Soviet Postcolonial Studies

Postcolonial studies is a well-established academic field, rich in theory, but it is based mostly on postcolonial experiences in former West European colonial empires. This book takes a different approach, considering postcolonial theory in relation to the former Soviet bloc. It both applies existing postcolonial theory to this different setting, and also uses the experiences of former Soviet bloc countries to refine and advance theory. Drawing on a wide range of sources, and presenting insights and material of relevance to scholars in a wide range of subjects, the book explores topics such as Soviet colonality as co-constituted with Soviet modernity, the affective structure of identity-creation in national and imperial subjects, and the way in which cultural imaginaries and everyday materialities were formative of Soviet everyday experience.

Soviet postcolonial studies is an emerging field of critical inquiry, with its locus of interest in colonial aspects of the Soviet experience in the USSR and beyond. The articles in this collection offer a postcolonial perspective on Baltic societies and cultures – that is, a perspective sensitive to the effects of Soviet colonialism. The colonial situation is typically sustained by the help of colonial discourses which carry the pathos of progress and civilization. In Soviet colonial discourse, the pathos of progress is presented in terms of communist value systems, which developed certain principles of the European Enlightenment and rearticulated them through Soviet ideology. This collection explores the establishment of Soviet colonial power structures, but also strategic continuities between Soviet and Tsarist rule and the legacy of Soviet colonialism in post-Soviet Baltics. Soviet norms and rules, imposed upon the Baltic borderlands, produced new forms of transculturation, gave birth to new cultural ‘authenticities,’ and developed complex entanglements of colonial, modern and national impulses. Analyses of colonial patterns in Soviet and post-Soviet Baltic societies helps bring us closer to understanding the Soviet legacy in the former Soviet borderlands and in present-day Russia. The chapters were originally published in a special issue of the Journal of Baltic Studies.

Would there have been a Third World without the Second? Perhaps, but it would have looked very different. From Internationalism to Postcolonialism recounts the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema, and offers a compelling genealogy of contemporary postcolonial studies.

Pushing postcolonial studies and constructivist International Relations towards an uneasy dialogue, this book looks at Russia as a subaltern empire. It demonstrates how the dialectic of the subaltern and the imperial has produced a radically anti-Western regime, which nevertheless remains locked in a Eurocentric outlook.

Emerging from the ruins of the former Soviet Union, the literature of the Baltic states of Lithuania, Latvia and Estonia is analyzed from the fruitful perspective of postcolonialism, a theoretical approach whose application to former second-world countries is in its initial stages. This groundbreaking volume brings scholars working in the West together with those who were previously muffled behind the Iron Curtain. They gauge the impact of colonization on the culture of the Baltic states and demonstrate the relevance of concepts first elaborated by a wide range of critics from Frantz Fanon to Homi Bhabha. Examining literary texts and the situation of the intellectual reveals Baltic concerns with identity and integrity, the rewriting of previously blotted out or distorted history, and a search for meaning in societies struggling to establish their place in the world after decades - and perhaps millennia - of oppression. The volume dips into the late Tsarist period, then goes more deeply into Soviet deportations to the Gulag, while the main focus is on works of the turning-point in the late 1980s and 1990s. Postcolonial concepts like mimicry, subjectivity and the Other provide a new discourse that yields fresh insights into the colonized countries' culture and their poignant attempts to fight, to adapt and to survive. This book will be of interest to literary critics, Baltic scholars, historians and political scientists of Eastern Europe, linguists, anthropologists, psychologists, sociologists, working in the area of postcommunism and anyone interested in learning more about these ancient and vibrant cultures.

In What Does It Mean to Be Post-Soviet? Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.

An analysis of post-communist identity reconstructions under the impact of experiences such as migration and displacement, collective memory and trauma, and cultural self-colonization. The book facilitates a mutually productive dialogue between postcolonialism and post-communism, mapping the rich terrain of contemporary East-Central European creative writing and visual art.