Story Of A New Zealand Writer

First published in 1920, this is the most celebrated of Jane Mander's six novels and is now regarded as a New Zealand classic. Alice Roland, together with her children, boxes, mattresses and piano, is punted up river to the 'appalling isolation' of their new home, 'a small house against a splendid wall of bush' in the kauri forest at Pukekaroro. She is joining her husband there, a reunion that is far from warm, but this remote place is to mark Alice's long and steady growth towards shared love, a new awareness of life and a sense of personal liberation. First published in New York in 1920, this is the first New Zealand novel to confront convincingly many of the twentieth century's major political, religious, moral and social issues - most significantly women's rights. Daring for its time in its exploration of sexual, emotional and intellectual freedom, the New Zealand Herald found the ending 'too early for good public morality'. It is believed by many to be the inspiration of Jane Campion's film The Piano.

DISCOVER THE ENCHANTING EPIC THAT WILL TRANSPORT YOU TO OTHER WORLDS . . . 'AN INSTANT CLASSIC' GUARDIAN 'BEWITCHING' THE TIMES 'MIND-BLOWING' LAINI TAYLOR 'ASTOUNDING' FRANCIS SPUFFORD 'GORGEOUSLY WRITTEN' DEBORAH HARKNESS _______ Taryn Cornick barely remembers the family library. Since her sister was murdered, she's forgotten so much. Now it's all coming back. The fire. The thief. The scroll box. People are asking questions about the library. Questions that might relate to her sister's murder. And something called The Absolute Book. A book in which secrets are written - and which everyone believes only she can find. They insist Taryn be the hunter. But she knows the truth. She is the hunted . . . _______ The Absolute Book is a tale of sisters, ancient blood, a forgotten library, murder, revenge and a book that might just have the answer to everything. 'An instant classic . . . A work to rank alongside other modern masterpieces of fantasy such as Philip Pullman's His Dark Materials series or Susanna Clarke's Jonathan Strange and Mr Norrell. Everything fantasy should be: original, magical, well read, compelling' GUARDIAN 'Astonishing. Gripping. Hugely ambitious. An extraordinary conclusion. Admire the sheer scope and grandeur' DAILY MAIL 'A marvellous argument for stories. There are Norse gods, references to Merlin, a tour through purgatory and a strange parallel world where magic is real and humans are bit players in the clash of supernatural realms. Bewitching' THE TIMES 'Contains multitudes, spanning the geographies of Canada, Britain and New Zealand; the cosmologies of fairies, demons and angels; and the genres of thriller, domestic realism and epic fantasy . . . I'm in awe of it' NEW YORK TIMES Review of Books 'Intricately plotted and gorgeously written, THE ABSOLUTE BOOK has something for everyone . . . Here is a cinematic tale that is by turns dark and dreamlike, yet ultimately hopeful' DEBORAH HARKNESS, author of A DISCOVERY OF WITCHES 'Fantastical' THE TIMES 'Savour and absorb the world Knox conjures' SUNDAY TIMES 'Gorgeous. The payoffs and reveals are mind-blowing' LAINI TAYLOR, author of DAUGHTER OF SMOKE AND BONE 'An angelic book, an apocalyptic book, an astounding book' FRANCIS SPUFFORD

The winner of the Man Booker Prize, this "expertly written, perfectly constructed" bestseller (The Guardian) is now a Starz miniseries. It is 1866, and Walter Moody has come to stake his claim in New Zealand's booming gold rush. On the stormy night of his arrival, he stumbles across a tense gathering of 12 local men who have met in secret to discuss a series of unexplained events: a wealthy man has vanished, a prostitute has tried to end her life, and an enormous cache of gold has been discovered in the home of a luckless drunk. Moody is soon drawn into a network of fates and fortunes that is as complex and exquisitely ornate as the night sky. Richly evoking a mid-nineteenth-century world of shipping, banking, and gold rush boom and bust, The Luminaries is at once a fiendishly clever ghost story, a gripping page-turner, and a thrilling novelistic achievement. It richly confirms that Eleanor Catton is one of the brightest stars in the international literary firmament.

Wit, compassion and insight combine in this entertaining novel that explores the politics and human comedy behind writers’ festivals and the publishing industry. Writers’ festivals can be hotbeds of literary and romantic intrigue, and the Oceania is up there with the best of them. Rookie director Rae McKay, recently returned from New York, fears she has bitten off more than she can chew. Pressure comes not only from local and international writers but also from the prestigious Opus Book Award, which this year is being hosted by the festival. Add to that high-level diplomatic fallout surrounding a dissident Chinese writer, Rae’s slowly disintegrating private life and ongoing dramas involving much loved characters of The Writing Class, and the result is a wise and witty novel that explores the contemporary phenomenon of the public face of the writer. This lively, stand-alone novel is as ‘intelligent, tender and funny’ as readers found The Writing Class. '. . . a book that's sophisticated, witty and - best of all - generous in its attitudes to its characters. It's a love letter to reading and writing and things readers and writers share, especially the mutual effort to understand the world and the people in it.' - Paul Little, North & South on The Writing Class

This is the story of a quest I began three decades ago – the search for my Chinese identity. The path I travelled was not linear, and the years brought pain as well as joy. But, while this is a narrative about being Chinese and also a New Zealander, I know that the search for purpose and meaning in life is universal. I hope that others in our culturally diverse society will find their own ways to embark on that same journey. Helene Wong was born in New Zealand in 1949, to parents whose families had emigrated from China one or two generations earlier. Preferring invisibility, she grew up resisting her Chinese identity. But in 1980 she travelled to her father’s home village in southern China and came face to face with her ancestral past. What followed was a journey to come to terms with ‘being Chinese’. Helene Wong writes eloquently about her New Zealand childhood, about student life in the 1960s, and coming of age in Muldoon’s New Zealand. What her Chinese ancestry means to her gradually illuminates the book as it sheds new light on her own life. Drawing on her experience of writing for New Zealand films, she takes the narrative forward through the places of her family’s history – the ancestral village of Sha Tou in Zengcheng county, the rural town of Utiku where the Wongs ran a thriving business, the Lower Hutt suburbs of her childhood, and Avalon and Naenae.

Integrating both Maori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Maori heritage. Kerewin Holmes is a painter and a loner, convinced that "to care for anything is to invite disaster." Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Maori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character's thoughts and feelings as they struggle with the desire to connect and the fear of attachment. Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness, The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.

A fun book about a sticky problem. Tama is being bullied by a nasty taniwha who happens to inhabit his local classroom. At a loss for solutions, he goes to his family for ideas. The story follows Tama as he tries out the suggestions and faces the taniwha. A great way for kids to explore different ways of dealing with bullies and an effective tool to generate discussion.

First published in 1989 and reprinted numerous times, Six by Six remains the definitive introduction to the classic New Zealand short story.Six by Six is a big, generous book. It shows the full range and vitality of New Zealand fiction published in the twentieth century. These are stories of pace and invention, mischief and melancholy, darkness and joy. From a two-page sketch by Patricia Grace to Maurice Duggan' s short novel &‘ O' Leary' s Orchard' . From classics like Katherine Mansfield' s &‘ The Garden Party' and Frank Sargeson' s &‘ Conversation with My Uncle' to the contemporary brilliance of Owen Marshall and Janet Frame.Edited by Bill Manhire.