Stuart Semple Suspend Disbelief

The exhibition catalogue is a beautiful full colour publication that accompanied "Suspend Disbelief", Stuart Semple's 2013 solo exhibition in London that was an immersive experience held over two floor of Victoria House in Bloomsbury. Ingeniously designed, the 77 page bound book is assembled in a red custom acrylic slip case that includes numerous inserts that feature the essay "I Just Can't Help Believing" by Clare Hazelton and photography by Nadia Amura. The collection of work from "Suspend Disbelief" by Stuart Semple toy with the notion of pausing disbelief in obvious fictions within entertainment in exchange for pleasure. However it comes at a cost. By turning our backs on the truth of the situation we allow ourselves to be duped into the rejection of essential realities. "Suspension of disbelief doesn't stop at entertainment. It extends to our whole lives, especially in the West. I think we've suspended disbelief in the fact that we're all dying. That's universal. We're all mortal, but it's not a bad thing. Only by acknowledging the inevitability of death are we able to truly live."

This book offers an original approach to the study of the Scottish diaspora in Europe. It highlights the activities of a group of emigrants and exiles who served the twin-headed Habsburg dynasty during the first half of the seventeenth century.

The #1 New York Times bestselling novel and basis for the Academy Award-winning film—a timeless and universal story about the lines we abide by, and the ones we don’t—nominated as one of America’s best-loved novels by PBS’s The Great American Read. Aibileen is a black maid in 1962 Jackson, Mississippi, who’s always taken orders quietly, but lately she’s unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She’s full of ambition, but without a husband, she’s considered a failure. Together, these seemingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town...

In a chilling future, one 16-year-old girl is driven to the ultimate act of heroism. The Testament of Jessie Lamb, longlisted for the Man Booker Prize, is the breakout novel from award-winning author Jane Rogers. Its cunningly drawn characters and riveting vision of a dystopic future fraught with difficult moral choices will make The Testament of Jessie Lamb an instant favorite for fans of Kazuo Ishiguro’s Never Let Me Go, Margaret Atwood’s The Handmaid’s Tale, Suzanne Collins’s The Hunger Games, and Brian K. Vaughan’s Y: The Last Man. “The novel does not set up an elaborate apocalypse, but astringently strips away the smears hiding the apocalypses we really face. Like Jessie’s, it is a small, calm voice of reason in a nonsensical world.” —The Independent

Why has the US so dramatically failed in Afghanistan since 2001? Dominant explanations have ignored the bureaucratic divisions and personality conflicts inside the US state. This book rectifies this weakness in commentary on Afghanistan by exploring the significant role of these divisions in the US’s difficulties in the country that meant the battle was virtually lost before it even began. The main objective of the book is to deepen readers understanding of the impact of bureaucratic politics on nation-building in Afghanistan, focusing primarily on the Bush Administration. It rejects the ’rational actor’ model, according to which the US functions as a coherent, monolithic agent. Instead, internal divisions within the foreign policy bureaucracy are explored, to build up a picture of the internal tensions and contradictions that bedevilled US nation-building efforts. The book also contributes to the vexed issue of whether or not the US should engage in nation-building at all, and if so under what conditions.