Strangers And Exiles

Suffering and exclusion are normal in a believer's life. At least they should be. This was certainly Jesus's experience. And it's the experience of countless Christians around the world today.No matter your social location or set of experiences, the biblical letter of 1 Peter wants to redefine your expectations and reinvigorate your hope.Drawing on years of ministry in a Muslim-majority nation, Elliot Clark guides us through Peter's letter with striking insights for today. Whether we're in positions of power or weakness, influence or marginalization, all of us are called to live and witness as exiles in a world that's not our home. This is our job description. This is our mission. This is our opportunity.A church in exile doesn't have to be a church in retreat.

Exiles, Outcasts, Strangers explores how nine different "outsider" authors treat the theme of alienation in one of their major works. All the novels under review were written in a limited time span (1942 to 1987, approximately 50 years), and all are structured around a hero or heroine who remains culturally, ethically or aesthetically distant from his/her narrative counterparts. Works discussed: Albert Camus' L'Etranger; Richard Wright's The Outsider; André Langevin's Poussière sur la ville; Ernesto Sábato's El túnel; V.S. Naipaul's Guerrillas; Elie Wiesel's Le Cinquième fils; Norbert Zongo's Le Parachutage; Gisèle Pineau's L'Exil selon Julia, and Jean Genet's Querelle de Brest.

"Migration throws objects, identities and ideas into flux across a global network of travelling cultures. Examining life-changing journeys that transplanted artists and intellectuals from one cultural context to another, Exiles, Diasporas & Strangers offers a thematic overview of the critical and creative role of estrangement and displacement in the story of 20th-century art.Revealing the traumatic conditions that shaped numerous variants of modernism – among indigenous artists in Australia and Canada as much as émigré art historians from Central Europe – these critical studies also highlight multidirectional patterns of cross-appropriation that trouble the settled boundaries of national belonging, whether manifested in 1920s Nigeria or in post-modern works by black British artists of the 1980s. Coming up to date with historical perspectives on conceptual art’s engagement with alterity, Exiles, Diasporas & Strangers makes a unique contribution to art history’s rapprochement with the post-colonial turn.--

Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930s and 1940s, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer’s The Black Cat (1934), William Dieterle’s The Life of Emile Zola (1937), Ernst Lubitsch’s To Be or Not to Be (1942), Bertold Brecht and Fritz Lang’s Hangmen Also Die (1943), Fred Zinneman’s Act of Violence (1948), and Peter Lorre’s Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration.

Biblical Foundations Book Awards Finalist Deep within the human psyche lies a sense that we were made for something more than this broken world. We all share an experience of exile—of longing for our true home. In this ESBT volume, Matthew S. Harmon explores how the theme of sin and exile is developed throughout Scripture. He traces a common pattern of human rebellion, God's judgment, and the hope of restored relationship, beginning with the first humans and concluding with the end of exile in a new creation. In this story we encounter the remarkable grace of a God who wants to dwell with his people, and we learn how to live well as exiles in a fallen world. Rebels and Exiles makes clear how the paradigm of sin leading to exile is foundational for understanding both the biblical storyline and human existence. Essential Studies in Biblical Theology (ESBT), edited by Benjamin L. Gladd, explore the central or "essential" themes of the Bible's grand storyline. Taking cues from Genesis 1-3, authors explore the presence of these themes throughout the entire sweep of redemption history. Written for students, church leaders, and laypeople, the ESBT offers an introduction to biblical theology.

This is a story of men, women, and children who were forced from their homes in Russia during the 1930s to become resettlers in logging camps in northern Russia. The terrible hardships they endured are grimly realized in this novel by Hans Harder. The author is known as probably one of the best writers using Mennonite themes in his writing.