Stork Raving Mad

Meg's expecting twins---any minute!---in this next hilarious entry in the award-winning, New York Times bestselling series! Meg is eight and a half months pregnant with twins when Michael asks if she wouldn't mind another houseguest. One of his doctoral students is directing his new translation of a play by a minor Spanish playwright, and the playwright has agreed to come to town for the production. Senor Mendoza turns out to be a drinker, a smoker, and an inveterate partygoer. Before long, Meg's kitchen is filled with the smells of Spanish food and the voices of all the wilder souls in both the drama and Spanish departments. Into this chaos arrive two prune-faced administrators, the dean of the English department and a man from the college president's office, who say that the play must be canceled. When the dean is found murdered, Meg's house becomes a crime scene, and the only way to restore peace is to help Chief Burke solve the murders---while rescuing the student's dissertation and Michael's tenure---all before dashing off to the hospital to give birth to her twins! The one and only Donna Andrews continues to surprise and delight in this next knee-slapping adventure featuring Meg Langslow and all the eccentric characters that make up her world.

In 2076, the sprawling Baby Boom generation is down to one last survivor, 111-year-old Martin McCrae. The distinction earns McCrae a suite at a New York City museum where contestants pay a small fee to spend fifteen minutes with him as part of an ultimate ghoul pool. If they are in the room when he expires, they win a multi-million dollar jackpot. While silently praying he will die for them, contestants ask McCrae genial questions about the past, ultimately triggering recollections of rollicking times when McCrae waged war with boredom. As the ghoul pool grinds on for five years, McCrae eventually lapses into a coma and the contestants begin to resent him for his unusual longevity. While conspiracy theorists speculate that McCrae has been dead for years, his wealthy friend revives him with an offer to secure eternal life. McCrae must now decide whether to surrender to the temptation or welcome a natural death. The Last Baby Boomer is a coming-of-really-old age satire of a dying epoch that shines a light on the illuminating fact that even though we all die, only one gets to die last. But nobody wins until death does.

Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.

The Magic Behind the Voices is a fascinating package of biographies, anecdotes, credit listings, and photographs of the actors who have created the unmistakable voices for some of the most popular and enduring animated characters of all time. Drawn from dozens of personal interviews, the book features a unique look at thirty-nine of the hidden artists of show business. Often as amusing as the characters they portray, voice actors are charming, resilient people—many from humble beginnings—who have led colorful lives in pursuit of success. Beavis and Butthead and King of the Hill's Mike Judge was an engineer for a weapons contractor turned self-taught animator and voice actor. Nancy Cartwright (the voice of Bart Simpson) was a small-town Ohio girl who became the star protégé of Daws Butler—most famous for Yogi Bear, Huckleberry Hound, and Quick Draw McGraw. Mickey Mouse (Wayne Allwine) and Minnie Mouse (Russi Taylor) were a real-life husband-and-wife team. Spanning many studios and production companies, this book captures the spirit of fun that bubbles from those who create the voices of favorite animated characters. In the earliest days of cartoons, voice actors were seldom credited for their work. A little more than a decade ago, even the Screen Actors Guild did not consider voice actors to be real actors, and the only voice actor known to the general public was Mel Blanc. Now, Oscar-winning celebrities clamor to guest star on animated television shows and features. Despite the crushing turnouts at signings for shows such as Animaniacs, The Simpsons, and SpongeBob Squarepants, most voice actors continue to work in relative anonymity. The Magic Behind the Voices features personal interviews and concise biographical details, parting the curtain to reveal creators of many of the most beloved cartoon voices.

When someone rigs a cage full of skunks in the choir loft of the New Life Baptist Church, Meg Langslow must stop holiday pranksters from destroying the annual pre-Christmas concert, but when murder enters the picture, Meg must save Christmas from a vengeful killer.