Strange Sects And Cults A Study Of Their Origins And Influence

Strange Sects and Curious Cults, first published in 1961, is a well-written overview of a number of important religious sects and cults. Author Marcus Bach divides these into three categories: the sex sects, conscience cults, and the utopianists. The first group includes ancient Baalism of Mesopotamia, Osirism of Egypt, Shivism of India, and more recently, Voodoo of Africa and the New World. The Conscience Cults include the Penitentes, Apocalypticists, Father Divine of Harlem, the Oxford Groupers, and Psychiana. The section on Utopians includes the now-vanished Russian Doukhobors, followed by the Shakers, Amanas, Hutterites, and Mormons. For anyone looking for a good introduction to offbeat religious groups, Strange Sects and Curious Cults will provide a useful background and serve as a basis for further research.

Secret Scrolls is the very first examination of some forty novels in which someone discovers a new gospel. Sometimes it turns out to be a hoax; will it be debunked before it can work its mischief? If it proves genuine, will it be brought to light? Or will corrupt church officials manage to prevent it? The book evaluates what each author has to say about historical Jesus scholarship or New Testament research in general. Sometimes the authors have done their homework; other times they haven't bothered, and they wind up dishing up crazy rewrites of history and outlandish theories. These novels deal with abiding issues of faith, even without some new discovery. As soon as one engages in biblical apologetics, one has stepped onto the marshy ground of probabilistic arguments, an entirely different epistemology that automatically replaces simple faith. And so one comes to hold one's religious convictions more tentatively, having become genuinely vulnerable to new evidence. One may not remain a believer for long. On the other hand, one invites fanaticism if one's faith is dangerously predicated on the assurance that no new discovery will send one back to the drawing board. Secret Scrolls assesses what each author imagines it would take to derail and debunk Christianity. How mighty a blow must be dealt before the religion would fall? Dan Brown's notion that a married Jesus would debunk the Nicene Creed is laughable. As Wilbert Francis Howard once argued in his brief and fascinating history of New Testament research, there is a genuine "romance of New Testament scholarship," and many of us are delighted to have the adventure continue in the speculative imaginations of capable novelists. These books can both entertain and educate, and so will Secret Scrolls.

A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae. Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this reference book traces the relationship between two intertwined aspects of Jamaican culture: Rastafari and reggae music. As important voices in the ongoing dialogue concerning Jamaica's search for a national identity, Rastafari and reggae have had a significant impact on international music and culture. This work is the first to document and describe these areas for researchers, providing a comprehensive dictionary of terms, people, places, and concepts relevant to Rastafari, reggae music, and their related histories. In a unique collaboration from the American and Jamaican perspectives, Mulvaney and Nelson have supplied annotated references and cross references for written materials, audio recordings, videocassettes, and films that cover the first sixty years of Rastafari and over twenty years of reggae music. The book is comprised of four main sections. The dictionary serves as the focal point for the cross referencing of the entire book and offers entries that are either directly related to Rastafari and reggae or provide a historical context. The discography, which includes 200 entries, represents a cross section of reggae music from 1968 to 1990 and is organized by musician or band name. A small, representative sample of documentary, concert, and narrative fiction videocassettes that address aspects of Rastafari or reggae music are catalogued in the videography, along with selected films. Finally, the bibliography, prepared by Carlos I.H. Nelson, provides a thorough overview of journal and magazine articles, creative works, dissertations, books, interviews, parts of books, reviews, and theses written by and about Rastafarians and reggae musicians. It covers the past importance, present significance, and future legacies of the movement and the music. The work also includes two appendices that list relevant periodicals and representative musicians and bands. Music students and researchers will find Rastafari and Reggae to be a valuable reference source, as will students in Caribbean and cultural studies, communication, history, and anthropology courses. For academic, public, and music library collections, the book will be an important addition.

This lively and readable survey introduces students to key areas of the field and shows how to apply an anthropological approach to the study of contemporary world religions. Written by an experienced teacher, it covers all of the traditional topics of anthropology of religion, including definitions and theories, beliefs, symbols and language, and ritual and myth, and combines analytic and conceptual discussion with up-to-date ethnography and theory. Eller includes copious examples from religions around the world – both familiar and unfamiliar – and two mini-case studies in each chapter. He also explores classic and contemporary anthropological contributions to important but often overlooked issues such as violence and fundamentalism, morality, secularization, religion in America, and new religious movements. Introducing Anthropology of Religion demonstrates that anthropology is both relevant and essential for understanding the world we inhabit today.

This book presents an African Christian movement full of vitality and creativity. The reader will meet believers who drink milk so that they may dream about angels, reports about funerals where the mourners dance with the coffin on their shoulders and church members who are ritually not allowed to fertilize their fields or wear neck ties. The author's unique insight into Malawi's Christian community addresses important issues in society. Why have 'Spirit Churches,' including Pentecostalism, been so successful in Malawi? Why do some religious groups still refuse medical help, up to the point that children die of cholera? How did the independent churches deal with the colonial trauma? In this masterful portrait, Strohbehn takes the reader from industrial mine compounds to rural colonies, where churches have set up their own spiritual and political rule. He carefully dissects the fine lines between traditional notions and Christianity's influence. We find a spiritual portrait of the Ngoni people, a fascinating cultural analysis of dancing and an encounter with a unique style of preaching.

This book presents an African Christian movement full of vitality and creativity. The reader will meet believers who drink milk so that they may dream about angels, reports about funerals where the mourners dance with the coffin on their shoulders and church members who are ritually not allowed to fertilize their fields or wear neck ties. The authors unique insight into Malawis Christian community addresses important issues in society. Why have Spirit Churches, including Pentecostalism, been so successful in Malawi? Why do some religious groups still refuse medical help, up to the point that children die of cholera? How did the independent churches deal with the colonial trauma? In this masterful portrait, Strohbehn takes the reader from industrial mine compounds to rural colonies, where churches have set up their own spiritual and political rule. He carefully dissects the fine lines between traditional notions and Christianitys influence. We find a spiritual portrait of the Ngoni people, a fascinating cultural analysis of dancing and an encounter with a unique style of preaching.