Spheres Of Perception

Our economic system is over-stimulated by the information age. Interconnection aids and abets companies earning trillions and their swift rise to global dominance. The 24-hour wired world has led to increased volatility; negative information, and even an accidental computer glitch can crash the market and create panic. Health, the environment, the welfare of society are pushed to the far edge of national interests. Instead, GDP and short-term monetary profit is prioritised over long-term impact on society and the environment. The world as we know it is set for collapse. Simultaneously, the science of evolution has itself evolved. In as much as “survival of the fittest” has been used to justify harsh, competition behaviour on the part of individuals and corporations, an updated understanding of evolution now tends to tell us a different story. What if written into the code of our DNA and RNA is a guide for telling us how to evolve morally and as a result improve our world and progress our epistemology? From such an understanding emerges new Spheres of Perception.

Our world appears random, but there is a definite pattern in the universe around us. Once you understand these characteristics, you can apply them to your benefit. How To Master The Universe is reminiscent of the Book Of Rings, Book Of Strategy, and The Prince. This book deals with personal perception, thoughts and correct observation.

Using examples from the US, Europe and Asia,this collection presentsempirical studies of print, recorded music, movies, radio, television and the Internetto reveal both how media structure public spheresand how people use media to participate in the public sphere.

Leonard B. Meyer's writings on the theory, history, perception, and aesthetics of music have inspired and provoked generations of readers. The Spheres of Music makes available a selection of his most important essays (originally published between 1974 and 1998). Gathering them together in one volume not only enables the essays to "converse" with and illuminate each other, but also allows Meyer to revise, recant, and comment on the ideas they present. With the same sensitive insight and searching intelligence he has exhibited throughout his career, Meyer transcends the boundaries that so often separate fields of inquiry. The Spheres of Music joins music theory to history, history to culture, culture to aesthetics, aesthetics to psychology, and psychology back to theory. In so doing, the book highlights the complex interrelationships at the heart of the creation, comprehension, and history of music. Diverse and adventurous, The Spheres of Music presents an intriguing and impressive collection of Meyer's work. "Ever since the publication of his Emotion and Meaning in Music . . . I have considered Leonard B. Meyer one of the keenest thinkers about music among us."—Winthrop Sargeant, The New Yorker