Stop Me If You Ve Heard It

“Finally I understand what it is I’ve been laughing at all these years.”—Jimmy Kimmel From the best-selling author of Why Does the World Exist? comes this outrageous, uproarious compendium of absurdity, filth, racy paradox, and gratuitous offensiveness—just the kind of mature philosophical reflection readers have come to expect from the ever-entertaining Jim Holt. Indeed, Stop Me If You’ve Heard This is the first book to trace the evolution of the joke all the way from the standup comics of ancient Athens to the comedy-club Seinfelds of today. After exploring humor’s history in Part One, Holt delves into philosophy in Part Two: Wall Street jokes; jokes about rednecks and atheists, bulimics and politicians; jokes you missed if you didn’t go to a Catholic girls’ school; jokes about logic and existence itself . . . all became fodder for the grand theories of Aristotle, Kant, Freud, and Wittgenstein in this heady mix of the high and low, of the ribald and profound, from America’s most beloved philosophical pundit.

Before he met Mia, resigned loser Albert Kim was too busy dodging high school sociopaths to imagine having a girlfriend. Much less the adorable ex-girlfriend of alpha jerk Ryan Stackhouse. Yet somehow, by the end of a summer working at an inn together, Al and Mia are “something.” Then September arrives with a thud: Ryan has been diagnosed with cancer and needs Mia at his side. As the school year turns into one giant tribute to Ryan, Al can’t help but notice that Ryan may not be quite who everyone—particularly Mia—thinks he is. Before his heart shatters completely, Al has just a few more things to point out. . . .

Soupy Sales was a longtime host of an event at Friars Club called “Stop Me If You’ve Heard It” where a group of comics all seated on bar stools attempt to top each other by telling a joke. By the end of the evening it’s not all that clear who actually topped who since the audience is too busy brushing tears away, doubling over in laughter, and praying their bladders remain intact before making a beeline to the bathrooms. Hilarious doesn’t even begin to describe these evenings. This event with Soupy as top banana was as highly anticipated as The Friars’ infamous Roasts, and his comic legacy endures in this book of his favorite jokes. “There is never a dull moment when Soupy is in the room. The Friars are lucky—we just have to turn around and listen to Soupy tell his hilarious jokes. Thanks to this book, though, you’ve got the next best thing—if you can’t join him, read him. The Soup is on and he’s boiling over with laughs.” - Barry Dougherty of The Friars Club

In (Don’t) Stop Me If You’ve Heard This Before, Peter Turchi combines personal narrative and close reading of a wide range of stories and novels to reveal how writers create the fiction that matters to us. Building on his much-loved Maps of the Imagination: The Writer as Cartographer, Turchi leads readers and writers to an understanding of how the intricate mechanics of storytelling—including shifts in characters’ authority, the subtle manipulation of images, careful attention to point of view, the strategic release of information, and even digressing from the (apparent) story—can create powerful effects. Using examples from Dickens, Chekhov, and Salinger, and Twain to more contemporary writers including Toni Morrison, Alice Munro, E. L. Doctorow, Jenny Erpenbeck, Adam Johnson, Mohsin Hamid, Jai Chakrabarti, Yoko Ogawa, Richard Powers, Deborah Eisenberg, Olga Tokarczuk, Rachel Cusk, and Colson Whitehead, Turchi offers illuminating insights into the inner workings of fiction as well as practical advice for writers looking to explore their craft from a fresh angle beyond the fundamentals of character and setting, plot, and scene. While these essays draw from decades of teaching undergraduate and graduate students, they also speak to writers working on their own. In “Out of the Workshop, into the Laboratory,” Turchi discusses how anyone can make the most of discussions of stories or novels in progress, and in “Reading Like a Writer” he provides guidelines for learning from writing you admire. Perhaps best of all, these essays by a writer the Houston Chronicle has called “one of the country’s foremost thinkers on the art of writing” are as entertaining as they are edifying, always reminding us of the power and pleasure of storytelling.

The Avengers was a classic television show that lighted the sixties from 1961 to 1969. Its repeat runs have garnered a mass of fans. One such fan is Chris. He's a regular man and has had what everyone would call a regular life. But on one of these regular days, The Avengers burst into his world and set him on an interesting course that would lead him not only to a deep affection for the show as a fan but also towards a possible career. This semi-autobiographical work of fiction is fascinating reading from beginning to end.

New cover design - all titles in the Partridge collection now have the same style covers. Group shot of titles will be made available, together with an order form The first edition had life sales of over 19000 copies (hardback), the second edition sold out after selling 6000 copies (hardback) and the paperback has sold nearly 5000 copies in 2 editions

(FAQ). No one can argue that Morrissey is one of the best lyricists and charismatic front men in music history. But people love to argue about other things his mysterious personal life, his pompous attitude, and the history and meaning behind his biggest hits. Morrissey FAQ will put to rest any questions and doubts about the singer known around the world for his meaningful lyrics and biting wit. Readers will also learn about his passions, his weaknesses, the people who love him, the people who hate him, and the people who want to be him. Not since Elvis have fans been so obsessed with a singer; they fight with each other at concerts, they rush and tackle him onstage, they dress and act like him, and they even build shrines dedicated to him. Liking Morrissey isn't just liking his music it's a way of life. Morrissey is known for his over-the-top lyrics, his stage antics, his philosophies, and his whining. But after reading this book and digging deeper into the brooding mystique that is Morrissey, you'll also start whining... for more Moz!

The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.