Styling Texts

Covering a variety of genres and periods from medieval epic to contemporary speculative fiction, Styling Texts explores the fascinating ways in which dress performs in literature. Numerous authors have made powerful-even radical-use of clothing and its implications, and the essays collected here demonstrate how scholarly attention to literary fashioning can contribute to a deeper understanding of texts, their contexts, and their innovations. These generative and engaging discussions focus on issues such as fashion and anti-fashion; clothing reform; transvestism; sartorial economics; style and the gaze; transgressive modes; and class, gender, or race "passing." This is the first academic volume to address such an extensive range of texts, inviting consideration of how fashionable desires and concerns not only articulate the aesthetics, subjectivities, and controversies of a given culture, but also communicate across temporal and spatial divisions. Styling Texts is an essential resource for anyone interested in the artistic representations and significations of dress.

All students can learn about character using a classic mystery passage written at four reading levels. Symbols on the pages represent reading-level ranges to help differentiate instruction. Provided comprehension questions complement the text.

Language, Style and Variation in Contemporary Indian English Literary Texts is a volume which examines the linguistic and stylistic forms of Indian English in new fictional texts to explore the power of language to construct meaning, express identity, and convey ideology. Specifically, this study proposes the elaboration and application of postcolonial stylistics, i.e. an interdisciplinary methodology that uses different disciplines, such as literary linguistics and postcolonial studies as a critical lens to read contemporary Indian authors like Jeet Thayil, Deepa Anappara, Avni Doshi, Tabish Khair, and Megha Majumdar. The linguistic fabric of their fiction is investigated in a series of case studies, observing the stylistic rendition of a wide range of themes and tropes, such as the representation of Otherness, drug discourse, lament and the senses, which cumulatively portray aspects of the current Indian narrative scenario. The book develops ideas growing out of several disciplines to reach a fuller understanding of cultural phenomena in the postcolonial context, and by extension in the social world.

Basing himself on a careful study of all hitherto published (and some unpublished) Old-Babylonian literary texts - roughly 270 different compositions of all literary genres - Dr. Wasserman systematically leads the reader to a number of insightful conclusions regarding distinctive style and outstanding features of the Old-Babylonian literary system (as opposed to everyday texts, such as letters). The three opening chapters - Hendiadys, Tamyīz, and Damqam-īnim - are mainly concerned with syntax, but also connections with inalienability, a semantic issue. Chapter four and five, Merismus and Simile, focus on semantics (though also including word order). The last chapter, Rhyming Couplets, is fully devoted to form, with elaborations on such semantic problems as performative speech acts. The concluding pages delineate the contours of the Old-Babylonian literary system; genres and 'genre-families', the dichotomy between oral and written traditions, and the distinction between learned and popular literature. With a detailed catalogue of all known literary Old-Babylonian compositions.

Rama Panivada has composed the Kamsavaho to celebrate the incident of the slaying of Kamsa by Krsna. The author has given the biography of Krsna up to his slaying of Kamsa.The Inclusion of the Chaya and the addition of the English translation and the critical and explanatory notes would go a long way to facilitate the understanding of the text.

Working with the Text Styles that are built into the software we already use, we can simplify and speed up the process of turning a manuscript into a completed book or document. This guide is aimed at writers, editors, and designers who work freelance or in small organizations that don’t have the resources to acquire beginning-to-end publishing systems. Using text styles removes the ambiguity of the intentions of writers and content creators, and saves the people doing design and layout from guesswork.

Searchable electronic version of print product with fully hyperlinked cross-references.

Get a practical introduction to React Native, the JavaScript framework for writing and deploying fully featured mobile apps that look and feel native. With this hands-on guide, you’ll learn how to build applications that target iOS, Android, and other mobile platforms instead of browsers. You’ll also discover how to access platform features such as the camera, user location, and local storage. With code examples and step-by-step instructions, author Bonnie Eisenman shows web developers and frontend engineers how to build and style interfaces, use mobile components, and debug and deploy apps. Along the way, you’ll build several increasingly sophisticated sample apps with React Native before putting everything together at the end. Learn how React Native provides an interface to native UI components Examine how the framework uses native components analogous to HTML elements Create and style your own React Native components and applications Install modules for APIs and features not supported by the framework Get tools for debugging your code, and for handling issues outside of JavaScript Put it all together with the Zebreto effective-memorization flashcard app Deploy apps to the iOS App Store and Google’s Play Store