Study Guide For Billy Taylor S Jazz Piano

An informal though authoritative history of jazz, Taylor heard through the piano, combining his firsthand knowledge both as a musician and as an "aural historian." He begins by tracing jazz' roots to the African tradition, disputing Andre Hodier's popular theory that early jazz rhythms were derived from military marches and polkas, which black musicians might have heard in the 1800s. He follows the chronology through the rags of Scott Joplin and Eubie Blake, the New Orleans jazz of Jelly Roll Morton, the stride piano of Fats Waller and James P. Johnson, on up through Count Basie, Thelonious Monk, Cecil Taylor, McCoy Tyner and Keith Jarrett.

An informal though authoritative history of jazz, Taylor heard through the piano, combining his firsthand knowledge both as a musician and as an "aural historian." He begins by tracing jazz' roots to the African tradition, disputing Andre Hodier's popular theory that early jazz rhythms were derived from military marches and polkas, which black musicians might have heard in the 1800s. He follows the chronology through the rags of Scott Joplin and Eubie Blake, the New Orleans jazz of Jelly Roll Morton, the stride piano of Fats Waller and James P. Johnson, on up through Count Basie, Thelonious Monk, Cecil Taylor, McCoy Tyner and Keith Jarrett.

Billy Taylor is not only the life story of a jazz musician and spokesman but a commentary on racism and jazz as a social force.

Jazz Piano Fundamentals is master-teacher Jeremy Siskind’s welcoming, clear, and detailed guide to the first stages of jazz piano study. Each of the book’s twelve units presents lessons, exercises, licks, activities, listening guides, and practice plans to keep studies organized, productive, and creative. Step-by-step lessons guide students towards mastery in improvisation, chord symbols, leadsheet reading, voicings, swing rhythm and articulation, comping, playing basslines, personalizing a melody, the blues, bossa nova, and more. Every unit includes frequently asked questions and exclusive video content to ensure that all subjects are presented clearly and with sufficient depth. This book is designed to be used in conjunction with The Real Book, Volume 6. Recommended for pianists with knowledge of all major scales and coordination to play a Chopin Nocturne or Bach Invention

"Essays cover major historical trends and figures, discuss jazz in different countries, review the role of most instruments and consider the place of jazz in other arts, like dance, literature and film." N.Y. Times Book Rev. "This work is an effective single-volume device, leading current listeners to the music while including enough newer scholarship to retain the interest of connoisseurs." Libr J.

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).