Subtle Poesy

This poetry book is an anthology of 102 poems that came straight from heart. True emotions as if immersed in ink to express some joyous moments and lot more melancholic times. Many words unsaid that remained tugged at heartstrings, having streamed their way into the pages of this book. Readers will be able to get deep into the heart of the poet and pull strings to release the melody & feel the subtlety of sentiments.

This book entitled NECTAR OF LIFE is an effort by two poets Mohd Gulrej Khan and Ajai Singh to depict the various emotions of life in honeyed words and various genre of poetry. The book unfolds different shades of life along with different moods of human beings. This book is aimed at maintaing the arsthetic texture of poems composed in different moods by the authors. Nectar of Life contains poetic resemblance of ancient, medieval and modern literary tendencies.

This book explores the possibility of philosophical praxis by weaving an ontological thread through four principal thinkers: Heidegger, Schelling, Goethe, and Heraclitus. It argues that a special kind of redemptive power awaits the structural understanding of thought that is beyond semantic formations such as concepts and ideational systems. The author claims that the “power” is negative in nature, trans-personal, and derived directly from the understanding of thought as a structural pulse. The book travels backwards in time, encountering successively Heidegger’s critique of calculative thinking, Schelling’s Mind/Nature relation, Goethe’s Delicate Empiricism, and the aphoristic wisdom of Heraclitus in search of a redemptive power that lies in the self-knowledge of thought. This power is ontological and not historical or developmental; it is the same at all times and all points of history. The author refers to the praxis as “philosophical bilingualism.”

This poetry book is an anthology of 102 poems that came straight from heart. True emotions as if immersed in ink to express some joyous moments and lot more melancholic times. Many words unsaid that remained tugged at heartstrings, having streamed their way into the pages of this book. Readers will be able to get deep into the heart of the poet and pull strings to release the melody & feel the subtlety of sentiments.

Oscar Wilde's 1891 symbolist tragedy Salom has had a rich afterlife in literature, opera, dance, film, and popular culture. Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression is the first comprehensive scholarly exploration of that extraordinary resonance that persists to the present. Petra Dierkes-Thrun positions Wilde as a founding figure of modernism and Salom as a key text in modern culture's preoccupation with erotic and aesthetic transgression, arguing that Wilde's Salom marks a major turning point from a dominant traditional cultural, moral, and religious outlook to a utopian aesthetic of erotic and artistic transgression. Wilde and Salom are seen to represent a bridge linking the philosophical and artistic projects of writers such as Mallarm , Pater, and Nietzsche to modernist and postmodernist literature and philosophy and our contemporary culture. Dierkes-Thrun addresses subsequent representations of Salome in a wide range of artistic productions of both high and popular culture through the works of Richard Strauss, Maud Allan, Alla Nazimova, Ken Russell, Suri Krishnamma, Robert Altman, Tom Robbins, and Nick Cave, among others.

“The best book yet written about this neglected and fascinating American painter” who anticipated abstract expressionism by more than fifty years (Gail Levin, The New York Times Book Review). At the dawn of the 20th century, Ralph Blakelock’s brooding, hallucinogenic paintings were a striking departure from the prevailing American tradition—and as sought after as the works of Winslow Homer and John Singer Sargent. In 1916, the record-breaking sale of Blakelock’s Brook by Moonlight made him famous. Yet at the time of his triumph, the troubled painter had spent fifteen years in a psychiatric hospital while his family lived in poverty. Released from the asylum, Blakelock fell into the dubious care of an eccentric adventuress, Beatrice Van Rensselaer Adams, who kept him a virtual prisoner while siphoning off the profits of his success, until his mysterious death. In this acclaimed biography, Glyn Vincent offers the first complete chronicle of Blakelock’s life. Vividly portraying New York in the nineteenth and early twentieth centuries, the narrative begins with his childhood in Greenwich Village and the years he spent peddling his canvases door-to-door and playing piano in vaudeville theaters. Vincent also delves into Blakelock’s journeys among the Sioux and Uinta Native Americans; his mental illness; and the way his exploration of mysticism informed his radical shift away from the Hudson River School of art.