Specters Of Liberation

Specters of Liberation argues that dissent against the New World Order is possible through a collaboration of critical postmodern social theory and existential philosophy. It integrates those Western, Eastern European, and postcolonial approaches to democratic theory that provide the best alternatives to today's nationalist and racial conflicts and offer the best prospects for a free world. Rigorously argued and written in an impassioned voice, it examines multidimensional specters of liberation and resources for democratic change after 1989. Inspired by the persistence of the Marcusean Great Refusal, Matustik takes up a wide variety of issues, ranging from the encounter between critical social theory and existential philosophy found in the works of Herbert Marcuse to the contributions of Czech existential phenomenology to democratic theory, with attention to the works of Havel.

Rich with analyses of concepts from deconstruction, systems theory, and post-Marxism, with critiques of fundamentalist thought and the war on terror, this volume argues for developing a philosophy of being in order to overcome the quandary of postmodern relativism. Undergirding the contributions are the premises that ontology is a vital concept for philosophy today, that an acceptable leftist ontology must avoid the kind of identity politics that has dominated recent cultural studies, and that a new ontology must be situated within global capitalism.

With the publication of Specters of Marx in 1993, Jacques Derrida redeemed a longstanding pledge to confront Marx's texts directly and in detail. His characteristically bravura presentation provided a provocative re-reading of the classics in the Western tradition and posed a series of challenges to Marxism. In a timely intervention in one of today's most vital theoretical debates, the contributors to Ghostly Demarcations respond to the distinctive program projected by Specters of Marx. The volume features sympathetic meditations on the relationship between Marxism and deconstruction by Fredric Jameson, Werner Hamacher, Antonio Negri, Warren Montag, and Rastko Möcnik, brief polemical reviews by Terry Eagleton and Pierre Macherey, and sustained political critiques by Tom Lewis and Aijaz Ahmad. The volume concludes with Derrida's reply to his critics in which he sharpens his views about the vexed relationship between Marxism and deconstruction.

At the heart of this book is a spectral theory of world literature that draws on Edward Said, Aamir Mufti, Jacques Derrida and world-systems theory to assess how the field produces local literature as an "e;other"e; that haunts its universalising, assimilative imperative with the force of the uncanny. It takes the Middle Eastern novel as both metonym and metaphor of a spectral world literature. It explores the worlding of novels from the Middle East in recent years, and, focusing on the pivotal sites of Middle Eastern modernity (Egypt, Turkey, Iran), argues that lost to their global production, circulation and reception is their constitution in the logic of spectrality. With the intention of redressing this imbalance, it critically restores their engagements with the others of Middle Eastern modernity and shows, through a new reading of the Middle Eastern novel, that world literature is always-already haunted by its others, the ghosts of modernity.

In the early 1970s, progressive rock bands like King Crimson, Yes, Jethro Tull, and Emerson, Lake, and Palmer produced visionary, adventurous works, often of epic length. Since that time, critics and historians of rock music have marginalized the progressive rock era. However, it is a musical and political mistake to ignore this period of tremendous creativity, a period which continues to influence new rock music. Martin shows that there has always been a progressive trend in rock music, and develops a terminology for understanding how a popular avant-garde arose out of the sonic and social materials of rock. Listening to the Future surveys the progressive bands, from the most celebrated (like Genesis and ELP) to lesser-known but significant groups (such as Henry Cow, Magma, and PFM), and looks at the enduring legacy of progressive rock - covering both the 'neoprogressive' trend and recent works by Yes, Jethro Tull, and King Crimson.

Deeply understood, democracy is more than a formal institutional framework for which America provides the model, acting as a preferable alternative to the modern totalitarian regimes that have distorted social life around the world. At its core, as John Dewey understood, democracy is a realistic ideal, a desired and desirable future possibility that is yet-to-be. In this period of global crises in differing cultures, a shared environment, and an increasingly globalised political economy, this book provides a clear contemporary articulation of deep democracy that can guide an evolutionary deepening of democratic institutions, of habits of the heart, and of the processes of education and social inquiry they support them.

"Specters of Revolution examines the development of two guerrilla insurgencies led by schoolteachers in Mexico during the 1960s. Relying upon recently declassified documents and oral histories, it chronicles a history of nonviolent peasant political action, underscored by long-held rural utopian ideals, radicalized by persistent state terror"--

Sophocles's classical tragedy, Antigone, is continually reinvented, particularly in the Americas. Theater practitioners and political theorists alike revisit the story to hold states accountable for their democratic exclusions, as Antigone did in disobeying the edict of her uncle, Creon, for refusing to bury her brother, Polynices. Antigone in the Americas not only analyzes the theoretical reception of Antigone, when resituated in the Americas, but further introduces decolonial rumination as a new interpretive methodology through which to approach classical texts. Traveling between modern present and ancient past, Andrés Fabián Henao Castro focuses on metics (resident aliens) and slaves, rather than citizens, making the feminist politics of burial long associated with Antigone relevant for theorizing militant forms of mourning in the global south. Grounded in settler colonial critique, black and woman of color feminisms, and queer and trans of color critique, Antigone in the Americas offers a more radical interpretation of Antigone, one relevant to subjects situated under multiple and interlocking systems of oppression.