Such Small Hands

Shirley Jackson meets The Virgin Suicides, set at an all-girls orphanage.

A new novel from a Spanish literary star about the arrival of feral children to a tropical city in Argentina, and the quest to stop them from pulling the place into chaos.

In a room above a bizarre German museum, and far from the prying eyes of strangers, lives in Old Man. Caretaker by day, by night he enjoys the sound of silence, broken only by the occasional crunch of a spider between his teeth. Little Hands Clapping brings the Old Man together with the respectable Doctor Ernst Fröhlicher, his dog Hans and a cast of grotesque and hilarious townsfolk who find themselves involved in a crime so outrageous it will shock the world. From its sinister opening to its explosive denouement, Little Hands Clapping blends lavishly entertaining storytelling with Rhodes’s macabre imagination, entrancing originality and magical touch.

V. Children in bondage

Winner of the 2015 Forward Prize for Best First Collection Mona Arshi’s debut collection, 'Small Hands', introduces a brilliant and compelling new voice. At the centre of the book is the slow detonation of grief after her brother’s death but her work focuses on the whole variety of human experience: pleasure, hardship, tradition, energised by language which is in turn both tender and risky. Often startling as well as lyrical, Arshi’s poems resist fixity; there is a gentle poignancy at work here which haunt many of the poems. This is humane poetry. Arshi’s is a daring, moving and original voice.

Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.

Photographs and simple, rhyming text present different things that hands can do, such as hold things, mix things, play peek-a-boo, and wave hello.

LONGLISTED FOR THE PEN/FAULKER AWARD ONE OF TIME’S 100 BEST BOOKS OF THE YEAR ONE OF NPR’S BEST BOOKS OF 2019 “All the tawdry details I’m dying for are in these stories, but they’re given out like old sweaters—without shame, without guile. Amy Hempel is the writer who makes me feel most affiliated with other humans; we are all living this way—hiding, alone, obsessed—and that’s ok.” —Miranda July From legendary writer Amy Hempel, one of the most celebrated and original voices in American short fiction: a ravishing, sometimes heartbreaking new story collection—her first in over a decade. Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In “A Full-Service Shelter,” a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In “Greed,” a spurned wife examines her husband’s affair with a glamorous, older married woman. And in “Cloudland,” the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel’s singular, startling, inimitable sentences.