Strangers Below

Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives' early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives' old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose "high lonesome sound" appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.

Through analysis of 5 plays by Shakespeare, Paul Raffield examines what it meant to be a 'stranger' to English law in the late Elizabethan and early Jacobean period. The numbers of strangers increased dramatically in the late sixteenth century, as refugees fled religious persecution in continental Europe and sought sanctuary in Protestant England. In the context of this book, strangers are not only persons ethnically or racially different from their English counterparts, be they immigrants, refugees, or visitors. The term also includes those who transgress or are simply excluded by their status from established legal norms by virtue of their faith, sexuality, or mode of employment. Each chapter investigates a particular category of 'stranger'. Topics include the treatment of actors in late Elizabethan England and the punishment of 'counterfeits' (Measure for Measure); the standing of refugees under English law and the reception of these people by the indigenous population (The Comedy of Errors); the establishment of 'Troynovant' as an international trading centre on the banks of the Thames (Troilus and Cressida); the role of law and the state in determining the rights of citizens and aliens (The Merchant of Venice); and the disenfranchised, estranged position of the citizen in a dysfunctional society and an acephalous realm (King Lear). This is the third sole-authored book by Paul Raffield on the subject of Shakespeare and the Law. The others are Shakespeare's Imaginary Constitution: Late Elizabethan Politics and the Theatre of Law (2010) and The Art of Law in Shakespeare (2017), both published by Hart/Bloomsbury.

A great deal has been written about the Pilgrims, perhaps more than any other small group in American history. Yet they continue to be extravagantly praised for accomplishing what they never attempted or intended, and they are even more foolishly abused for possessing attitudes and attributes foreign to them. In the popular mind they are still generally confused, to their great disadvantage, with the Puritans who settled to the north of them around Boston Bay. The purpose of the Willison narrative is to allow the Pilgrims to tell their own story, insofar as possible, in their own words and deeds. Saints and Strangers brings back to life men and women who were among the most stalwart of American ancestors. George F. Willison destroys the myth that too long has been created in the American mind: that Pilgrims, while pious and much to be admired, were a drab, stern people dedicated to prudery. Nothing could be further from the facts. These were lusty English people who were well aware of good food, drink, and pleasurable living. They were also an adventurous, hardheaded community united in their campaign for freedom of worship. The book takes the reader from the Puritan exile in Holland, their long and troubled voyage from old Europe to new America, and the hazardous period of settling on a strange, bleak coast. The Puritans were comprised of weavers, smiths, carpenters, printers, tailors, and working people--with scarcely a blue blood among them. It was a long trek to Plymouth Rock from English village life. Willison has produced a realistic picture of these people who often have been inaccurately portrayed with little appreciation of their substantial place in the history of a New World.

Weaving a fascinating dialogue between the Old World as represented by Provence and the New World of the postmodern American university, this memoir describes in finely wrought detail a poet and critic of literary postmodernism moving his family to France and experiencing village life. Stories of amazing adjustments to a wildly different world are etched in beautiful prose, reading like a quest novel, a precise travelogue, an intense discourse on the visionary arts, and a rediscovery--if not reinvention--of the self as this contemporary American intellectual finds enlightenment in exile.

Published in 1949, Storm Below tells the story of a fictional Royal Canadian Navy ship HMCS Riverford, which is a composite of the vessels Hugh Garner served on during his time in the Canadian navy. The adventure unfolds over six days of an escort run across the Atlantic Ocean to Newfoundland during World War II.