Strange Divisions And Alien Territories

Strange Divisions and Alien Territories explores the sub-genres of science fiction from the perspectives of a range of top SF authors. Combining a critical viewpoint with the exploration of the challenges and opportunities facing authors working in the field, contributors include Michael Swanwick, Catherine Asaro and Paul di Filippo.

A brash entrepreneur buys a small company as a platform for his big ideas, and the General Genetics Corporation is born. GenGen has a vision for the future of humankind, and the company will stop at nothing to get its own way. Nine stories of sex, drugs and manipulation from an author described by Locus as "in the recognized front ranks of SF writers". Includes new story "Faking It". 'Faking It is the supersoundbite version of Brooke's growth as a writer... very inventive and clever... five stars for entertainment value' – André Jute 'I recommend anyone interested in inventive near-future SF to give this cost-effective e-book collection a try, before moving on to Brooke's excellent and more recently written novels' – D Douglas Fratz, SF Site 'if you're looking for great, well-written new science fiction novels by writers you have a reason to trust, then Brooke is now your man' – Trashotron 'a progressive and skilful writer' – Peter F Hamilton

Multiple personalities fighting for control of a single body; a single personality constantly splitting and reinventing itself and its past; a Mars that never was; an interstellar war that has always been. Nine science-fiction stories, each with a new afterword, from an author described by Locus as "in the recognized front ranks of SF writers". '"Jurassic and the Great Tree", with its brilliant and remorseless anthropological logic, resembles Michael Bishop at his best. But that's because it's well-argued anthropology, rather than well-copied Bishop.' –Simon Ings, Foundation 'a dazzling work of the imagination.' –SF Site, of Brooke's The Accord "I am so here! Genetopia is a meditation on identity - what it means to be human and what it means to be you - and the necessity of change. It's also one heck of an adventure story. Snatch it up!" –Michael Swanwick

The aliens are here, all around us. They always have been. And now, one by one, they're destroying our cities. Dodge Mercer deals in identities, which is fine until the day he deals the wrong identity and clan war breaks out. Hope Burren has no identity, and no past, struggling with a relentless choir of voices filling her head. In a world where nothing is as it seems, where humans are segregated and aliens can sing realities and tear worlds apart, Dodge and Hope lead a ragged band of survivors in a search for the rumoured sanctuary of Harmony, and what may be the only hope for humankind.

Do you find yourself contemplating the imminent end of the world? Do you wonder how society might reorganize itself to cope with global cataclysm? (Have you begun hoarding canned goods and ammunition...?) Visions of an apocalypse began to dominate mass media well before the year 2000. Yet narratives since then present decidedly different spins on cultural anxieties about terrorism, disease, environmental collapse, worldwide conflict and millennial technologies. Many of these concerns have been made metaphorical: zombie hordes embody fear of out-of-control appetites and encroaching disorder. Other fears, like the prospect of human technology's turning on its creators, seem more reality based. This collection of new essays explores apocalyptic themes in a variety of post-millennial media, including film, television, video games, webisodes and smartphone apps.

Trace: a country where magic is dying out. A country at war with itself. A country where the prophecies of the Book of the World have started to come true. Bligh: a young foreigner, drawn irresistibly to the war in Trace. A man who has rejected religion, yet appears to be possessed by one of the six Lords Elemental. Bligh thinks he's going mad, but if he is then it's a madness shared by others... Gritty and passionate, Lord of Stone is a fantasy for the new millennium by the acclaimed author of The Accord and Genetopia. 'Satisfying prose ... well realised and visualised characters ... powerful and vivid portrayal of the conditions of war.' –Eric Brown 'Keith Brooke's prose achieves a rare honesty and clarity, his characters always real people, his situations intriguing and often moving.' –Jeff VanderMeer "I am so here! Genetopia is a meditation on identity - what it means to be human and what it means to be you - and the necessity of change. It's also one heck of an adventure story. Snatch it up!' –Michael Swanwick 'Genetopia is quite remarkably fascinating.' –John Clute

"Keith Brooke's prose achieves a rare honesty and clarity, his characters always real people, his situations intriguing and often moving." World Fantasy Award-winner Jeff VanderMeer With his health failing, the great mage Donn has chosen to pass on his Talents to a new generation: an old era is drawing to a close, a new era about to begin. But with change comes instability. War looms and a rogue church leader threatens to set loose the wild powers of the First City. Donn's children must oppose this man but, also, they must contend with Donn himself: the old mage has not finished with his children yet. On the run from the religious repression of the mainland, Leeth Hamera joins a group of outcasts on the Serpent's Back, a continually changing island continent in the middle of a lava sea. Leeth has never lived up to the expectations of his wealthy merchant family and his only magical skill is the lowly Talent of bonding with animals. But, as he learns, the greatest Talents can sometimes be the slowest to emerge. The leader of the outcasts is Chi, son of Donn and the greatest healer of his generation. Chi is in exile for breaking the Embodied Church's edict against intervening in the natural order: many years ago Chi used his skills to revive his son from the dead. That son, Lachlan Pas, is now a church leader tortured by the guilty knowledge of what his father had to do to return him to life. When he learns Chi is still alive, he orders his execution, determined that his secret should never be exposed. Until now, Chi has been content to live in exile but now he knows that his son's insane and cruel rule must be stopped. Chi summons his half-siblings from throughout the inhabited lands of the Rift valley. The need for action is confirmed when one of them reveals that Lachlan and his mage, Oriole, are rebuilding the ancient city of Samhab - an act which will release the powers of the earth with unforeseeable consequences. Welcome to the magical island city of Zigané, endlessly adrift in the southern lava sea; the searing soda plains home of the Morani warriors; the impenetrable Zochi jungle, full of illusion and hidden hazard; the charmed fortress-like City of the Divine Wall; and Samhab, the fantastic First City of the True, built at the geographical centre of the Rift, where the magical powers of the earth rise up to be set free by the earth-charmers and mages. The novel's cast of shape-changers, earth-charmers, healers and illusionists must battle to save civilization from the evil rule of Lachlan Pas and his followers. For whoever controls the power of Samhab controls the future of the world. "A progressive and skilful writer." Peter F Hamilton, author of the Night's Dawn trilogy "In the recognized front ranks of SF writers." Locus

This multidisciplinary study of Scientology examines the organization and the controversies around it through the lens of popular culture, referencing movies, television, print, and the Internet—an unusual perspective that will engage a wide range of readers and researchers. For more than 60 years, Scientology has claimed alternative religious status with a significant number of followers, despite its portrayals in popular culture domains as being bizarre. What are the reasons for the vital connections between Scientology and popular culture that help to maintain or challenge it as an influential belief system? This book is the first academic treatment of Scientology that examines the movement in a popular-culture context from the perspective of several Western countries. It documents how the attention paid to Scientology by high-profile celebrities and its mention in movies, television, and print as well as on the Internet results in millions of people being aware of the organization—to the religious organization's benefit and detriment. The book leads with a background on Scientology and a discussion of science fiction concepts, pulps, and movies. The next section examines Scientology's ongoing relationship with the Hollywood elite, including the group's use of celebrities in its drug rehabilitation program, and explores movies and television shows that contain Scientology themes or comedic references. Readers will learn about how the Internet and the mainstream media of the United States as well as of Australia, Germany, and the UK have regarded Scientology. The final section investigates the music and art of Scientology.