Studies In Italian Renaissance Diplomatic History

Diplomacy during the period from about 1350 to about 1520 increasingly experimented with new ways of answering urgent political needs--to represent, negotiate, participate, and keep informed--by developing a broad range of innovative solutions that had to be integrated and absorbed within the traditional jurisdictional framework of medieval diplomacy. During the fifteenth century, diplomatic sources multiplied at an unprecedented rate, mostly due to the remarkable volume of dispatches exchanged between governments and envoys sent abroad for increasingly prolonged missions. The present book draws on these rich diplomatic sources, which are mostly unavailable to English readers. Most of the chapters present a selection of dispatches, either in their final version or in draft form; occasionally, instructions, letters of appointment, and final reports are added.

The history of international relations and warfare of early modern Europe has gained popularity in recent years. This bibliography provides a valuable listing of books, dissertations, and journal articles in the English language for scholars and general readers interested in diplomatic relations and warfare from the Hundred Years' War to the Napoleonic Wars.

Diplomacy has never been a politically-neutral research field, even when it was confined to merely reconstructing the backgrounds of wars and revolutions. In the nineteenth century, diplomacy was integral to the grand narrative of the building of the modern 'nation-State'. This is the first overall study of diplomacy in Early Renaissance Italy since Garrett Mattingly's pioneering work in 1955. It offers an innovative approach to the theme of Renaissance diplomacy, sidestepping the classic dichotomy between medieval and early modern, and re-considering the whole diplomatic process without reducing it to the 'grand narrative' of the birth of resident embassies. Communication and Conflict situates and explains the growth of diplomatic activity from a series of perspectives - political and institutional, cognitive and linguistic, material and spatial - and thus offers a highly sophisticated and persuasive account of causation, change, and impact in respect of a major political and cultural form. The volume also provides the most complete account to date of how it was that specifically Italian forms of diplomacy came to play such a central role, not only in the development of international relations at the European level, but also in the spread and application of humanism and of the new modes of political thinking and political discussion associated with the generations of Machiavelli and Guicciardini.

Modern diplomacy began in the fifteenth century when the Italian city-states established resident embassies at the courts of their neighbors. By the sixteenth century, the forms and techniques of the new continuing diplomacy had spread northward to be further developed by the emerging European powers. “The new Italian institution of permanent diplomacy was drawn into the service of the rising nation-states. and served, like the standing army of which it was the counterpart, at once to nourish their growth and foster their idolatry. It still serves them and must go on doing so as long as nation-states survive.” Garrett Mattingly, author of Catherine of Aragon and The Armada, here tells the story of Western diplomacy in its formative period and explains the evolution of the diplomat’s function. His able and lively discussion also forms, in effect, a history of Western Europe from an entirely fresh point of view. “Garrett Mattingly develops his theme with historical skill, a sense of the relevance of his subject to modern problems, and a literary grace all too rare in works of serious scholarship.”-New York Herald Tribune “An important book...carefully and elegantly written.”-Times Literary Supplement “Presents the many facets of a highly complex subject in a way which is as readable as it is scholarly.”-American Historical Review “A remarkable book: bold, scholarly and original, it will appeal equally to the expert and to the historically-minded general reader.”-New Statesman and Nation

This 2000 volume was the first attempt at a comparative reconstruction of the foreign policy and diplomacy of the major Italian states in the early modern period. The various contributions reveal the instruments and forms of foreign relations in the Italian peninsula. They also show a range of different case-studies and models which share the values and political concepts of the cultural context of diplomatic practice in the ancien régime. While Venice, the Papal States, the duchy of Savoy, Florence (later the duchy of Tuscany), Mantua, Modena, and later the kingdom of Naples may be considered minor states in the broader European context, their diplomatic activity was equal to that of the major powers. This reconstruction of their ambassadors, their secretaries, and their ceremonies offers a fascinating interpretation of the political history of early modern Italy.

The first comprehensive study of Renaissance diplomacy for sixty years, focusing on Europe's most important political centre, Rome, between 1450 and 1530.

In 1482, the Florentine humanist and statesman Francesco Berlinghieri produced the Geographia, a book of over one hundred folio leaves describing the world in Italian verse, inspired by the ancient Greek geography of Ptolemy. The poem, divided into seven books (one for each day of the week the author “travels” the known world), is interleaved with lavishly engraved maps to accompany readers on this journey. Sean Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Simultaneously, the use of the Geographia as a diplomatic gift from Florence to the Ottoman Empire tells another story. This exchange expands our understanding of Mediterranean politics, European perceptions of the Ottomans, and Ottoman interest in mapping and print. The envoy to the Sultan represented the aspirations of the Florentine state, which chose not to bestow some other highly valued good, such as the city’s renowned textiles, but instead the best example of what Florentine visual, material, and intellectual culture had to offer.