Specimen Days

In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth. Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.

In 1950, Constantine (a Greek immigrant labourer) marries Mary (an Italian American girl) and together they produce three children. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine’s marriage fails, and their children leave to make unconventional families of their own. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo.

The Extended Specimen highlights the research potential for ornithological specimens, and is meant to encourage ornithologists poised to initiate a renaissance in collections-based ornithological research. Contributors illustrate how collections and specimens are used in novel ways by adopting emerging new technologies and analytical techniques. Case studies use museum specimens and emerging and non-traditional types of specimens, which are developing new methods for making biological collections more accessible and "usable" for ornithological researchers. Published in collaboration with and on behalf of The American Ornithological Society, this volume in the highly-regarded Studies in Avian Biology series documents the power of ornithological collections to address key research questions of global importance.

Beautiful and heartbreaking, comic and tragic, The Snow Queen once again proves that Michael Cunningham is one of the great novelists of his generation Michael Cunningham's luminous novel begins with a vision. It's November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up at the sky; there he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Barrett doesn't believe in visions—or in God—but he can't deny what he's seen. At the same time, in the not-quite-gentrified Bushwick neighbourhood of Brooklyn, Tyler, Barrett's older brother, a struggling musician, is trying—and failing—to write a song for Beth, his wife-to-be, who is seriously ill. Tyler is determined to write a wedding song that will be not merely a sentimental ballad, but an enduring expression of love. Barrett, haunted by the light, turns unexpectedly to religion. Tyler grows increasingly convinced that only drugs can release his creative powers. Beth tries to face mortality with as much courage as she can summon. Cunningham follows the Meeks brothers as each turns down a different path in his search for transcendence. In subtle, lucid prose, he demonstrates a profound empathy for his conflicted characters and a singular understanding of what lies at the depth of the human soul.

Winner, 2016 Kobo Emerging Writer Prize for Fiction Finalist, 2016 Ethel Wilson Fiction Prize The stories in Specimen are a unique exploration of science and the human heart; the place where physical reality collides with our spiritual and emotional lives. In “The Blood Keeper,” a young academic travels to North Korea to work on her dissertation and embarks on a dangerous affair. In “Mamochka,” which was nominated for the 2012 Journey Prize, an archivist at the Institute for Physics in Minsk, must come to terms with her daughter’s marriage to a Chinese man in Vancouver. In “Peptide P,” scientists study a disease that seems to affect children after they eat hotdogs. In “Side Effects,” a woman’s personality is altered, and not necessarily for the better, by botox injections. In “The Big One,” a woman and her daughter find themselves trapped in the rubble of an underground parking garage after an earthquake. Stylistically varied and with settings that range from North Korea and Minsk to Vancouver and Gdansk, Kovalyova is daring and confident new voice in Canadian fiction.