Spells From The Wise Woman S Cottage

Folklorist Steve Patterson reveals the history of the Museum of Witchcraft & Magic's 'Wise Woman' tableau, the charms, spells and artefacts showcased, the 'wayside witches' of the West Country and the role of the museum in the world of witchcraft and its revival.

Discover a wonderful collection of traditional 19th-century charms and spells from Old Joan, the wise woman at Boscastle's Museum of Witchcraft and Magic. Explore the stock and trade of the working witch through the ages as well as fascinating artefacts and magical techniques that were once features of life in the small villages of Devon and Cornwall in southwest England.

This book marks twenty years since the publication of Professor Ronald Hutton’s The Triumph of the Moon, a major contribution to the historical study of Wicca. Building on and celebrating Hutton’s pioneering work, the chapters in this volume explore a range of modern magical, occult, and Pagan groups active in Western nations. Each contributor is a specialist in the study of modern Paganism and occultism, although differ in their embrace of historical, anthropological, and psychological perspectives. Chapters examine not only the history of Wicca, the largest and best-known form of modern Paganism, but also modern Pagan environmentalist and anti-nuclear activism, the Pagan interpretation of fairy folklore, and the contemporary ‘Traditional Witchcraft’ phenomenon.

The Scottish Lowlands, October 1789. A year has come and gone since Jamie McKie fled for his life, arriving at Auchengray in search of sanctuary and a bonny wife. Young Rose McBride, as fair a lass as any in Scotland, dearly loves her handsome cousin—but so does her older sister, Leana. Determined to have Jamie all to herself, Rose puts in motion one desperate plan after another, enlisting the aid of Lillias Brown, a wise woman—a wutch, some say—still keen on the old ways. Impetuous Rose ignores the cruel whispers that travel up and down the parish hills, never dreaming of the tragic consequences that await her. Her sister, Leana, clings to her hard-won sense of peace and assurance by a slender thread of faith. Day and night, Leana’s hours are apent caring for wee Ian and praying that her future will hold more promise than her past. Jamie McKie is busy making his own plans to return home to Glentrool and claim his inheritance. To do so means facing Evan, the brother whose blessing he stole, and Alec, the father whom he ruthlessly deceived. It is a perilous journey that will test the depth of his courage, the strength of his sword, and the tenacity of his vow to honor Almighty God, no matter the cost.

Superheroes captivate our cultural imagination. From reading comic books in our childhood bedrooms to watching the latest blockbuster on the silver screen, we long to see the champion defeat the villain and ultimately rescue the world from certain destruction. Though the stories may be fantastical, our desires are not. Our hearts are drawn to superheroes because we want someone to triumph over evil and save the world. This issue of An Unexpected Journal proposes that just maybe our desires have already been fulfilled. Contributors Jesse W. Baker: "The Power of Weakness" on Questions of Violence Donald W Catchings, Jr.: "He Will Rise" on Nolan's Salvific Themes Annie Crawford: "Super-Women and the Price of Power" on Gendered Superheroes Joseph Holmes: "Superheroes and Worship" on the Attraction of Superhero Movies Christy Luis: "Ex-Cult Member Saved by Grace" on the Dangers Of False Heroes Jason Monroe: "Answering Joker’s Dark-Knight-Defying Anarchy" on Competing Worldviews Seth Myers: "Global Superheroes from the Disneyverse and Studio Ghibli" on Heroism Manifested around the World; "Once a Prince or Princess: MacDonald’s Moral Superheroines and Heroes in the Princess Tales" on Ordinary Heroic Actions; and "Planets, Poetry, and the Power of Myth in Halo and Destiny" on the Apologetic Power of Video Games Annie Nardone: "Just a Sidekick?" on the Importance of Support Cherish Nelson: "Person or Persona: What's Inside the Spider-Verse?" on Plantinga's Conception of the Multiverse Megan Joy Rials: "Diana Prince, Apologist? Salvation and the Great Commission in Wonder Woman" on an Unlikely Apologist Jason M. Smith: "Worth Reading" on Some Good Starting Points James M. Swayze: "Superheroes, Saviors, and C.S. Lewis" on Epic, Myth, and Human Longings John P. Tuttle: "Humility Contra Pride as Represented in Thor (2011)" on the Superiority of Virtue Clark Weidner: "Faith on Trial in Frank Miller’s Daredevil Comics" on Questions of the Greater Good About the Cover We are all looking for a hero, someone to battle monsters that threaten. A hero can battle the monsters without, but only the Superhero can conquer the monster within. An Unexpected Journal Summer 2021 Volume 4, Issue 2 300 pages

Every month is full of magic, each day has its own energy, and the seasons rotate as part of the cycles of nature. Pagan Portals - Rounding the Wheel of the Year looks at ways to honour each month with folkloric customs, herb and plant lore, traditional crafts, spells, visualisations, and pagan rites that go beyond the eight festivals of Imbolc, Spring Equinox, Beltane, Summer Solstice, Lammas, Autumn Equinox, Samhain, and Winter Solstice. The wheel of the year turns smoothly, it doesn't bump over eight cogs, and that's the meaning of the title of this book. Inside these pages you will find the history behind some much-loved folklore and modern pagan customs, as well as practical suggestions for ways to celebrate the turning of the year.

A little old man learns the secret behind a magical fiddle. An undersea princess leaves her amber palace for love. A mule waits for revenge on the one who wronged her . . . Explore folktales, myths, legends, and fables from around the world. From magical to funny, tender to terrifying, these stories carry the spirit of diverse cultures and traditions around the world.

Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.