Stories Of Identity Among Black Middle Class Second Generation Caribbeans

This volume addresses how black, middle class, second generation Caribbean immigrants are often overlooked in contemporary discussions of race, black economic mobility, and immigrant communities in the US. Based on rich ethnography, Yndia S. Lorick-Wilmot draws attention to this persisting invisibility by exploring this generation’s experiences in challenging structures of oppression as adult children of post-1965 Caribbean immigrants and as an important part of the African-American middle class. She recounts compelling stories from participants regarding their identity performances in public and private spaces—including what it means to be “black and making it in America”—as well as the race, gender, and class constraints they face as part of a larger transnational community.

The story of West Indian immigrants to the United States is generally considered to be a great success. Mary Waters, however, tells a very different story. She finds that the values that gain first-generation immigrants initial success--a willingness to work hard, a lack of attention to racism, a desire for education, an incentive to save--are undermined by the realities of life and race relations in the United States. Contrary to long-held beliefs, Waters finds, those who resist Americanization are most likely to succeed economically, especially in the second generation.

In 1965, the Hart-Cellar Immigration Reform Act ushered in a huge wave of immigrants from across the Caribbean—Jamaicans, Cubans, Haitians, and Dominicans, among others. How have these immigrants and their children negotiated languages of race and ethnicity in American social and cultural politics? As black immigrants, to which America do they assimilate? Constructing Black Selves explores the cultural production of second-generation Caribbean immigrants in the United States after World War II as a prism for understanding the formation of Caribbean American identity. Lisa D. McGill pays particular attention to music, literature, and film, centering her study around the figures of singer-actor Harry Belafonte, writers Paule Marshall, Audre Lorde, and Piri Thomas, and meringue-hip-hop group Proyecto Uno. Illuminating the ways in which Caribbean identity has been transformed by mass migration to urban landscapes, as well as the dynamic and sometimes conflicted relationship between Caribbean American and African American cultural politics, Constructing Black Selves is an important contribution to studies of twentieth century U.S. immigration, African American and Afro-Caribbean history and literature, and theories of ethnicity and race.

Despite their growing presence, research on Caribbean and, especially, African immigrants has been scant. The scarcity of writings on these "other" African Americans contributes to the invisibility of these groups. The objective of this project is to broaden our understanding of these other African Americans. A focus on intra-racial dynamics among African Americans is important because of the ever-growing diversity of America's black population. The Other African Americans is an edited volume of original research that provides historical and contemporary information on African and Caribbean individuals and families. Each chapter addresses a particular topical area covering the most salient issues facing these immigrants to the U.S. today.

In 1965, the Hart-Cellar Immigration Reform Act ushered in a huge wave of immigrants from across the Caribbean-Jamaicans, Cubans, Haitians, and Dominicans, among others. How have these immigrants and their children negotiated languages of race and ethnicity in American social and cultural politics? As black immigrants, to which America do they assimilate? Constructing Black Selves explores the cultural production of second-generation Caribbean immigrants in the United States after World War II as a prism for understanding the formation of Caribbean American identity. Lisa D. McGill pays pa.

“Black women are dope because they rise and are yet rising. This dopeness is not hyperbolic or symbolic—rather, it is borne of persecution that has failed to frustrate a perseverant persistence to prevail.” Before sea to shining sea. Before spacious skies were pierced by purple mountains. Before the uniting of one nation. Black women learned to rise. In POWER: THE RISE OF BLACK WOMEN IN AMERICA, award-winning journalist and digital media executive Charity C. Elder posits that there has never been a better time to be a Black woman in the United States. POWER is an incisive disquisition on Black womanhood weaving theoretical frameworks of history and sociology with poignant interviews, ethnographic observation, and anecdotes gleaned from history, social media, pop culture, and the author’s lived experiences. Using data, the author substantiates the triumph of Black women. Original analysis of eighty years of US census data, prepared by the University of Minnesota and analyzed by Dr. Constance F. Citro, documents the remarkable ascension of Black women since the early twentieth century. An exclusive national survey conducted in partnership with the Marist Poll in 2021 not only reveals that 70 percent of Black women say they have been successful in life, but also that most believe they have the power to succeed. POWER does not shy away from the realities of structural oppression identified by the late Black feminist scholar bell hooks; rather it illuminates how Black women exercise agency to create meaningful lives. Success is not an anomaly, but a defining characteristic. Black women have amassed power—now, Elder posits, they need to acknowledge it and then wield the hell out of it.

In Beyond Expectations, Onoso Imoagene delves into the multifaceted identities of second-generation Nigerian adults in the United States and Britain. She argues that they conceive of an alternative notion of "black" identity that differs radically from African American and Black Caribbean notions of "black" in the United States and Britain. Instead of considering themselves in terms of their country of destination alone, second-generation Nigerians define themselves in complicated ways that balance racial status, a diasporic Nigerian ethnicity, a pan-African identity, and identification with fellow immigrants. Based on over 150 interviews, Beyond Expectations seeks to understand how race, ethnicity, and class shape identity and how globalization, transnationalism, and national context inform sense of self.