Suburbia As A Narrative Space Between Utopia And Dystopia In Contemporary American Cinema

The suburban landscape is inseparable from American culture. Suburbia does not only relate to the geographical concept, but also describes a cultural space incorporating people’s hopes for a safe and prosperous life. Suburbia marks a dynamic ideological space constantly influenced and recreated by both the events of everyday life and artistic discourse. Fictional texts do not merely represent suburbia, but also have a decisive role in the shaping of suburban spaces. The widely held idealized image of suburbia evolved in the 1950s. Today, reality deviates from the concept of suburbs projected back then, due to e.g. high divorce rates and an increase of crime. Nevertheless, the nostalgic view of the suburbs as the “Promised Land" has survived. Postwar critics object to this perception, considering the suburbs rather as depressing landscapes of mass-consumption, conformity and alienation. This book exemplifies the dualistic representation of suburbs in contemporary American cinema by analyzing Pleasantville, The Truman Show and American Beauty. It examines how utopian concepts of suburbia are created culturally and psychologically in the films, and how the underlying anxieties of the suburban experience, visualized by the dystopian narratives, challenge this ideal.

Examination Thesis from the year 2012 in the subject English Language and Literature Studies - Other, grade: 1,0, University of Cologne, language: English, abstract: [Suburbia] has become the quintessential physical achievement of the United States; it is perhaps more representative of its culture than big cars, tall buildings, or professional football. Suburbia symbolizes the fullest, most unadulterated embodiment of contemporary culture. As Kenneth Jackson notes in his price-winning chronicle Crabgrass Frontier, the suburban landscape has become inseparable from American culture within the last two centuries. Nowadays living in the suburbs is the norm for most Americans, as since the 1990s, more than two third of the population lives in suburban districts. The term suburbia does not only relate to the geographical concept that differentiates these dwellings from urban or rural areas, but also describes a cultural, ideological space incorporating Americans' hopes for an economically safe and prosperous family life. Closely tied to the history and culture of the USA, suburbia marks a dynamic ideological space that is constantly influenced and recreated by both the events of everyday life and artistic discourse. Thus, the depiction of suburban life functions as a central narrative element in numerous works of American literature, art and film. In this context, fictional texts do not merely represent suburbia, but also have a decisive role in the shaping of suburban spaces. The treatment of suburbia as a cultural space in American movies is of special interest, as their commercial success and popularity make films important cultural texts. As Spigel notes, "television and new media redirect our experience of private and public spheres" and therefore highly influence our perceptions of the spaces we inhabit. Regarding suburban landscapes, this aspect is particularly interesting because the inexorable rise of the television practically coincided with the postwar suburb

Examination Thesis from the year 2012 in the subject English Language and Literature Studies - Other, grade: 1,0, University of Cologne, language: English, abstract: [Suburbia] has become the quintessential physical achievement of the United States; it is perhaps more representative of its culture than big cars, tall buildings, or professional football. Suburbia symbolizes the fullest, most unadulterated embodiment of contemporary culture. As Kenneth Jackson notes in his price-winning chronicle Crabgrass Frontier, the suburban landscape has become inseparable from American culture within the last two centuries. Nowadays living in the suburbs is the norm for most Americans, as since the 1990s, more than two third of the population lives in suburban districts. The term suburbia does not only relate to the geographical concept that differentiates these dwellings from urban or rural areas, but also describes a cultural, ideological space incorporating Americans’ hopes for an economically safe and prosperous family life. Closely tied to the history and culture of the USA, suburbia marks a dynamic ideological space that is constantly influenced and recreated by both the events of everyday life and artistic discourse. Thus, the depiction of suburban life functions as a central narrative element in numerous works of American literature, art and film. In this context, fictional texts do not merely represent suburbia, but also have a decisive role in the shaping of suburban spaces. The treatment of suburbia as a cultural space in American movies is of special interest, as their commercial success and popularity make films important cultural texts. As Spigel notes, “television and new media redirect our experience of private and public spheres” and therefore highly influence our perceptions of the spaces we inhabit. Regarding suburban landscapes, this aspect is particularly interesting because the inexorable rise of the television practically coincided with the postwar suburbanization of the US and had a significant effect on life in general and on the suburban ideal in particular. As a consequence, the TV-set was inseparable from the model of the suburban single-home in the 1950s. Thus, already in the fifties, when the idealized image of suburbia evolved, television had a decisive impact on the creation of suburbia as a cultural space. In this context, it must be questioned whether the depictions of suburbia are simulations of the real spaces, or if it is in fact the other way around, so that suburbia as a cultural concept is a mere simulation of the fictional spaces depicted on screen and thus a copy without an original.

The suburban landscape is inseparable from American culture. Suburbia does not only relate to the geographical concept, but also describes a cultural space incorporating people’s hopes for a safe and prosperous life. Suburbia marks a dynamic ideological space constantly influenced and recreated by both the events of everyday life and artistic discourse. Fictional texts do not merely represent suburbia, but also have a decisive role in the shaping of suburban spaces. The widely held idealized image of suburbia evolved in the 1950s. Today, reality deviates from the concept of suburbs projected back then, due to e.g. high divorce rates and an increase of crime. Nevertheless, the nostalgic view of the suburbs as the “Promised Land" has survived. Postwar critics object to this perception, considering the suburbs rather as depressing landscapes of mass-consumption, conformity and alienation. This book exemplifies the dualistic representation of suburbs in contemporary American cinema by analyzing Pleasantville, The Truman Show and American Beauty. It examines how utopian concepts of suburbia are created culturally and psychologically in the films, and how the underlying anxieties of the suburban experience, visualized by the dystopian narratives, challenge this ideal.

This book attempts to clarify the narrative conditions of humanism, asking how we can use stories to complicate our understanding of others, and questioning the ethics and efficacy of attempts to represent human social complexity in fiction. With case studies of films like Parenthood (1989), American Beauty (1999), Little Miss Sunshine (2006) and The Kids Are All Right (2010), this original study synthesises leading discourses on media and cognition, evolutionary anthropology, literature and film analysis into a new theory of the storytelling instinct.

The expansion of the suburban environment is a fascinating cultural development. In fact, the United States is primarily a suburban nation, with far more Americans living in the suburbs that in either urban or rural areas. Why were suburbs created to begin with? How do we define them? Are they really the promised land of the American middle class? The concept of space and how we create it is a concept that is receiving a great deal of academic attention, but no one has looked carefully at the suburban landscape through the lens of fiction and of film.

Look Closer examines contemporary media texts that use American suburbia not just as a setting, but as a central component of narrative and thematic development. It discusses the myth of suburban perfection popularized by postwar sitcoms and advertisements and explores how the directors and producers behind today's films and television series use the spaces of suburbia to tell stories about America as well as critique the conservative ideologies that underpin the suburban American Dream.

This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? Vermeulen usesDesperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber to explore these questions.