Stage Performance

Learn how to be comfortable in the spotlight--whether as a speaker or performer--with tips from singer-songwriter Livingston Taylor, a teacher at the renowned Berklee College of Music.

There are about ten books in the world on stage performance training. Most of them are in English, but there are a few in Spanish. There are none in Russian, although the father of modern theater, Konstantin Stanislavski, was born in Russia. In singing, regardless of genre and style, the element of stage performance is missing. There is no normal training for communicating with the audience. It is accepted by most vocal pedagogues that it is enough to sing the notes correctly, but there is much more to do. For singers who study opera and operetta, it is essential to stretch the limits of performance, and that is why they also study acting. For everyone else, this is not necessary, because they have other tasks on stage. They must learn to self-regulate, not to wait for directional instructions. This book is valuable in that it teaches singers to direct their own stage performance. Representing the author’s conclusions based on careful analysis of a number of successful and unsuccessful stage performances of numerous singers of different stature, it gives them the basic knowledge and guidance on how to approach and develop their show from one song to one concert. It teaches singers how to be more successful on stage, how to be more charismatic and how to manage their audience the way they want.

(Music Pro Guide Books & DVDs). Since the age of seven, Anika Paris has been playing piano and writing songs, as well as singing and performing. Making Your Mark in Music re-creates the nurturing approach that she experienced growing up with a symphonic conductor father and a poet mother. Three solo records, songs in film and TV, touring the world, and ten years of teaching have all led to this authorship. Making Your Mark in Music serves as a personal mentor for the reader through stories and trade secrets passed down to the author over the years. This book, one of the very few on stage performance for musicians, blends psychology, Eastern philosophy, the art of conversation, and performance techniques valuable to performers of all levels. It reveals the inner workings of performance from an artist's perspective while also functioning as a self-discovery and artist-development journal. Included is footage of the author coaching artists, with before and after shots of each performer. The book also reveals what many readers want to know, through interviews with industry professionals. Record executives answer the question, "What exactly are you looking for?" A psychologist explores who we are and what role we each play in music. An image stylist talks about how to best fuse fashion with music. A television host discusses how to keep the audience tuned in. And a sound engineer explains how to keep the music playing. Find all of this and more in a book that will help you make your mark in music.

The documentation of practice is one of the principle concerns of performance studies. Focusing on contemporary performance practice and with emphasis on the transformative impact of video, photography and writing, this book explores the ideological, practical, and representational implications of knowing performance through its documentations.

The history of theatre has often been written as a history of great writers, actors, or directors. This book takes a different approach: The contributors examine the history of performance from the perspective of theatre spaces and stage technologies. Art, literature, religion, law, urbanism, architecture, technology - this interdisciplinary book discusses how these fields relate to theatre and performance. Geographically, it covers a significant portion of the globe; chronologically, it ranges from ancient times to the present. This book provides a timely attempt to combine cultural and global history.

Front and Back Stage of Tourism Performance situates our travel imaginaries, those dream destinations on our travel bucket lists, as co-constructed by the tourist industry, state development policies, and community negotiations, and as framed by modernity’s new global cultural economy. As more people travel for pleasure than ever before, host communities and intermediaries are presented with tourism opportunities that all too often become flashpoints for local contestation and mechanisms for displacement. The ethnographically-grounded chapters describe tourist encounters shaped by geopolitics, complicated by war, and troubled by and enacted within the economic inequities of neocolonialism. The points of contact afford a unique vantage from which to view cultural identity, entrepreneurial strategizing, and natural resource management as global politics and relations of difference. They also illustrate the power of social networks, cultural display, and artistic performance as collective presentation, management apparatus, and structural critique. Drawing on a range of international case studies, this book will appeal to those interested in tourism, anthropology, global studies, environmental issues, microeconomics, and identity studies.