Sounds Screens Speakers

Sounds, Screens, Speakers provides a broadly comprehensive survey of the emerging field of music and media. Music has been present at the advent of nearly every new media form since the turn of the 20th century. Whether we look at the start of sound recording, film, television or the Internet, music has been a crucial participant in the social changes brought about by these new tools for making and listening to music. This book examines such changes starting in the late 19th century to the present. From the introduction of the microphone all the way through to music in reality television, the purpose of each section is not simply to move chronologically towards the present, but to focus especially on the tangible social relationships created through specific forms of mediation. With readings at the end of most chapters, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and news sources, this text serves as the ideal introduction to popular music and media.

"Sounds, Screens, Speakers provides a broadly comprehensive survey of the emerging field of music and media. Music has been present at the advent of nearly every media form since the turn of the twentieth century. Whether we look at the start of sound recording, film, television, or the internet, music has been a crucial participant in the social changes brought about by these new tools for making and listening to music. This book examines such changes starting in the late nineteenth century and into the present. From the introduction of the microphone all the way through to music in reality television, the purpose of each section is not simply to move chronologically toward the present, but to focus especially on the tangible social relationships created through specific forms of mediation. With readings linked to each section, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and new sources, this text serves as the ideal introduction to popular music and media."--...

This book has been written to provide an intro Chapter 2 deals with the mechanism of hear duction to the fundamental concepts of sound ing and the subjective rating of sound, includ and a comprehensive coverage whereby un ing age-related and noise-induced hearing loss. wanted sound (noise) can be controlled. Al Assessment of any noise problem involves a though there are many notable textbooks which knowledge of the instrumentation available for deal primarily with the physics (or theory) of measurements, the limitations of this instru sound, and others which treat noise control in mentation, the appropriate procedures for mak a strictly practical (and sometimes even empir ing the measurements with the instrumentation, ical) manner, there are few textbooks that pro and the methods by which the measured data vide a bridging between the necessary under can be analyzed. Chapter 3 provides an up-to standing of the fundamentals of sound (its date coverage of these requirements, including generation, propagation, measurement) and the a section on one of the newest and most valu application of these fundamentals to its control. able tools in noise studies-sound intensity This book provides that link. measurement. The capability of being able to The text presents noise control primarily at measure sound intensity as compared with con the introductory level.

This book guides nonfiction storytellers in the art of creatively and strategically using sound to engage their audience and bring stories to life. Sound is half of film and video storytelling, and yet its importance is often overlooked until a post-production emergency arises. Written by two experienced creators—one a seasoned nonfiction producer/director with a background in music, and one a sound designer who owns a well-regarded mix studio—this book teaches nonfiction producers, filmmakers, and branded content creators how to reimagine their storytelling by improving sound workflow from field to post. In addition to real-world examples from the authors’ own experiences, interviews with and examples from industry professionals across many genres of nonfiction production are included throughout. Written in a conversational style, the book pinpoints practical topics and considerations like 360 video and viewer accessibility. As such, it is a vital point of reference for all nonfiction filmmakers, directors, and producers, or anyone wanting to learn how to improve their storytelling. An accompanying Companion Website offers listening exercises, production sound layout diagrams, templates, and other resources.

A practical framework is provided in this textbook about the techniques, operations and philosophies of media production from the standpoint of both analog and digital technologies. Updated to reflect new digital techniques it goes beyond the technical to cover aesthetics, direction, production management and scriptwriting.

Although the Windows XP Media Center is designed as a consumer product, it is actually more complex than the conventional computer and home entertainment devices it replaces. That's why this book--written in the fun, friendly Absolute Beginner's style--is required reading for buyers of these multitasking, media-centric machines. It is written in an easy-to-understand tone that won't confuse readers with lots of technical jargon.

Live Sound Basics is designed to have you running PAs and mixers in no time. This book provides the foundation necessary to understand and use live audio equipment so that every performance has a professional sound. It's a must for any performer!

Professional techniques are required to capture, enhance, and edit sound for a finished digital video production. Cameramen and editors are increasingly expected to perform these tasks. This is a complete audio training guide and resource.