Sullivan

'Impossible to read without smiling - escapist romantic comedy at its finest' Lauren Layne 'Once you start reading, you won't be able to put it down' Lyssa Kay Adams What happens when your love life becomes the talk of the town? As birthdays go, this year Everly Dean has hit rock bottom. If catching her boyfriend cheating with his assistant wasn't enough, Everly's rant about Simon the Snake, a.k.a. Cheating Ex, accidentally being broadcast live on the radio really sealed the deal... When public humiliation turns her into a viral sensation with a string of potential dates, and suddenly there's some serious chemistry with her cute but until now distant boss Chris, Everly - the woman who could win a gold medal in people-avoidance - is going to have to dig deep. They say fake it till you make it, and Everly's making a list: The Ten Rules for Faking It. Because sometimes making the rules can find you happiness when you least expect it. 'This is a Hallmark movie in book form' Helen Hoang 'A funny, sweet rom com from a fresh, sparkling new voice' Andie J. Christopher

Louis Henry Sullivan traces his life and oeuvre. It addresses his most famous buildings - including the Auditorium Building in Chicago, the Wainwright Building in Saint Louis, the Guaranty Building in Buffalo, and the National Farmers Bank in Owatonna, Minnesota - and reveals many of his lesser-known projects to be underappreciated masterpieces. For the first time, Sullivan's work, which has often been misappropriated, is explored in its historical and theoretical context.

They killed the king. They pinned it on two men. They chose poorly.#13;#13;There's no ancient evil to defeat, no orphan destined for greatness, just two guys in the wrong place at the wrong time...Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater make a profitable living carrying out dangerous assignments for conspiring nobles until they become the unwitting scapegoats in a plot to murder the king. Sentenced to death, they have only one way out--and so begins this epic tale of treachery and adventure, sword fighting and magic, myth and legend.#13;#13;AWARDS#13;2009 National Indie Excellence Award Finalist#13;2008 ReaderViews Literary Award Finalist#13;2007 Foreword Magazine Book of the Year Finalist#13;Named One of the 2008 Notable Indie Books by Fantasy Book Critic #13;Named Top Five Fantasy of Books of 2009 by Dark Wolf's Fantasy Reviews#13;#13;ABOUT THE SERIES#13;The Crown Conspiracy is book one of the multi-book saga: The Riyria Revelations. Instead of a string of sequels, this six-book fantasy series was conceived as a single epic tale divided into individual novels. While one book may hint at building mysteries and thickening plots, these threads are not essential to reach a satisfying conclusion to the current episode--which has its own beginning, middle, and end. It should be noted that all six were written before the first was released to ensure continuity across a complex plot filled with twists, turns, and page-turning mysteries. Characterization occur across the whole series allowing readers to build friendships with likeable characters that are shaped as events unfold. The Riyria Revelations is written for adults but has no sex and limited violence centered on swordplay and is therefore, appropriate for younger audiences and a movie version based on the novels would garnish a PG-13 rating.

The debut collection of short stories by Canadian author Andrew F. Sullivan. Includes 20 stories.

A "collection of [the author's] greatest arguments on culture, politics, religion, and philosophy"--

Most Anticipated for 2022 by: Goodreads * PopSugar * Buzzfeed * USA Today "Sophie Sullivan’s writing feels like a warm hug.” —Rachel Lynn Solomon, bestselling author of The Ex Talk Enemies-to-lovers meets HGTV in this frothy, effervescent romantic comedy from Sophie Sullivan, author of Ten Rules for Faking It. Interior Design School? Check. Cute house to fix up? Check. Sexy, grumpy neighbor who is going to get in the way of your plans? Check. Unfortunately. Grace Travis has it all figured out. In between finishing school and working a million odd jobs, she’ll get her degree and her dream job. Most importantly, she’ll have a place to belong, something her harsh mother could never make. When an opportunity to fix up—and live in—a little house on the beach comes along, Grace is all in. Until her biggest roadblock moves in next door. Noah Jansen knows how to make a deal. As a real estate developer, he knows when he's found something special. Something he could even call home. Provided he can expand by taking over the house next door--the house with the combative and beautiful woman living in it. With the rules for being neighborly going out the window, Grace and Noah are in an all-out feud. But sometimes, your nemesis can show you that home is always where the heart is. “This is a novel you'll want to read over and over again.” - USA Today

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For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.