Speculative Science Fiction

Why did Kurt Vonnegut shun being labeled a writer of science fiction (SF)? How did Margaret Atwood and Ursula K. Le Guin find themselves in a public argument about the nature of SF? This volume explores the broad category of SF as a genre, as one that challenges readers, viewers, teachers, and scholars, and then as one that is often itself challenged (as the authors in the collection do). SF, this volume acknowledges, is an enduring argument. The collected chapters include work from teachers, scholars, artists, and a wide range of SF fans, offering a powerful and unique blend of voices to scholarship about SF as well as examinations of the place for SF in the classroom. Among the chapters, discussions focus on SF within debates for and against SF, the history of SF, the tensions related to SF and other genres, the relationship between SF and science, SF novels, SF short fiction, SF film and visual forms (including TV), SF young adult fiction, SF comic books and graphic novels, and the place of SF in contemporary public discourse. The unifying thread running through the volume, as with the series, is the role of critical literacy and pedagogy, and how SF informs both as essential elements of liberatory and democratic education.

Award winning author Suzanne Church’s cast of distinct characters asks “What if?” in this collection of science fiction, fantasy, and horror short fiction. Church infuses emotion into every tale. Whether quirky or horrific, the prose deftly snatches the reader onto a whirlwind expedition of laughter and sorrow. This collection includes 21 stories and an introduction by award winning author, editor, and poet, Sandra Kasturi.

Science fiction loves strangeness. It relishes oddities, even when it piles on fear and dystopian loathing. The technical term for a fascination with the strange and alien is xenophilia, just as the term for a terror of the strange is xenophobia. At its core, then, science fiction is...Xeno Fiction. So science fiction seeks out the strange, roams far from home in space and time, looks with avid eagerness upon the ways of the Others, human or alien. It participates, in brilliantly lighted imagination, in their strange lives. In this second gathering from Van Ikin's critical journal, Science Fiction: A Review of Speculative Literature, writers of the alien are investigated with wit and insight. G. Travis Regier follows the Other into its own home, accompanying those experts in the alien, C. J. Cherry and Samuel R. Delany. In the book's long key essay, Terry Dowling pursues the Art of Xenography as exemplified by Jack Vance's "General Culture" novels. Three expert commentators look into Booker Prize-winner Peter Carey's postcolonial and postmodern frolics into alternative realities. And the Xeno fictions of Isaac Asimov, Greg Egan, Mary Gentle, Ursula K. Le Guin, Naomi Mitchison, Neal Stephenson, and Stanley Weinbaum are read as their road maps into the strange. Eleven revealing essays on speculative fiction by some of the best critics in the field.

Science fiction is a field of literature that has great interest and great controversy among its writers and critics. This book examines the roots, history, development, current status, and future directions of the field through articles contributed by well-respected science fiction writers, teachers, and critics. This book can be used as a textbook for courses in theory as well as courses in science fiction literature and science fiction writing.

Essays on speculative/science fiction explore the futures that feed our most cherished fantasies and terrifying nightmares, while helping diverse communities devise new survival strategies for a tough millennium. The explosion in speculative/science fiction (SF) across different media from the late twentieth century to the present has compelled those in the field of SF studies to rethink the community’s identity, orientation, and stakes. In this edited collection, more than forty writers, critics, game designers, scholars, and activists explore core SF texts, with an eye toward a future in which corporations dominate both the means of production and the means of distribution and governments rely on powerful surveillance and carceral technologies. The essays, international in scope, demonstrate the diversity of SF through a balance of popular mass-market novels, comics, films, games, TV shows, creepypastas, and more niche works. SF works explored range from Riot Baby by Tochi Onyebuchi, 2084: The End of the World by Boualem Sansal, Terra Nullius by Claire Coleman, Watchmen and X-Men comics, and the Marvel film Captain America: The Winter Soldier, to the MaddAddam trilogy by Margaret Atwood, The Dispossessed by Ursula K. Le Guin, The Wandering Earth by Liu Cixin, and the Wormwood trilogy by Tade Thompson. In an era in which ecological disaster and global pandemics regularly expose and intensify deep political-economic inequalities, what futures has SF anticipated? What survival strategies has it provided us? Can it help us to deal with, and grow beyond, the inequalities and injustices of our times? Unlike other books of speculative/science fiction criticism, Uneven Futures uses a think piece format to make its critical insights engaging to a wide audience. The essays inspire visions of better possible futures—drawing on feminist, queer, and global speculative engagements with Indigenous, Latinx, and Afro- and African futurisms—while imparting important lessons for political organizing in the present. Contributors: Ben Abraham, Emmet Asher-Perrin, Brent Ryan Bellamy, Gerry Canavan, Andrew Ferguson, Fabio Fernandes, Dexter Gabriel, M. Elizabeth Ginway, Sean Guynes, Ouissal Harize, David M. Higgins, Veronica Hollinger, Allanah Hunt, Nicola Hunte, Nathaniel Isaacson, Ayana Jamieson, Darshana Jayemanne, Gwyneth Jones, Brendan Keogh, Sami Ahmad Khan, Cameron Kunzelman, Bryan Kamaoli Kuwada, Isiah Lavender III, Caryn Lesuma, Karen Lord, Sarah Marrs, Farah Mendlesohn, Cathryn Merla-Watson, Hugh Charles O’Connell, B. Pladek, John Rieder, Lysa Rivera, Kim Stanley Robinson, Steven Shaviro, Rebekah Sheldon, Alison Sperling, Alfredo Suppia, Bogi Takács, Taryne Jade Taylor, Sherryl Vint, Kirin Wachter-Grene, Ida Yoshinaga.

You can create believable science fiction and fantasy worlds Speculative fiction is an umbrella genre enveloping the ever-expanding genres of science fiction and fantasy, and best-selling science fiction and fantasy authors Crawford Kilian and Silvia Moreno-Garcia come together in this book to show writers how to craft believable worlds and plausible characters, and ultimately, how to craft good stories. Their hands-on, practical, put-the-book-down-and-start-writing advice speaks to new and emerging authors of science fiction and fantasy. They offer more than pep talks and success stories; they explain genres and how to bend and blend them, and give concrete suggestions on how to overcome the inevitable problems writers face, such as self editing, writing plausible characters, and building a plot without writing formula fiction. With a combined nearly 50 years of experience, Kilian and Moreno-Garcia save writers time, energy, and grief by showing them how to master the craft of storytelling and how to market their stories as successfully as possible. Their invaluable advice persuades readers to go beyond their, and others’, expectations of market and genre, pushing them to be better writers, and to add their own unique storytelling voices into the growing speculative fiction arena.

Expect a life-changing experience[Re]Awakenings are the starting points for life-changing experiences; a new plane of existence, an alternate reality or cyber-reality. This genre-spanning anthology of new speculative fiction explores that theme with a spectrum of tales, from science fiction to fantasy to paranormal; in styles from clinically serious to joyfully silly. As you read through them all, and you must read all of them, you will discover along the way that stereo-typical distinctions between the genres within speculative fiction are often arbitrary and unhelpful. You will be taken on an emotional journey through a galaxy of sparkling fiction; you will laugh, you will cry; you will consider timeless truths and contemplate eternal questions.All of life is within these pages, from birth to death (and in some cases beyond). In all of these stories, most of them specifically written for this anthology, the short format has been used to great effect. If you haven'¿¿t already heard of some of these authors, you soon will as they are undoubtedly destined to become future stars in the speculative fiction firmament. Remember, you read them here first!

Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.