Spearwielder S Tale The Dragon S Dagger

Gary Leger had longed to return to the realm of Faerie ever since the day he left. In that mystical world hidden behind his house, life was very different. But at least there was beauty and peace.But things have changed since Gary's last visit. The sacred armor and magical spear of the land's greatest hero are missing. A wicked king is threatening war on the villages. A banished witch is plotting a scheme. And a dragon who should be banished is burning up the countryside.Now Gary must traverse the enchanted land to battle the shadows of evil. But this time his journey will take him where no man has gone before-into the lair of the dragon himself!The Spearwielder's Tales are now available directly from the author. They were originally published by Ace, an imprint of Penguin Books:The Woods Out Back copyright (c) 1993 by R.A. SalvatoreThe Dragon's Dagger copyright (c) 1994 by R.A. SalvatoreThe Haggis Hunters was originally published under the title Dragonslayer's Return copyright (c) 1995 by R.A. Salvatore

The reluctant hero of The Woods Out Back is needed again in the realm of Faerie, in this fantasy adventure by the New York Times–bestselling author. Gary Leger returned from the magical realm of Faerie five years ago, and each day since, he has longed to embark on more adventures. Now a mob of pixies is about to grant his wish. For the inhabitants of Faerie, it’s only been a month since Gary left, and life is not great. A vile king sits on the throne, threatening war. An evil witch imprisoned on an island struggles to free herself. And a dragon is burning the countryside. It’s up to Gary and his friends—Mickey the leprechaun, Kelsey the elf, and Geno the dwarf—to get Gary back to where he belongs before Faerie is blackened to a crisp . . . Praise for The Dragon’s Dagger “Gary has a lively time of it in Faerie, which Salvatore recaptures with verve and wit and many nice touches. . . . A classic tale of humans caught in the toils of Faerie, certain to retain its predecessor’s audience.” —Booklist

A factory worker becomes a hero in a mystical world of adventure and danger, in this fantasy trilogy from the New York Times–bestselling author. Gary Leger is desperate for adventure. Daydreaming and fantasy novels are his only escapes, and he spends much of his free time reading in the woods behind his house. That’s when adventure finds him. Or rather, that’s when he’s hit with a tranquilizer arrow . . . When Gary comes to, he discovers he’s traveled to the land of Faerie, a world populated by creatures from his fantasy novels—and they need his help. Only Gary can wear the enchanted armor that will allow him to wield a magic spear. In a series of adventures, Gary will team up with a trouble-making leprechaun, an aloof elf, a surly dwarf, and more. Together they must face off against a fearsome witch, a deadly dragon, an army, and a wicked king to restore peace to the kingdom. Praise for the Spearwielder’s Tale “The book’s fast-paced, good-humored nature draws the reader in and makes the world of Faerie a fine place to visit.” —SF Site on The Woods Out Back “Gary has a lively time of it in Faerie, which Salvatore recaptures with verve and wit and many nice touches. . . . A classic tale.” —Booklist on The Dragon’s Dagger

A factory worker is kidnapped to help an elf reforge a broken spear, in this trilogy opener by the bestselling author of the Legend of Drizzt series. Gary Leger is desperate for adventure. Daydreaming is all that keeps him from going nuts while working a dead-end job in a plastics factory. The next best thing is burying himself in a good fantasy novel, and he spends much of his free time reading in the woods behind his house. That’s when adventure finds him. Or rather, that’s when he’s hit with a tranquilizer arrow . . . When Gary comes to, he’s still in the woods—but in a world inhabited by creatures from his favorite novels, like a pixie and a leprechaun. There’s also an elf on a dangerous life-quest who requires Gary’s assistance. As soon as Gary finishes helping him, he can go home. He simply needs to complete the task . . . while surviving encounters with trolls, an ice-hag, a dragon, and a sorceress bent on stopping them at all costs. This first novel in the Spearwielder’s Tale trilogy is a great choice for fans of Alan Dean Foster’s Spellsinger books and Terry Brooks’s Shannara series. Praise for The Woods Out Back “Written as a light-hearted adventure, the book works because the reader sees the world of Faerie through Gary’s eyes and Faerie is just as new to him as it is to the reader. . . . The book’s fast-paced, good-humored nature draws the reader in and makes the world of Faerie a fine place to visit—good thing there are two more installments!” —SF Site

Drizzt Do’Urden fights for survival in the labyrinthine Underdark in the second book of The Dark Elf Trilogy. Ten years have passed since we last saw Drizzt Do’Urden and his magical feline companion, Guenhwyvar—and much has changed. Exiled from Menzoberranzan, the city of his childhood and the hub of drow society, Drizzt now wanders the subterranean maze of the Underdark in search of a new home. But loneliness is not the only thing that preys on Drizzt: His drow enemies, including his own siblings, would like nothing more than to see him dead. With murder on their minds, they begin their own search of the Underdark tunnels, forcing Drizzt to watch his back at every turn.

Lone drow Drizzt Do’Urden emerges from the Underdark into the blinding light of day in this epic final chapter of The Dark Elf Trilogy. After years spent in the ruthless confines of the Underdark, Drizzt Do’Urden has emerged from the subterranean society of his youth to start a new life. Accompanied by his loyal panther, Drizzt begins exploring the surface of Faerûn, a world unlike any he has ever known. From skunks to shapeshifters, Faerûn is full of unfamiliar creatures and fresh dangers, which Drizzt must learn to navigate if he is to survive. But while Drizzt acts with the best intentions, many of the surface dwellers regard him with fear and mistrust. Can he find faithful allies in this foreign land—or is he doomed to be a lonely outsider, just as he was in the Underdark?

Discover the origin story of one of Dungeons & Dragons’ greatest heroes, drow ranger Drizzt Do’Urden, in the thrilling first adventure in The Dark Elf Trilogy. As the third son of Mother Malice and weaponmaster Zaknafein, Drizzt Do’Urden must be sacrificed to Lolth, the evil Spider Queen, per the tradition of their matriarchal drow society. But the unexpected death of his older brother spares young Drizzt—though he is still at the mercy of his abusive sisters. As Drizzt grows older and proves himself to be a formidable warrior at Melee-Magthere Academy, he realizes that his idea of good and evil does not match that of his fellow drow, who show only cruelty to the other creatures of the Underdark. Can Drizzt stay true to himself in a such an unforgiving, unprincipled world?

Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.