Storming The Old Boys Citadel

This book focuses on the lives and works of two of the very first women of European American ancestry to practice architecture in North America during the 19th century. Mother Joseph du Sacré-Coeur, a Sister of Providence--born Esther Pariseau, in St. Elzéar, Quebec--is credited with works built in the present states of Washington, Idaho, Montana, northern Oregon, and in the province of British Columbia. For her contributions, Mother Joseph was honored by the State of Washington as one of two people to represent it in the National Statuary Hall Collection in Washington, DC. Louise Blanchard Bethune designed and built works in the Buffalo, New York area. Storming the Old Boys' Citadel follows the evolving histories of two Revival-styled multiuse public buildings considered to be these women's major works. Listed on the United States' National Register of Historic Places, they have both continued to function, with extensive additions and other changes made to each architect's original structure, for the communities where their architects lived. The book addresses issues of lost or hidden North American history.

“Women” and “architecture” were once mutually exclusive terms. In an 1891 address, Louise Blanchard Bethune declared, “it is hardly safe to assert” that a connection even exists between the two words. Some women didn’t agree. Mother Joseph of the Sacred Heart (1823-1902) is credited with works built in the present states of Washington, Idaho, Montana, Oregon, and British Columbia. Born Esther Pariseau in Saint-Elzéar, Québec, the “Mother with a hammer” was honored by the State of Washington as one of two people to represent it in the National Statuary Hall Collection in Washington, D.C. Louise Blanchard Bethune (1856-1913) designed and built works in the Buffalo, New York area, including the Lafayette Hotel, which was one of the eleven most luxurious hotels in the United States when it opened in 1904. Mother Joseph’s and Louise Bethune’s signature buildings, Providence Academy, Vancouver, Washington, and the Lafayette Hotel, Buffalo, New York, are both listed on the United States’ National Register of Historic Places. Both buildings are cases of historic preservation and adaptive reuse. Bridging disciplines from women’s studies, architecture and architectural history to the fascinating past of the Pacific Northwest and Upstate New York, Storming the Old Boys’ Citadel sheds new light on North America’s common built environment and those who made it. In this book, based on years of research and keen story-telling skills, Carla Blank and Tania Martin also breathe new life into the lives and works of two remarkable nineteenth-century women.

This book draws on recent deconstructions around the idea of ‘femininity’ as a social, racial and class construct and explores the diversity of spaces that may be defined as educational that range from institutional contexts to family, to professional outlooks, to racial identity, to defining community and religious groupings. It explores how notions of femininity change across time and place, and within individual lives. Such changes take place at the interface of external forces and individual agency. The application of the notion of ‘femininity’ that assumes a consistent definition of the term is interrogated by the authors, leading to a discussion of the rich possibilities for new directions in research into women’s lives across time, place, and individual life histories.

As America's first professional female architect, Louise Blanchard Bethune broke barriers in a male-dominated profession that was emerging as a vital force in a rapidly growing nation during the Gilded Age. Yet, Bethune herself is an enigma. Due to scant information about her life and her firm, Bethune, Bethune & Fuchs, scholars have struggled to provide a complete picture of this trailblazer. Using a newly discovered archival source of photographs, architectural drawings, and personal documents, Kelly Hayes McAlonie paints a picture of Bethune never before seen. Born in 1856 in Waterloo and raised in Buffalo, New York, Bethune wanted to be an architect from childhood. In fulfilling her dream, she challenged the nation to reconsider what a woman could do. A bicycle-riding advocate for coeducation, Bethune believed in women's emancipation through equal pay for equal work. This belief would be tested during the design competition for the Woman's Building for the 1893 World's Columbian Exposition, where female entrants were not paid for their work. Bethune refused to participate on principle, but nonetheless her career thrived, culminating in the most important commission of her life, Buffalo's Hotel Lafayette. A comprehensive biography of the first professional woman architect in the United States, who was also the first woman to be admitted to the American Institute of Architects, this book serves as an important addition to New York and architectural history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the State University of New York and the University at Buffalo Libraries. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at https://soar.suny.edu/handle/20.500.12648/8382.

The Routledge Companion to Women in Architecture illuminates the names of pioneering women who over time continue to foster, shape, and build cultural, spiritual, and physical environments in diverse regions around the globe. It uncovers the remarkable evolution of women’s leadership, professional perspectives, craftsmanship, and scholarship in architecture from the preindustrial age to the present. The book is organized chronologically in five parts, outlining the stages of women’s expanding engagement, leadership, and contributions to architecture through the centuries. It contains twenty-nine chapters written by thirty-three recognized scholars committed to probing broader topographies across time and place and presenting portraits of practicing architects, leaders, teachers, writers, critics, and other kinds of professionals in the built environment. The intertwined research sets out debates, questions, and projects around women in architecture, stimulates broader studies and discussions in emerging areas, and becomes a catalyst for academic programs and future publications on the subject. The novelty of this volume is in presenting not only a collection of case studies but in broadening the discipline by advancing an incisive overview of the topic as a whole. It is an invaluable resource for architectural historians, academics, students, and professionals.

In March 2015, a group of experts from four continents and a wide range of disciplines met with the leading African American writer Ishmael Reed in Mulhouse, France, and Basel, Switzerland. Guided by Swiss cultural and literary theorist Sämi Ludwig, and deliberately migrating back and forth across a political border in the heart of Europe, they not only listened to Reed and discussed his work, but also looked more widely at the different meanings assigned to “multiculturalism” in the United States, Europe, and other parts of the world. This volume brings together their reflections.

Three Hilarios Southeast Asian Adventures. Thailand, Cambodia, Vietnam