Sound For Picture

The Sound of Pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Whether pop or classical, sweeping or sparse, music plays a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of na...

Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.

Intended for film and video buffs as well as audio engineers, recording students and aspiring sound operators, Sound for Picture takes a behind-the-scenes look at the high-tech world of audio production for television and motion pictures.

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She was small when she heard about them ... the incredible freedom machines. A poetic and visual feast from multi-award-winning creators Kirli Saunders and Matt Ottley.

The updated version of this popular MixBooks title--which, because of the advent of DVD, is as timely as the day the movies first appeared--features the details of assembling audio tracks for some of the highest-profile motion pictures of the 1990s, including: Titanic, The Thin Red Line, Austin Powers 2: The Spy Who Shagged Me, Yellow Submarine and The Green Mile. Also included is an exclusive interview with the dean of film mixers, Walter Murch, Larry Blake's comprehensive glossary of film sound terminology, a complete appendix of Oscar for Best Sound and Best Sound Effects Editing, and much more

"Toby is afraid of heights, but when his cat gets stuck in a tree, Toby must face his fears in order to rescue him"--

Holman covers the broad field of sound accompanying pictures, from the basics through recording, editing and mixing for theatrical films, documentaries and television shows. In each area, theory is followed by practical sections.