Special Sound

Special Sound traces the fascinating creation and legacy of the BBC's electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America. The BBC built a studio to provide its own avant-garde dramatic productions with experimental sounds "neither music nor sound effect." Quickly, however, a popular kind of electronic music emerged in the form of quirky jingles, signature tunes such as Doctor Who, and incidental music for hundreds of programs. These influential sounds and styles, heard by millions of listeners over decades of operation on television and radio, have served as a primary inspiration for the use of electronic instruments in popular music. Using in-depth research in the studio's archives and papers, this book tells the history of the many engineers, composers, directors, and producers behind the studio to trace the shifting perception towards electronic music in Britain. Combining historical discussion of the people and instruments in the workshop with analysis of specific works, Louis Niebur creates a new model for understanding how the Radiophonic Workshop fits into the larger history of electronic music.

Updated for 2020, sing along with Dr. Jean and Dr. Holly to learn letter names and sounds.

Sing along with Dr. Jean and Dr. Holly to learn letter names and sounds.

RTI Intervention Focus: Letter Sounds is the second of six RTI interventions described in the book RTI Phonological Awareness Interventions for the Regular Classroom Teacher. Equipped with step-by-step lesson instructions, lesson mini-assessments, universal screening, progress monitoring assessments, and letter cards, this manual provides teachers the tools necessary to confidently and competently implement an evidence based intervention for letter sounds.

The eight-volume set LNCS 14438 until 14445 constitutes the proceedings of the 29th International Conference on the Theory and Application of Cryptology and Information Security, ASIACRYPT 2023, held in Guangzhou, China, during December 4-8, 2023. The total of 106 full papers presented in these proceedings was carefully reviewed and selected from 375 submissions. The papers were organized in topical sections as follows: Part I: Secure Multi-party computation; threshold cryptography; . Part II: proof systems - succinctness and foundations; anonymity; Part III: quantum cryptanalysis; symmetric-key cryptanalysis; Part IV: cryptanalysis of post-quantum and public-key systems; side-channels; quantum random oracle model; Part V: functional encryption, commitments and proofs; secure messaging and broadcast; Part VI: homomorphic encryption; encryption with special functionalities; security proofs and security models; Part VII: post-quantum cryptography; Part VIII: quantum cryptography; key exchange; symmetric-key design.

Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends--and many others--with a comprehensive guide to hundreds of films and made-for-television movies. From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of perspectives--historical, chronological, thematic, sociological, geographical and individual. The filmmakers are contextualized, including Charlie Chaplin, Sidney Lumet, Steven Spielberg, Quentin Tarantino and Roman Polanski. Recommendations and reviews of the 50 best Holocaust films are included, along with an educational guide, a detailed listing of all films covered and a four-part index-glossary.

ASIACRYPT 2009,the 15th InternationalConferenceon the TheoryandApp- cationof Cryptologyand InformationSecurity washeld in Tokyo,Japan,during December 6–10, 2009. The conference was sponsored by the International - sociation for Cryptologic Research (IACR) in cooperation with the Technical Group on Information Security (ISEC) of the Institute of Electronics, Infor- tion and Communication Engineers (IEICE). ASIACRYPT 2009 was chaired by Eiji Okamoto and I had the honor of serving as the Program Chair. The conference received 300 submissions from which two papers were wi- drawn.Eachpaperwasassignedatleastthreereviewers,andpapersco-authored by ProgramCommittee members wereassigned at least ?ve reviewers.We spent eightweeksforthereviewprocess,whichconsistedoftwostages.Inthe?rstfo- week stage, each Program Committee member individually read and evaluated assigned papers (individual review phase), and in the second four-week stage, the papers werescrutinized with an extensive discussion(discussion phase). The review reports and discussion comments reached a total of 50,000 lines. Finally,theProgramCommitteedecidedtoaccepted42submissions,ofwhich two submissions were merged into one paper. As a result, 41 presentations were given at the conference. The authors of the accepted papers had four weeks to prepare ?nal versions for these proceedings. These revised papers were not s- ject to editorialreviewandthe authorsbear full responsibility fortheir contents. Unfortunately there were a number of good papers that could not be included in the program due to this year's tough competition.

Sound has always been an integral component of the moviegoing experience. Even during the so-called “silent era,” motion pictures were regularly accompanied by live music, lectures, and sound effects. Today, whether we listen to movies in booming Dolby theaters or on tiny laptop speakers, sonic elements hold our attention and guide our emotional responses. Yet few of us are fully aware of the tremendous collaborative work, involving both artistry and technical wizardry, required to create that cinematic soundscape. Sound, the latest book in the Behind the Silver Screen series, introduces key concepts, seminal moments, and pivotal figures in the development of cinematic sound. Each of the book’s six chapters cover a different era in the history of Hollywood, from silent films to the digital age, and each is written by an expert in that period. Together, the book’s contributors are able to explore a remarkable range of past and present film industry practices, from the hiring of elocution coaches to the marketing of soundtrack records. Not only does the collection highlight the achievements of renowned sound designers and film composers like Ben Burtt and John Williams, it also honors the unsung workers whose inventions, artistry, and performances have shaped the soundscapes of many notable movies. After you read Sound, you’ll never see—or hear—movies in quite the same way. Sound is a volume in the Behind the Silver Screen series—other titles in the series include Acting; Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special Visual Effects; Producing; and Screenwriting.