South Africa S Suspended Revolution

South Africa’s Suspended Revolution tells the story of South Africa’s democratic transition and the prospects for the country to develop a truly inclusive political system. Beginning with an account of the transition in the leadership of the African National Congress from Thabo Mbeki to Jacob Zuma, the book then broadens its lens to examine the relationship of South Africa’s political elite to its citizens. It also examines the evolution of economic and social policies through the democratic transition, as well as the development of a postapartheid business community and a foreign policy designed to re-engage South Africa with the world community. Written by one of South Africa’s leading scholars and political commentators, the book combines historical and contemporary analysis with strategies for an alternative political agenda. Adam Habib connects the lessons of the South African experience with theories of democratic transition, social change, and conflict resolution. Political leaders, scholars, students, and activists will all find material here to deepen their understanding of the challenges and opportunities of contemporary South Africa.

This volume explores the social forces that are currently shaping the new South Africa and provides detail on the political and ideological rifts in the liberation movement, including analysis of the "homelands" parties, the trade unions and the ANC.

One of the foremost critics of U.S. foreign policy delivers his insight into the ways that popular activism has led to substantial gains in freedom and justice around the world--and how those gains can be reached in the United States.

Despite South Africa's successful transition to democracy and lauded constitution, political freedom for the majority of South Africans remains elusive. The poor and unemployed majority are poorly represented and lack power and thus freedom. Under these conditions, the freedom of the privileged minority is also seriously impaired due to the costs of maintaining their relative security and well-being. Lawrence Hamilton is an internationally-known political theorist, who has spent ten years teaching in South African universities. In this unique book he brings ideas - political and philosophical - to the fore to understand a contemporary political conundrum. He outlines the persistent, unresolved problems characterizing contemporary South Africa: poverty and quality of life statistics that are appalling for a middle-income country, levels of inequality that make South Africa one of the most unequal places in the world, skewed economic and political representation that reproduces elites rather than generating opportunities for all and an electoral system that implements the idea of proportional representation so literally that it undermines meaningful representation. Are South Africans Free? aims not only to explain the current state of South Africa but to provide positive new directions and suggestions for institutional change. Hamilton argues that freedom as power in South Africa does not depend on good will, charity or duty, and it goes beyond the complete realization of the political and civil liberties currently safeguarded in its constitution. Such change will depend on courageous leadership, active citizenship, new forms of representation and a macroeconomic policy that offers radical redistribution of actual and potential wealth.

In the aftermath of state-perpetrated injustice, a façade of peace can suddenly give way, and in South Africa and the Democratic Republic of Congo, post-apartheid and postcolonial framings of change have exceeded their limits. Performance and the Afterlives of Injustice reveals how the voices and visions of artists can help us see what otherwise evades perception. Embodied performance in South Africa has particular potency because apartheid was so centrally focused on the body: classifying bodies into racial categories, legislating where certain bodies could move and which bathrooms and drinking fountains certain bodies could use, and how different bodies carried meaning. The book considers key works by contemporary performing artists Brett Bailey, Faustin Linyekula, Gregory Maqoma, Mamela Nyamza, Robyn Orlin, Jay Pather, and Sello Pesa, artists imagining new forms and helping audiences see the contemporary moment as it is: an important intervention in countries long predicated on denial. They are also helping to conjure, anticipate, and dream a world that is otherwise. The book will be of particular interest to scholars of African studies, black performance, dance studies, transitional justice, as well as theater and performance studies.

Twenty years on from South Africa's first democratic election, the post-apartheid political order is more fractured, and more fractious, than ever before. Police violence seems the order of the day – whether in response to a protest in Ficksburg or a public meeting outside a mine in Marikana. For many, this has signalled the end of the South African dream. Politics, they declare, is the preserve of the corrupt, the self-interested, the incompetent and the violent. They are wrong. Julian Brown argues that a new kind of politics can be seen on the streets and in the courtrooms of the country. This politics is made by a new kind of citizen – one that is neither respectful nor passive, but instead insurgent. The collapse of the dream of a consensus politics is not a cause for despair. South Africa's political order is fractured, and in its cracks new forms of activity, new leaders and new movements are emerging.