Strindberg Plays 2

The second volume in the series of authoritative Methuen editions of Strindberg's Collected Plays This volume contains two of Strindberg's best-known plays from the years following his mental breakdown: the expressionist masterpiece A Dream Play (1901), which he described as 'my most beloved play, child of my greatest pain'; and both parts of The Dance of Death (1900), a terrifying analysis of a tormented marriage: 'it leaves an astonishing, an almost unaccountable, impression of genius ... as a beggar's cloak full of holes may have a kind of majestic beauty when the wind fills it, so this broken drama, having unmistakably the winds of vision in it, has beauty and dignity and power' (The Times, 1928). Also included is his earlier short play The Stronger (1889), a fascinating study of the power of personality."Michael Meyer is the translator most actors turn to when seeking a definitive text" (Sunday Times)

The second volume in the series of authoritative Methuen editions of Strindberg's Collected Plays This volume contains two of Strindberg's best-known plays from the years following his mental breakdown: the expressionist masterpiece A Dream Play (1901), which he described as 'my most beloved play, child of my greatest pain'; and both parts of The Dance of Death (1900), a terrifying analysis of a tormented marriage: 'it leaves an astonishing, an almost unaccountable, impression of genius ... as a beggar's cloak full of holes may have a kind of majestic beauty when the wind fills it, so this broken drama, having unmistakably the winds of vision in it, has beauty and dignity and power' (The Times, 1928). Also included is his earlier short play The Stronger (1889), a fascinating study of the power of personality."Michael Meyer is the translator most actors turn to when seeking a definitive text" (Sunday Times)

Includes: The Chamber Plays (The Storm, The Burned Site, The Ghost Sonata, The Pelican, The Black Glove) and The Ghost Highway. Gregory Motton's translations combine an unprecedented faithfulness to Strindberg's original texts with the natural fluency of one of our most linguistically able contemporary playwrights.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Plays By August Strindberg: Second Series: There Are Crimes And Crimes, Miss Julia, The Stronger, Creditors, Pariah; Volume 2 Of Plays By August Strindberg: There Are Crimes And Crimes, Miss Julia, The Stronger, Creditors, Pariah; Edwin August Bjorkman August Strindberg Edwin Bjorkman C. Scribner's sons, 1913 Swedish drama

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of plays by August Strindberg includes First Series, Second Series, Third Series, and Fourth Series. Strindberg's emotionally charged and naturalistic approach to writing revolutionized modern drama. These plays include themes of love, power, and the human psyche. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.