of Gaelic speakers has declined during the twentieth century, the last forty years have seen an astonishing flowering of Scottish Gaelic poetry, much of it in the modern idiom. This bilingual anthology provides a selection of the best work of poets who have contributed most to that revival--Sorely Maclean, George Campbell Hay, Derick Thomson, Iain Crichton Smith, and Donald MacAulay.