Stone Age Divas

Women have made an enormous impact on life on the planet. They are deified and remembered in song, story, legend, and statues since at least 30,000 BC. We are, and have always been, brilliant inventors, innovators, and leaders for hundred and thousands of years. We are the survivors of everything that came our way and passed on our culture. Women are the creators of life! A woman can create life inside her own body, give birth to another human being, and make milk from her own breasts to feed her newborn life. The Goddesses are real mothers, actual women who lived, and created beautiful handiwork and incredible usable things from next to nothing; such as: spinning and weaving, making pots from dirt, farming, medicine, and writing. What a history! What a Gift to Civilization! Women were, and continue to be, the true Mothers of Invention! Stone Age Divas in the true sense of the word. If every girl in the world reads about the Goddesses found in this book, she will have a firm foundation of self-esteem and inspiration to make wise choices in her life. Since time immemorial, women have bonded together in sisterhood to fight for noble causes in nonviolent ways. Women have always been, and continue to be, great benefactors of humanity. 'Stone Age Divas: Their Mystery and Their Magic', takes an astonishing look at human beginnings never before attempted. It challenges our basic assumptions about gender, religion, and our civilization. Warning: This book may be dangerous to your beliefs!

Blessed Threads & Magic Twists Cord magic is one of the easiest and most satisfying ways to make magic. This book shows you how to quickly and effectively twist your own magical cords, with specific tips for choosing colors, setting your intention, charging the cords, and incorporating powerful knot spells. You will discover dozens of hands-on instructional worksheets and specific projects for a myriad of magical purposes, including protection, transitions, finding new love, improving your creative life, celebrating a handfasting, and many more. Author Brandy Williams also includes guidance for working with embellishments, capturing the power of astrological signs, unmaking a cord, and choosing the best materials. Cord magic is portable and versatile—you can twist a cord in a matter of minutes, whether you're at home or out in public. You can wear a magically charged cord as an accessory or simply carry one in a pocket or bag. This book explores the history of cord magic and it teaches everything you need to know about the tools and techniques you need to create your own magical twists and knots.

'However much you thought you knew about The Stones before you read it, afterwards you'll know more. It's glittering' - Simon Napier-Bell 'Special [...] it's brilliant' Johnnie Walker From Sunday Times bestselling author Lesley-Ann Jones On 12 July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil', they created some of the most thrilling music ever recorded. Now, their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad and often ugly, here are the Rolling Stones as never before.

Explore a world of beads! The newest entry in Lark’s popular Beading with...series goes international and multicultural, with more than 30 dazzling jewelry projects that showcase popular "tribal” and "ethnic” beads. As with the other books in the series, this lavishly illustrated volume offers an introduction to scores of different beads, illustrates all the basic techniques, and presents both beginner and intermediate projects from a pool of talented designers. The one-of-a kind pieces range from Jean Campbell’s jangly Milagros Charm Bracelet to Elizabeth Glass Geltman and Rachel Geltman’s porcelain-beaded "A New Chinese Twist”--with stops in India, Africa, and many other countries along the way.

In Bulletproof Diva, Lisa Jones brings the wit and candor of her infamous Village Voice column, "Skin Trade," to a much larger audience. Chock full of the "fierce black girl humor" that has made her column so popular, this provocative collection of essays and observations on race, sex, identity, and the politics of style speaks to a young generation of blacks who were raised in an integrated society and are now waiting for America to deliver on its promises of equality. The thirty-seven short pieces and six long essays in Bulletproof Diva cover a wide range of topics, many of them extremely controversial. Jones moves smoothly from issues of ethnicity in a changing America, challenging viewpoints on African-American and mixed race identity, to "butt theory" and the roller-coaster politics of black hair. Written in a style that is as appealing as it is unapologetic, Bulletproof Diva marks the debut of a genuinely gifted young writer with a distinctive voice and a fresh perspective on the black cultural scene.

From the headline-making, New York Times bestselling author of I Hate Everyone...Starting With Me comes another intimate glimpse into the delightfully hilarious mind of Joan Rivers. When her daughter Melissa gives her a diary for Christmas, at first Joan is horrified—who the hell does Melissa think she is? That fat pig, Bridget Jones? But as Joan, being both beautiful and introspective, begins to record her day-to-day musings, she realizes she has a lot to say. About everything. And everyone, God help them. The result? A no-holds-barred, delightfully vicious and always hilarious look at the everyday life of the ultimate diva. Follow Joan on a family vacation in Mexico and on trips between New York and Los Angeles where she mingles with the stars, never missing a beat as she delivers blistering critiques on current events, and excoriating insights about life, pop culture, and celebrities (from A to D list), all in her relentlessly funny signature style. This is the Diary of a Mad Diva. Forget about Anais Nin, Anne Frank, and Sylvia Plath. For the first time in a century, a diary by someone that’s actually worth reading.

This book reconsiders how we can understand archaeology on a grand scale by abandoning the claims that material remains stand for the people and institutions that produced them, or that genetic change somehow caused cultural change. Our challenge is to understand the worlds that made great projects like the building of Stonehenge or Mycenae possible. The radiocarbon revolution made the old view that the architecture of Mycenae influenced the building of Stonehenge untenable. But the recent use of 'big data' and of genetic histories have led archaeology back to a worldview where 'big problems' are assumed to require 'big solutions'. Making an animated plea for bottom-up rather than top-down solutions, the authors consider how life was made possible by living in the local and materially distinct worlds of the period. By considering how people once built connections between each other through their production and use of things, their movement between and occupancy of places, and their treatment of the dead, we learn about the kinds of identities that people constructed for themselves. Stonehenge did not require an architect from Mycenae for it to be built, but the builders of Stonehenge and Mycenae would have shared a mutual recognition of the kinds of humans that they were, and the kinds of practices these monuments were once host to.