Southern Rites

Southern Rites is an original and provocative 12-year visual study of one community's struggle to confront longstanding issues of race and equality. In May 2009, the New York Times Magazine published a photo-essay by Gillian Laub entitled "A Prom Divided," which documented Georgia's Montgomery County High School's racially segregated prom rituals. Laub's photographs ignited a firestorm of national outrage and led the community to finally integrate. One year later, there was newfound hope--a historic campaign to elect the county's first African American sheriff. But the murder of a young black man--portrayed in Laub's earlier prom series--by a white town patriarch reopened old wounds. Through her intimate portraits and firsthand testimony, Laub reveals in vivid color the horror and humanity of these complex, intertwined narratives. The photographer's inimitable sensibility--it is the essence and emotional truth of the singular person in front of her lens that matters most--ensures that, however elevated the ideas and themes may be, her pictures remain studies of individuals; a chronicle of their courage in the face of injustice, of their suffering and redemption, possessing an unsettling power. Gillian Laub (born 1975) crafts striking personal portraits, whether she is photographing her own family in Mamaroneck, New York, or victims of violence in the Middle East. In May 2015, the documentary Southern Rites--Laub's directorial debut--will premiere on HBO, examining the aftermath of the publication of Laub's photographs of Montgomery County and her own role in the events.

Gillian Laub's photographs of her family from the past twenty years, now collected in one volume, explore the ways society's biggest questions are revealed in our most intimate relationships. Family Matters zeroes in on the artist's family as an example of the way Donald Trump's knack for sowing discord and division has impacted communities, individuals, and households across the country. As Laub explains, "I began to unpack my relationship to my relatives--which turned out to be much more indicative of my relationship to the outside world than I had ever thought, and the key to exploring questions I had about the effects of wealth, vanity, childhood, aging, fragility, political conflict, religious traditions, and mortality." These issues became tangible in 2016, when Laub and her parents found themselves on opposing sides of the most divisive presidential election in recent US history; and further exacerbated in the lead-up to the 2020 election, in the wake of a global pandemic and protests in support of Black Lives Matter. Family Matters reveals Laub's willingness to confront ideas of privilege and unity, and to expose the fault lines and vulnerabilities of her relatives and herself. Ultimately, Family Matters celebrates the resiliency and power of family--including the family we choose--in the face of divisive rhetoric. In doing so, it holds up a highly personalized mirror to the social and political divides in the United States today.

"Water Rites: Reimagining Water in the West brings together artists, activists, conservation groups, and scholars to illuminate the diverse issues surrounding water in Alberta. Examining the human right to water, the effects of resource extraction on Indigenous communities, oil spills, and protest movements, this vital collection explores key water-related issues with a focus on environmental and Indigenous perspectives. It shows how deeply water is tied to human life, not only as a necessary resource, but also as a source of artistic inspiration and as part of our collective consciousness."--

Is Freemasonry compatible with Christianity? Many Masons answer yes, but even they are often ill-informed of official Masonic teachings. What are the secret doctrines of the Lodge, what do the rituals mean, and do they conflict with biblical truth? Find out in this thoroughly researched exposé of Freemasonry—an eye-opener to those both inside and outside the Lodge.

The Kingdom of Lesotho is a mountainous enclave in southern Africa, and like mountain zones throughout the world it is isolated, steeped in tradition, and home to few outsiders. The people, known as Basotho, are respected in the area as the only tribe never to be defeated by European colonizers. Greg Alder arrives in Tsoeneng in 2003 as the village's first foreign resident since 1966. Back then, the Canadian priest who had been living there was robbed and murdered in his quarters. Set up as a Peace Corps teacher at the village's secondary school, Alder finds himself incompetent in so many unexpected ways. How do you keep warm in this place where it snows but there is no electricity? How do you feed yourself where there are no grocery stores let alone restaurants? Tsoeneng is a world apart from his home in America, but Alder persists in adapting. He learns to grow food, he learns to speak the strange local language, and he makes enough friends such that he is eventually invited to participate in initiation rites. Yet even as he seems accepted into the Tsoeneng fold, he sees how much of an outsider he will always remain-and perhaps want to remain. The Mountain School is insightful and candid, at times accepting and at times rebellious. It is the ultimate tale of the transplant.