State And Court Ritual In China

This broad-ranging examination of Chinese court and state ritual from 1000 BC to AD 1750 represents the first modern comprehensive account of the subject in any language. The essays demonstrate how and why ritual has played such a fundamental and often controversial role in the practice of Chinese politics. By tracing the political and social development of particular rituals, such as imperial funerals and popular religious practices or Buddhist ordination ceremonies and court audiences, the authors set out to convey their historical significance. Further discussion of the role of ritual in relation to language, and elite and popular concepts of emperorhood is included in the volume. The book will be of interest to students of Chinese history, anthropology and religion, as well as those seeking to understand the legacy of that history in modern China.

Forming the Early Chinese Court builds on new directions in comparative studies of royal courts in the ancient world to present a pioneering study of early Chinese court culture. Rejecting divides between literary, political, and administrative texts, Luke Habberstad examines sources from the Qin, Western Han, and Xin periods (221 BCE–23 CE) for insights into court society and ritual, rank, the development of the bureaucracy, and the role of the emperor. These diverse sources show that a large, but not necessarily cohesive, body of courtiers drove the consolidation, distribution, and representation of power in court institutions. Forming the Early Chinese Court encourages us to see China’s imperial unification as a surprisingly idiosyncratic process that allowed different actors to stake claims in a world of increasing population, wealth, and power.

Today, China's classical antiquity is often studied through recovered artifacts, but before this practice became widespread, scholars instead reconstructed the distant past through classical texts and transmitted illustrations. Among the most important illustrated commentaries was the Sanli tu, or Illustrations to the Ritual Classics, whose origins are said to date back to the great commentator Zheng Xuan. Design by the Book, which accompanies an exhibition at Bard Graduate Center Gallery, discusses the history and cultural significance of the Sanli tu in medieval China. The Sanli tu survives in a version produced around 960 by Nie Chongyi, a professor at the court of the Later Zhou (951-960) and Northern Song (960-1127) dynasties. It is now mostly remembered--if at all--for its controversial entries and as a quaint predecessor of the more empirical antiquarian scholarship produced since the mid-eleventh century. But such criticism hides the fact that the book remained a standard resource for more than 150 years, playing a crucial role in the Song dynasty's perception of ancient ritual and construction of a Confucian state cult. Richly illustrated, Design by the Book brings renewed focus to one of China's most fascinating medieval works.

Over the last 40 years, our vision of Chinese culture and history has been transformed by the discovery of the role of religion in Chinese state-making and in local society. The Daoist religion, in particular, long despised as "superstitious," has recovered its place as "the native higher religion." But while the Chinese state tried from the fifth century on to construct an orthodoxy based on Confucianism, Daoism, and Buddhism, local society everywhere carved out for itself its own geomantically defined space and organized itself around local festivals in honor of gods of its own choosing-gods who were often invented and then represented by illiterate mediums. Looking at China from the point of view of elite or popular culture therefore produces very different results.--John Lagerwey has done extensive fieldwork on local society and its festivals. This book represents a first attempt to use this new research to integrate top-down and bottom-up views of Chinese society, culture, and history. It should be of interest to a wide range of China specialists, students of religion and popular culture, as well as participants in the ongoing interdisciplinary dialogue between historians and anthropologists.--John Lagerwey is professor of Daoist history at the ?cole Pratique des Hautes ?tudes and of Chinese studies at the Chinese University of Hong Kong. He is author of Taoist Ritual in Chinese Society and History and editor of the 30-volume "Traditional Hakka Society Series" as well as the recently published four-volume set Early Chinese Religion.-----

In Confucian Rituals and Chinese Villagers, Yonghua Liu presents a detailed study of how a southeastern Chinese community experienced and responded to the process whereby Confucian rituals - previously thought unfit for practice by commoners - were adopted in the Chinese countryside and became an integral part of village culture, from the mid fourteenth to mid twentieth centuries. The book examines the important but understudied ritual specialists, masters of rites (lisheng), and their ritual handbooks while showing their crucial role in the ritual life of Chinese villagers. This discussion of lisheng and their rituals deepens our understanding of the ritual aspect of popular Confucianism and sheds new light on social and cultural transformations in late imperial China.

The essays in this volume transcend Eastern and Western geographical boundaries during a loosely defined medieval and early modern period, ranging from Carolingian Europe to Qing China, and pull rituals out of their geographical contexts. Cultural history binds these essays together. This volume permits readers to compare ritual in religious and secular contexts, in the East and West, and to focus on the purposes of ritual, without being caught up in localism or historical jingoism. The various essays are organized chronologically and thematically; they focus on ritual and gender, law, identity and political legitimization. They cover topics as varied as the spatial appropriation of surfaces and territories, charity, carnival, women's magic, the Jesuits, graffiti, theater, business, medicine, Qing imperial ceremonies, Chinese princesses coming of age, spiritual reconciliation, and the Great Western Schism. Contributors include: Catherine Bell, Virginia A. Cole, Andrée Courtemanche, James L. Hevia, Michael W. Maher, S.J., Véronique Plesch, Marguerite Ragnow, Martha Rampton, Eric C. Rath, Dylan Reid, Kathryn Reyerson, Joëlle Rollo-Koster, and Ann Waltner.

In traditional China, a funeral and the accompanying death rituals represented a critical moment for the immediate family of the deceased to show their filial piety, a core value of the society. At the same time, death rituals were social occasions, and channels for the outward demonstration of belief in a religiously pluralistic society. During the Northern Song period, however, death rituals increasingly became an arena for political contention as attempts were made to transform these practices from a private matter into one subject to state control. Death Rituals and Politics in Northern Song China examines how political confrontations over the proper conduct of death rituals during Northern Song dynasty (960-1127) inaugurated a period of Confucian revivalism. Mihwa Choi interprets Northern Song court politics, family ritual practices, burial practices, and the popular imagination of the afterlife as sites of contest between groups of varying social status, political vision, and religious belief. She demonstrates that the oversight of ritual affairs by scholar-officials helped them gain the political upper hand they sought, and, more broadly, fostered a revival of Confucianism as the dominant value system of Chinese society in the period that followed.

The Board of Rites and the Making of Qing China presents a major new approach in research on the formation of the Qing empire (1636–1912) in early modern China. Focusing on the symbolic practices that structured domination and legitimized authority, the book challenges traditional understandings of state-formation, and argues that in addition to war making and institution building, the disciplining of diverse political actors, and the construction of political order through symbolic acts were essential undertakings in the making of the Qing state. Beginning in 1631 with the establishment of the key disciplinary organization, the Board of Rites, and culminating with the publication of the first administrative code in 1690, Keliher shows that the Qing political environment was premised on sets of intertwined relationships constantly performed through acts such as the New Year’s Day ceremony, greeting rites, and sumptuary regulations, or what was referred to as li in Chinese. Drawing on Chinese- and Manchu-language archival sources, this book is the first to demonstrate how Qing state-makers drew on existing practices and made up new ones to reimagine political culture and construct a system of domination that lay the basis for empire.