Stiff Upper Lip

'A brave and necessary book' GUARDIAN 'Shocking, gripping and sobering' SUNDAY TELEGRAPH No other society sends its young boys and girls away to school to prepare them for a role in the ruling class. Beating, bullying, fagging, cold baths, vile food and paedophile teachers are just some of the features of this elite education, and, while some children loved boarding school, others now admit to suffering life-altering psychological damage. Stiff Upper Lip exposes the hypocrisy, cronyism and conspiracy that are key to understanding the scandals over abuse and neglect in institutions all over the world. Award-winning investigative journalist Alex Renton went to three traditional boarding schools. Drawing on those experiences, and the vivid testimony of hundreds of former pupils, he has put together a compelling history, important to anyone wondering what shaped the people who run Britain in the twenty-first century.

Imagine if P.G.Wodehouse was a diplomat: Durrell's hilarious foreign office sketches are 'sophisticated funny, but wonderful, and bonkers' ( Joanna Trollope) 'A rewarding cocktail based on two parts Wodehouse and one part Saki ... So much fun.' New York Times 'Whatever wars there may be and whatever crises, there will still, please heaven, be the diplomatic corps, with its protocol and formalities and a field for humour which I have never seen better used than in these stories.' John Betjeman After a lifetime serving that most delightfully British of institutions, the Foreign Office, Antrobus can't resist musing over old times in Vulgaria at his London club - or should that be cringing ... His memories of farcical gaffes and comic diplomatic misadventures star a mad inventor, a tragic cavalry officer, foreign ambassadors, embassy bachelors, a mischievous chef plotting to bring down the empire with garlic ... Celebrated British novelist, travel writer, and member of the real-life family portrayed in The Durrells in Corfu , Lawrence Durrell experienced the absurdities of mid-century diplomacy firsthand. Lampooning English etiquette, empire, and eccentricity, his charming jeu d'esprit about the diplomatic corps is classic satire: but be warned: there's a point where laughter can become painful ... 'Antrobus is a delight to listen to, and his stories are wonderfully funny.' Atlantic 'My goodness it is funny.' The Daily Telegraph

A Jeeves and Wooster novel Bertie Wooster looks pretty stylish in his new Tyrolean hat - or so he thinks: others, notably Jeeves, disagree. But when Bertie embarks on an errand of mercy to Totleigh Towers, things get quickly out of control and he's going to need all the help Jeeves can provide. There are good eggs present, such as Gussie Fink-Nottle and the Rev. 'Stinker' Pinker. But there also is Sir Watkyn Bassett J.P., enemy of all the Woosters hold dear, to say nothing of his daughter Madeline and Roderick Spode, now raised to the peerage. And Major Brabazon Plank, the peppery explorer, who wants to lay Bertie out cold. Thank goodness for the intervention of Chief Inspector Witherspoon of Scotland Yard - but is this gentleman all he seems?

There is a persistent myth about the British: that they are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia--the first history of crying in Britain--comprehensively debunks this myth. Far from being a persistent element in the national character, the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of the nation's past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which Britons express and understand their emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.